Browsing Tag

Industrial Trip Hop

Dissolved Girl Delivered Existential Sensuality and Dystopian Grit in Alt-Electro Single Granite State

Dissolved Girl brought brutalism to the airwaves with their latest single, Granite State, released on the 30th of May. Reverb may cushion the blow in the architecture of this trip-hop-adjacent dark indie electro cascade into catharsis, but nothing masks the bruising impact. When the unsettling voice samples enter and the ethereal vocals start to drip with a subdued kind of existential sensuality, the distortion-slicked guitars pare back the production and deliver a white-hot solo that bleeds with finale flair, resulting in a release that takes root where reality grows raw.

Known for their cinematic edge, Dissolved Girl pushed their signature into new dimensions with Granite State. The bleak stylisation creates a mirror to the crumbling glamour of their own city, reflecting a truth more tangible than the stretch of escapist synthscapes that often feel too far removed to reach. Through dystopian elegance and viscerally magnetic production, the four-piece London outfit sharpened their edge without polishing away their purpose.

Fuelled by a shared love of 90s trip-hop, alt-rock abrasion, and dense sonic layering, Dissolved Girl took their time crafting their debut LP. With Dani Castelar at the helm of production and Matt Colton finalising the master, their sound digs deep into the hollowed-out spaces where genuine emotion still pulses. Their ever-rising Spotify play count and pending European tour plans are no fluke. Their intent is clear, and so is their trajectory.

Granite State is now available on all major streaming platforms, including Spotify. 

Review by Amelia Vandergast

‘Dead and Dried’ by mothshade – Mechanical Existentialism Meets Ethereal Transcendence

Some artists compose; others construct entire dimensions with their sound. With Dead and Dried, mothshade explored the uncharted intersections between industrial electronica and trip-hop, leaving breadcrumbs of visceral emotion and motifs that demand rhythmic surrender. As a debut under his new moniker, the single is a bold declaration that the distinction between artist and composer lies in how emotion is translated into sonic form.

From the first pulse of distortion, tension ripples through the meditative release, carrying an unmistakable Nine Inch Nails imprint. But rather than mere homage, mothshade bends discordance to his own will, forging a conduit for the immense turmoil that fractures the fragility of life. The mechanical existentialism at the track’s core is tempered by iridescent female vocals, their spectral presence illuminating the cavernous depths of his production.

Drawing from industrial, electronic, rock, and cinematic influences—ranging from Massive Attack to Tool and Hans Zimmer—mothshade thrives in the chaos of transformation and rebirth. The upcoming debut LP, LIMINAL, set for release on February 18, couldn’t be more promising. Dead and Dried proves that mothshade is far more than a seasoned composer—he is an architect of atmosphere, twisting electronic textures into something both punishing and transcendental.

Stream the official video for Dead and Dried on YouTube.

Keep up to date with mothshade’s latest releases on Facebook.

Review by Amelia Vandergast