Browsing Tag

Interpol

Run The Enemy brought even more tragedy to the legacy of Sylvia Plath with their Post-Punk vignette, She Writes Poetry

Posted on 18 March 2024

Poetry may be becoming a dying art form, but it lives and breathes through the hauntingly melodic introspection in the standout single, She Writes Poetry, from Run the Enemy’s hotly anticipated debut album, Trail of Tears.

After the post-punk-tinged and angularly cavernous lead guitar work in the prelude, the timbre of the melancholic indie vocal lines spectrally appears in the achingly pensive release which finds the monochrome middle ground between Editors earlier work and Interpol’s most affecting expositions of ennui.

With the final crescendo, She Writes Poetry, which gives Richey Edwards and Morrissey a run for their lyrical vignette money, builds into a massive all-encompassing production with strings carving through the post-punk atmosphere.

Written to allude to the abusive relationship between Plath and Ted Hughes, the Cambridge-based outfit succeeded in bringing even more tragedy to the legacy of Plath, given that she stuck her head in an oven in her final moments and penned some of the most pensively affecting works to date, that is some feat of ingenuity.

Stream She Writes Poetry as part of Run The Enemy’s debut LP, Trail of Tears, on Spotify now.

Review by Amelia Vandergast

Strange Cities bled a kaleidoscope of light and soul through the monochromatic prism of post-punk with ‘Where Stars Collide’

Posted on 26 February 2024

Just when I thought I’d seen every scene in the post-punk landscape, Strange Cities appeared on my radar and shattered my aurally jaded heart with Where Stars Collide from their debut album, Moments Stolen.

With the Interpol-esque angular guitar lines cutting through the warmth in the atmosphere that proves post-punk melancholy doesn’t always need to be monochromatic, the San Francisco-hailing visionaries amalgamated a soulful new trajectory of the genre, giving it a definitive place in the contemporary music industry.

As the palpitatingly sweet melodies in the dynamically sepia-tinged production evoke energy and give you kinetic rhythms to move to, the vocals make no bones about relaying the achingly raw lyricism and inciting bitter-sweet desolation in your soul. Versing about cheating death, watching your friends taking their final breath and seeing their faded faces framed in memories was always going to hit hard, but the impact in Where Stars Collide is a collision you’ll never forget.

Imagine if Editors in their An End Has a Start era hired Marin Hannett as a producer and radiated the hues of New Order’s Temptation, and you’ll get an idea of what Strange Cities constructed in Where Stars Collide. Or, you can get acquainted with the band renowned for their live performance, who have recently opened for Sisters of Mercy and Gene Loves Jezebel.

The Moments Stolen LP was officially released on February 2nd; stream the album on Spotify.

Review by Amelia Vandergast

Romantic Indie-Rock Raconteur Griffin Robillard is Electrifying in His Anthemically Rythmic Hit, Laws of Longing (LOL)

Posted on 10 February 2023
Griffin Robillard

For the exact same reasons I fell in love with Editors from the first hit, I felt my pulse quicken to the snappy electro-indie gravitas and vocal magnetism from the indie rock raconteur Griffin Robillard, in his single, Laws of Longing (LOL).

The production is as polished as it is colossal as it wraps around the die-hard romanticism in the lyrics and the dance-worthy rhythms evocatively heightened with every ardently pitch-perfect vocal stretch. With Grant Eppley (The National, Maggie Rogers, Spoon) in charge of production, it was never going to be lacklustre. Yet, clearly, the raw material already came with a scintillating sheen.

When most people endure a broken-off engagement, they fall into an insular vacuum of self-pity. Notably, it did little to quell Griffin Robillard’s intensely passionate drive, which puts a visceral amount of momentum into Laws of Longing. It is just one of the singles found on his upcoming debut album, Big Pieces Energy, penned-post-heartbreak and due for release on March 10th.

Laws of Longing will officially release on February 10th. Hear it on Griffin Robillard’s website.

Review by Amelia Vandergast

The Last Clouds take you to the sonic depths of dejection with their ethereal indie electronica track, Black Hole Lives.

Posted on 17 September 2021

With an intro that mashes The National-style tender piano keys with glitchy caustic electronica, the sense of duality starts resonating early in The Last Clouds’ latest single, Black Hole Lives.

There is an overarching sense of inescapable despair while the restive drum patterns epitomise our refusal to sit restless with ennui. Resonate with it, and you will find yourself consumed by the monochromatic tones, poetic lyrics and psychologically reflective rhythms as you’re taken to the sonic depths of dejection. I mean, do you really have anywhere better to go?

As the single progresses, the reverb that took the sting out of the naturally intimate, Paul Banks reminiscent vocals in the intro starts to slip away, allowing the emotion to ebb and flow with the crescendos, saving the most visceral for last.

I don’t make Paul Banks comparisons lightly, but if any new single is going to leave you an emotional wreck, it is Black Hole Lives and I can personally vouch for The Last Clouds when I say they pour plenty more into their live performances than Interpol.

Black Holes Lives is the second release from the Cheshire-based synth duo’s upcoming album, English Melancholy. The single was officially released on September 17th; you can check it out via Spotify.

Review by Amelia Vandergast

WE ARE MONROE – BABY LOVE: euphorically dark indie post-punk. 

