Toronto-based ambient electronica artist Steve Nicosia has released his latest cinematically transcendent single, Cotton Candy Sky, which immortalises the sunset that inspired the tranquil melodies.
The accordant guitars cutting around the melodic chiptune beats ensures that Cotton Candy Sky possesses enough momentum to pull you through the progressions and keep you engaged with the rhythmic ambling of the instrumentals. It is a rarity that we can call instrumental electronica soundscapes soulful, but in Cotton Candy Sky, the energy and emotion of awe at natural beauty truly resonate. Nicosia weaves soft, colourful hues throughout the delicately tropic single; to resounding effect.
With plenty more releases planned, Nicosia, who made his debut with the release of his EP, Retrospective, in October 2020, is undoubtedly one to watch.
Bristol-based artist and producer Alex Bright is set to release his album, Building, which obliterates the notion of genre and introduces the lister to pure uninhibited electronically-crafted expression.
From neo-classic increments to symphonically cinematic scores complemented with pulsing bass to experimentation with elements of nature; you will find it all on the absorbing 7-track release. Alex Bright isn’t afraid to paint across the tonal spectrum, mischievously throwing together light and dark textures to create stunning sense of utopic/dystopic duality.
With such scarcity of reminiscence, eclecticism of style and veracity of emotion, Alex Bright’s sound expresses what words cannot, making my job impossibly hard but gratifying all the same. Discovering exceptional producers who defy convention and can still speak to you on a primal level don’t crop up every day.
Leaving aside the obvious mentioning that dolls sometimes DO cry – Tiny Tears, anyone? – DOLLSDONTCRY, from Lucedale, Mississippi, via Alaska, has created a nightmarish soundscape of grinding, driving instrumentalism in the vein of early Nine Inch Nails, Ministry, or Revco music. Think a little ‘Pretty Hate Machine’, ‘Psalm 69’, or ‘Linger Ficken Good’, without vocals, and you’ve a pretty good idea of what’s on offer here. Opening with some heavily distorted bass riffing, it’s a landscape of bleeps, machine-press crashes, sampled roars, and rising sequenced keyboard parts.
It’s always difficult for young artists to make their voices heard effectively with instrumental work, but this is an excellent track, a harsh, metallic, post-Terminator world of sound, evocative and stimulating, with a definite voice.
Dust is the latest moniker for Richmond, VA-based artist and professional drummer, Chris Farmer, after sharing stages with the likes of Fishbone and Hootie & the Blowfish, his talent turned to producing heavy, bass-riding electronica which showcases his rhythmic precision and ability to entrance though mind-melting layers of insurgently powerful electronica.
Their latest release is the highly-anticipated 4-track EP ‘Bravado’. The best introduction to Dust’s domineering instrumental Alt Electronica is undoubtedly the title single. With some hints of And One-era Industrial within the monolithic drum n bass mix, it’s as dark and dystopic as 2020 and far more entrancing through the producer’s rhythmic command which allows his sound to boast psytrance style danceability.
You’ll have to wait a little longer before you can check out Bravado for yourselves. In the meantime, head over to Spotify where you’ll be able to check out their previous releases.
Up and coming Electronic artist and producer Zach Kenney has recently released their debut album Misplaced Thoughts, a collection of stunningly immersive soundscapes which allow you to explore the artist’s expression, your own mental frequencies and the resonance in between.
We’ve all had a little more rumination time than usual recently, Misplaced Thoughts is the perfect soundtrack for those quiet and complacent moments. While each track is a pleasure to get lost in, the best introduction to Zach Kenney’s sound is “Don’t Forget Me”.
Whether it was the title of the instrumental soundscape or the all too potent morose sting of the ambient and almost hopeful electronic notes, Don’t Forget Me ironically became an unforgettable aural experience. Ambient hits of catharsis don’t come much sweeter than what you will find in Don’t Forget Me.
You can check out Zach Kenney’s single Don’t Forget Me along with the rest of their album via Spotify.
In 2019 Electronic artist and producer Taūv dropped their debut self-titled album. We’re incredibly glad that the intricately layered soundscapes which take you on a transcendental trip to a completely new aural plateau ended up in our ears.
The ambiently psychedelic tones make it all too easy to immerse yourself within the mixes and follow the unpredictable progressions as they seamlessly contort under Taūv’s deft command.
Each of the tracks was atmospherically arrestive, but within the album, you’ll find a dynamic array of sounds. Each mix unfolds as a snapshot of the artist’s psyche when he orchestrated them. In “A Stroll with Birds” you’ll be fed birdsong and tranquillity. In “Losing My Shit” you’ll get a taste of the artist’s shadow side through the phantasmal layers which are weaved into the futuristic mix.
You can check out Taūv’s album for yourselves by heading over to Spotify. Prepare for 34 solid minutes of electronically crafted alchemy.
Keep up to date with the latest releases from the artist via Facebook.