Browsing Tag

Irish Music

Sun Way Street dove to the abyss of the heart in their diaphanous indie-folk release, Shadows on the Rain

Sun Way Street, the indie folk duo led by singer-songwriter Steven Eli and multi-instrumentalist Leor Manelis, invite you into the rain-streaked sepia tones of Shadows on the Rain. This single turns a storm into something tangibly diaphanous, wrapping you in an atmosphere of vulnerability and aching emotion. The delicate strings carry a tender weight, echoing the confessional mood as the duo trace the bitter reprise of “I don’t know if I can trust her” without any anger or spite clouding the candour.

Their melodies and harmonies function like magnets, drawing you in as the instrumentals swell and ebb with graceful subtlety. The arrangement, artfully crafted in classic indie folk style, feels like an aural comfort blanket; one that haunts you with the pain of betrayal while offering catharsis.

The single is part of their debut album Planted Heart, released earlier this year, which came from a transatlantic collaboration born during the pandemic, with Steven flying from Ireland to Colorado to record in person with Leor. The album features contributions from an international roster of musicians, lending oceanic depth to the project that’s already deeper than what you’d imagine the airwaes carrying. They’re operating in the abyss of the heart.

Shadows on the Rain is now available on all major streaming platforms, including Spotify.

Review by Amelia Vandergast

Leannán Sídhe by Ava Brogan Unleashed Hyper-Ethereal Electricity into the Forests of Folktronica 

Ava Brogan proved that if no one’s claimed the hyper-folk crown yet, it’s hers to wear and wield. With her seminal single Leannán Sídhe (just can’t stay away), she tugged at the veil between ancient Ireland and the modern electronic undercurrent and flooded the senses with glimmering ethereal intensity.

There’s an avant-garde obscurity to the release, but it doesn’t push listeners away; it lures them in with a mystifying pulse that dances between psychedelic playfulness and primal sensuality. Brogan never tried to cage her authenticity for palatability. The chaotic energy is potent, but never unruly, as the track shapeshifts through whimsical electronica, traditional harping, and guttural bass, swaddled in a sonic femininity so vivid you can almost feel it glitter on your skin.

With roots grounded in Irish tradition, shaped by her upbringing performing in Ceili bands and Grupa Ceoil’s, Brogan’s current sound is drenched in the spirit of Tír na nÓg and charged with the queerness of a new generation. The influence of Kate Bush, Britney Spears, and Caroline Polachek doesn’t eclipse her voice, it simply feeds the undercurrent of audacity that surges beneath her spellbinding production.

Leannán Sídhe (just can’t stay away is now available on all major streaming platforms, including Spotify. 

Review by Amelia Vandergast

Shoegaze and Post-Rock Collide in Callas’ Lush, Lascivious Storm, ‘Doxa’

There’s no getting around the walls of noise Callas constructed in their latest single, Doxa, literally; the only way through is a full-on collision, resulting in submersion into what needs to be definitively coined as post-rock pornography.

It’s all tempered by the dreamy, lush hues of reverb and choral effects that drift through the seduction-charged tempest of a track which may only bare a few teeth at first, but by the crescendo, shows exactly how visceral Callas have the capacity to be. The trio, drawn from the windswept edges of Cork and the creative sprawl of former Ealadha and Bantum projects, treat genre conventions like playthings, letting distortion and abstraction shoulder up to a darker, denser, defiantly ambitious sound.

Dom Murphy’s vocals haunt the instrumental storm possessed by that pulse that makes shoegaze so dangerous when it’s handled by people who refuse to keep it on a leash. You’re left feeling the track linger, licking the wounds it leaves in its wake, but simultaneously, Alt-90s fans can probably throw out their Viagra; Doxa is pure seduction in stereo, proving there’s still plenty of mileage left in shoegazed post-rock when it’s delivered with this level of intent.

Doxa is now available on all major streaming platforms, including Spotify.


Review by Amelia Vandergast

David Keenan Poured Smooth Soulful Swagger into His Aphrodisiac of a Jazzy Neo-Pop Single, ‘Amelioration’

With a generous pour of soul-swathed Irish charm, David Keenan unveiled a pop serenade smoother than velvet with his latest single, Amelioration. Keenan’s vocals glide with smoky sensuality layered in jazz-tinted swagger that breathes effortless class into the neo-pop vibes. It’s a honeyed sonic spell, dripping debonair energy like candle wax, cascading every note into a lush, vivid landscape where passion beds down.

The Irish crooner doesn’t merely flirt with jazzy stylings; he owns them outright. Each lyrical line rolls off his tongue like the vocal style was made for him, delivering poetic introspection laced with the wry wisdom of someone who’s lived more lives than one. This tune isn’t here for shallow thrills; it’s got depth, drenched in the kind of authenticity you can’t fake—euphoria threaded with candid reflections on relationships, substances, and morning-after clarity.

With upcoming headline shows at London’s Bush Hall and Dublin’s Ambassador Theatre this July, Keenan is clearly ready to make this his era, serenading us into submission one jazz-laden phrase at a time.

Amelioration is now available on all major streaming platforms, including Spotify.

Review by Amelia Vandergast

Mute the TV – Only the Good Times Matter: Anthemically Exuberant Wholesome Indie Pop

There was no forgetting Mute the TV after having the pleasure of falling in love with their synthy-sweet debut single “With You”. Thankfully, they didn’t keep us waiting for all too long before the release of their soul-soothing Indie hit “Only the Good Times Matter”.

If we’re all being honest with ourselves, our playlists could all do with a little bit more wholesome Indie Pop on them right now. And that’s just what Mute the TV’s anthemically exuberant hit achieves. We’ve all had three months in stasis to decide on what really matters, and I have to say I’m with Mute the TV on this one.

With sonic synth lines and super-charged Indie Rock riffs in a well-rounded and practically effervescent instrumental arrangement, Only the Good Times matter efficaciously feeds you organic feel-good vibes. Existentialism is out, optimism is in.

You can check out Only the Good Times Matter for yourselves by heading over to Spotify.

Review by Amelia Vandergast