Posted on 2 June 2021
‘BABY LOVE’ is just one of the three tracks that feature on the latest EP, ‘MOVEMENTS’, from WE ARE MONROE, a Canadian-based alt-rock powerhouse making waves by showing the softer, more affable side to post-punk.
With Kessler-style cuttingly angular guitar notes over danceable beats and shimmering synths, BABY LOVE is an enliveningly authentic track that proves why WE ARE MONROE hasn’t failed to gain plenty of momentum with their euphorically dark indie sound. With Gus Van Go (Arkells) on production, it comes as no surprise that BABY LOVE boasts an anthemically absorbing feel that you’ll want to delve into time and time again. BABY LOVE will undoubtedly be a hit with any fans of Franz Ferdinand, The Killers, Spector, Bloc Party and Kasabian.
BABY LOVE is now available to stream via SoundCloud.
Review by Amelia Vandergast

Alt indie newcomers 20-LD have unleashed their foreboding dark earworm, ‘Feel It Now’.

Posted on 21 May 2021

Alt-indie newcomers 20-LD have released yet another transfixing track onto the airwaves with the release of their latest single, ‘Feel It Now’. It comes with the same atmospheric chill as Joy Division, Covenant-style darkwave beats and static choppy guitar progressions that cut through the reverb that bleeds from the synth notes.

With a few psychotropic tones laced into the dark earworm under forebodingly magnetic vocals that will be a hit with any fans of the Editors, it’s safe to say that 20-LD’s sound holds as much distinction as it does commercial potential.

The optimism that rings through in the higher notes feels like the ultimate feat of defiance in this timely melancholic release that pulls sheer ingenuity out of the dark. We can’t wait to see where this lockdown-born artist takes their sound next.

Feel It Now is now available to stream via Spotify.

Review by Amelia Vandergast

Sonic Indie and Celestial Soul Collide in Nikola’s Transfixing Alt Indie Rock Single ‘Pink Lights’

Posted on 22 December 2020

After spending years successful touring bands, Minnesota-hailing artist, Nikola Hamilton, released their ground-breaking EP ‘Darling’ and established themselves as one of the most luminary singer-songwriters who have made their debut in 2020.

The standout track, Pink Lights, will allow you to imagine what would happen if Interpol chose to team up with Hozier. You get the cold, cutting sonic style with the almost celestial vocals which tear though the darkly atmospheric soundscape and speak directly to your soul.

If Nikola made a bigger impression with their sleek Darkwave debut, we’d have concussion.

You can check out Nikola’s EP for yourselves which was released on November 13th, 2020 via Spotify.

Review by Amelia Vandergast

MICLEY has made a cuttingly catchy debut with their Dark Pop single “Inside My Head”

Posted on 6 October 2020

“Inside My Head” is the alluringly dark debut single from Alt Pop artist MICLEY who utilises the raw evocativeness of artists such as MCR and Muse and pours it into a Pop production which oozes with commercial appeal.

The tender vocals verse lyrics which convincingly tell you that change is inevitable, but despair doesn’t have to be. Embrace it, ride the waves of torrid emotions and appreciate that such melancholy, apathy and grief can inspire things as beautiful as Inside My Head.

It’s catchy and cutting at the same time. More pertinently, the piercing vulnerability in the soundscape has earned MICLEY more respect than we know what to do with. Naturally, we’re obsessed with their debut, and we’re all too eager to hear what follows.

You’ll be able to check out Inside My Head from October 15th. You can pre-save the single via Spotify.

Review by Amelia Vandergast

Texan Alt Rock newcomers Tough on Fridays tease the release of their sophomore album “Ways to Kill Time”

Posted on 21 August 2020

Tough on Fridays are set to release their sophomore album on September 4th. Ahead of the highly-anticipated release, we’ve been given a sneak peek of the infectiously catchy single “Pleased to Meet You”.

The Georgetown, TX artist’s Grungy Pop Punk sound may just restore any faith which you’ve lost in this generation’s up and coming artists. With the sharp melodic hooks, euphoric choruses and scathingly visceral vocals it’s safe to say that Pleased to Meet You comes with a fairly vicious Pop Punk bite. No review of Pleased to Meet You would be complete mentioning the captivating nuances of Post Punk which helps draw the dynamic track to a close. The cutting angular solo work even gives Daniel Kessler (Interpol) a run for his money.

Any fans of Dream Wife, Yeah Yeah Yeahs, the Airborne Toxic Event and The Regrettes won’t want to miss out on the release of what promises to be one of the hottest album drops of 2020.

A Fantastic Way to Kill Time will be available via all major streaming platforms from September 4th. In the meantime, you can check out their earlier releases via SoundCloud.

Review by Amelia Vandergast

Fendahlene – High and Low and Back Again: Alchemically Evocative Alt Indie Post Punk

Posted on 19 July 2020

With an intro which carries the same aural weight as a quiescently morose melody from Nils Frahm, Alt Indie trailblazers Fendahlene’s single kicks off “High and Low and Back Again” with a teasing start before settling into an intricately masterful feat of Indie Power Pop.

Any fans of the National, R.E.M., Bon Iver, Arcade Fire and Interpol will definitely want to pay attention to the band’s latest release. There’s no replicating that Alt 90s sound, Fendahlene didn’t have to, the Australian-based artist has been crafting alchemically evocative tracks since their inception in 1994.

With the cuttingly angular Post Punk guitar tones weaving around the resolving vocals, High and Low and Back Again unfolded as an unforgettably soul-filling stylistic Indie hit. We’re already stoked to hear what is next.

You can check out High and Low and Back Again for yourselves by heading over to YouTube.

There will be plenty more to come from the band in 2020 and beyond. Keep up to date with the artist’s latest news and releases via Facebook.

Review by Amelia Vandergast