‘Thank You for Your Complaints‘ from Emilya ndMe is a riveting listen and definitely the most cinematic song of the year so far.
Emilya ndMe is the stage name of the talented Lauretta Galeno is a songwriter from Genoa in Italy. with several collaborations and appearances on prestigious Italian stages. A producer, performer and songwriter, this is one incredible musician and creative.
Ethereal electronic pop is the feel here, the haunting sound catches your attention and you first turn on the song. You just know something special is going to happen.
‘Thank You for Your Complaints‘ from Italian native Emilya ndMe is the final single from her album of the same name and the standard is so high the whole way through. I love how her vocals are capable of anything and this is pure music to support. The crystal clear voice takes me into a whole new world of self-discovery.
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Stream this new song here on Spotify.
Reviewed by Llewelyn Screen
“CIAO CIAO” is the upcoming single from breaking Italian Alt Pop artist Lita. With the bilingual vocals, her cinematically expressive Pop hit is a track which could enamour Pop fans worldwide.
Lita’s Italian roots are weaved into the mix through stunning operatic vocals giving CIAO CIAO a slightly haunting and dramatic tone. Yet, Lita brings the tonal warmth back up to a cordial temperature with her own vocals.
If you can draw yourself away from the vocal alchemy in CIAO CIAO, you’ll be able to appreciate the level of distinction in the vibrant, stylistically intricate beats. Whether you hear this track drop on a dancefloor or your drive home, you’re bound to admire her ability to create a danceable yet undemanding track.
The track was written for anyone who feels displaced, and like they never really have a place to call home after moving away. The sentiment definitely doesn’t fail to resonate.
You’ll have to wait a little longer before you can check out CIAO CIAO for yourselves. In the meantime, give Lita a follow via Instagram, and you can listen to her earlier releases via SoundCloud now.
Review by Amelia Vandergast