Love the leader, love the leader. Buckets of blood. You get the idea. This is a moody masterpiece really, with it’s dark undertones and badass beat. I feel like I’m in a video game, somehow trapped but finding ways out. This music is so trippy but I like it.
‘’Last City Of England’’ is the lead single off the new 2nd album by Ortaka, continuing to explore an eclectic range of influences and techniques, songs and instrumentals. He describes his music as Indie Rock/ Electronic and I feel like it should be called Ortaka music.
This is really fascinating music and the full album is set for release on 29th May 2020. Instrumentals, drum and bass to noise rock influences are a plenty here. I would love to jam out with good friends like my buddy Dan to this as he’s such a huge drum & bass fan.
I like the ruggedness of the ‘Orteka’ creations and I can’t quite work it all out. Perhaps that is the point, you aren’t supposed to. Just enjoy it and listen at a very high volume.
This is an artist not to be ignored so click here on the SoundCloud link and be amazed.
There are very few breaking Pop artists who can match the instantly magnetic ingenuity in Harbor Gents’ latest single Twisted.
Through soul-spilling lyrics, evocatively resonant vocals and the layers of Funk, Hip Hop, and Avant-Garde added to the Synth lines, you’ve never quite heard a Pop track like Twisted before.
Despite the striking distinction which drips from Twisted, Harbor Gents ensured that the accessibility wasn’t diminished, the deftly crafted melodies will stick to your synapses like superglue.
Any fans of Gary Numan, Kraftwerk and Depeche Mode will undoubtedly want to give this perennial Pop earworm plenty of attention. The Latvian artist is definitely one to watch. It isn’t every day that we discover an artist who creates a brand-new trajectory in the evolution of Pop.
You can check out Harbor Gents’ single Twisted for yourselves by heading over to YouTube.
If there is one thing which connects the various reference points that Machinic Demiurge it is a dark, agitated claustrophobic vibe that comes from its hushed menace and hypnotic backbeats. It employs fractious industrial splinters, gothic otherworldliness, strange skittering dance beats and enigmatic bass riffs to create a Bauhaus-esque, horror movie soundtrack for a new generation.
Oddly for all its sharp, jagged edges and sense of impending doom, Mechanically Separated Human is strangely elegant in its oddness, after all you don’t have to understand beauty to appreciate it and to a legion of Goths, anarcho-punks, darkwave dancers and other denizens of the night, this will be one of the most beautiful records they have heard recently. To others it will be strangely enticing and to yet others it will be confounding and challenging and no matter where you stand on the matter you won’t forget it in a hurry.