Browsing Tag

Indie Pop Punk

Silent Disco brought the future of rock to Tennessee with their debut indie-pop-rock about a girl single, Rocks

Pop-punk collided with alt-indie in the debut synth-scored euphoric hit, Rocks, by the up-and-coming powerhouse Silent Disco, which may be the sweetest about a girl single we’ve ever heard. The stellar slice of alt-rock affirms that we’ve moved past the Girl All the Bad Guys Want tropes by celebrating the magic and mystique of spiritual girls.

It’s as hooky as any of Fall Out Boy’s iconic releases, but Rocks does far more than just teasing a little early 00s emo nostalgia; it is also well and truly ahead of the curve of artists clamouring over themselves to do the 1975 better than the 1975. It may not be the average sound that spills out of Nashville, but Silent Disco is definitively bringing the future of rock to Tennessee.

Rocks will officially release on April 1st, 2022. You can check it out for yourselves by heading over to SoundCloud.

Review by Amelia Vandergast

No genre was safe in The Vista’s poppy alt-indie-rock fusion single, Truth Be Told

We may have been in a post-truth reality for a few years now, but here to burst that dystopic bubble is the indie rock outfit, The Vista, and the instantly iconic single, Truth Be Told, which melds classic rock with garagey proto-punk and smoother than smooth alt-indie rock.

With vocals that sit between country-blues crooning and bitey pop-punk vocal lines, they exude just as much exuberance as the anthemic vintage guitar tones that surge around the crunchy basslines and atmosphere-building percussion.

We can’t wait to hear what the Birmingham-based outfit have in the pipeline. They may have only appeared to shake up the indie scene in 2021, but their shockwaves are already cataclysmically strong.

Truth Be Told was officially released on March 11th. It is now available to stream on all major platforms via this link.

Review by Amelia Vandergast

Shake the cobwebs off romantic regret with Michael Vincent’s alt-indie pop-rock hit, Mine

The up and coming artist Michael Vincent came into 2022 with a bang with the release of his infectiously upbeat alt-indie pop-rock track, Mine. With lyrics that shake the cobwebs off of romantic regret and fiery vocals that will throw you right back to when Fall Out Boy was reigning supreme on the airwaves, Mine has all the makings of a playlist staple, and then some. The snappy percussion, crawling basslines, and rock virtuoso guitar licks break into exuberantly electric radio-ready choruses that won’t ask permission before glueing themselves to your synapses.

One of the hardest life lessons to learn is that there is no guarantee of closure after a messy relationship. Michael Vincent finds a sticky-sweet way to lend compassion to his amorous-less fans looking for consolation that their ex was too douchey to offer. In every conceivable way, it is a hit.

Mine was officially released on January 1st, 2022. It is now available to stream here.

Review by Amelia Vandergast

Louie Dangerous has made his unforgettable pop-punk debut with My Whole Inside’s Gone.

The up and coming alt pop-punk trailblazer, Louie Dangerous, found a brand-new way to allude to the hollowness that can fill us in the absence of someone that became the centre of our gravity in his debut single, My Whole Inside’s Gone.

My Whole Inside’s Gone will take you back to the Angels and Airwaves days while keeping you galvanised through the sheer ingenuity of the robustly morose track. With choruses as infectious as they are exuberant, this stadium-ready single is set to take Louie Dangerous’ career to stratospheric heights. There’s enough nostalgia for accessibility, but discernibly, My Whole Inside’s Gone is packed with high-octane authenticity.

My Whole Inside’s Gone is now available to stream on Spotify.

Review by Amelia Vandergast

Kilo Bravo speak for the Gen Z generation in their scuzzy proto-punk track, Personality

Long Beach, CA fourpiece, Kilo Bravo, has released their scuzzy proto-punk single, Personality, which takes a cynical look at our soulless social fabric and makes a fiery yet self-aware and grounded stance against it.

With lyrics such as “I don’t know what I don’t know, but I’ve got soul” and “everyone has a white picket fence, and I’m still living with my parents, it’s hard not to be drawn in by the mindful candour. Personality truly epitomises the sense of hopelessness that is becoming endemic in Gen Z. We honestly couldn’t be more excited by the potential of Kilo Bravo.

Any fans of Teenage Fanclub, Weezer and Pavement will want to delve into Kilo Bravo’s debut album, Chew This Show.

Personality is now available to stream on Spotify.

Review by Amelia Vandergast

TROUBLESHOOT lets us into his meta introspection with his latest single, ‘Inside My Head’.


TROUBLESHOOT is set to release their visceral pop-punk anthem, Inside My Head; the York-based solo artist sells himself as the upbeat Lewis Capaldi and undersells his lyrical ingenuity in the process.

Taking influence from classic 00s pop-punk, TROUBLESHOOT allows his over-driven guitar tones to ring with apathy in the verses, when the chorus hits, you’ll get that sweet euphoric release as the track finds a clever way to remind you that you’re jealous of people whose lives are just as mundane as everyone else’s.

We are all drinking the Pepsi or Coke version of suffering, the answer? TROUBLESHOOT prescribes escaping into your head and creating metaphysic realities where the constraints of the physical world don’t carry on dragging you down.

Any fans of Jimmy Eat World, Blink 182 or All Time Low won’t want to miss out on this provokingly cathartic single.

You can check out TROUBLESHOOT via SoundCloud.

Review by Amelia Vandergast

Angelo Amarello – A perfect summery invitation in ‘Let’s Drink’.

It seems like everyone’s starting to think about the end of lock-down and getting back out to seeing friends, sharing a drink, maybe going to the pub…with ‘Let’s Drink’, Angelo Amarello sings us an ode to overindulgence and perhaps having just one glass of wine too many and waking in the morning ‘with a hammer on your mind’.

It’s fun, it rocks out in a very, very well-put-together post-grunge radio-friendly kind of way – think The Calling or the Goo Goo Dolls, and maybe at times even a little single-releases-Bring Me The Horizon – with one of the catchiest choruses we’ve heard so far this year. Amerello’s voice is perfect for the track (or vice versa), laconic without being lazy and effortlessly familiar, instantly. It’s a great, perfect, summer radio rock single, and a wonderful look forward to the end of isolation.

Check out ‘Let’s Drink’ on Spotify; follow Amarello on Facebook.

Review by Alex Holmes

The Kid and I tackled the sufferance in grief with their Indie Garage Rock hit “White Feather”

The Kid and I’s latest Indie Garage Rock track, “White Feather”, is a tender extension of compassion orchestrated to reach out to anyone who knows how hard the grief hits while validating the struggles of anyone coming of age and attempting not to slip through the cracks.

Their exuberantly raucous Garage sound which is laden with scuzzy hooks amps up the energy while the imploringly empathetic vocals offer a grabbable olive branch of connection. I can imagine it will be a fair while befor the infectiously charismatic chorus stops reverberating around my mind, but the earworm to the epic infusion of Pop Punk, Alt Rock and indie will always be welcome.

You can check out White Feather which dropped on November 13th via SoundCloud.

Review by Amelia Vandergast

UK Indie Rock artist Jamie Blackburn has dropped their anthemically-charged hit “Just Like Lennon Said”

Up and coming Indie Rock virtuoso Jamie Blackburn has recently dropped their anthemically-charged hit Just Like Lennon Said.

As soon as the massive chorus took hold, I was flooded with the nostalgia of being a teenager and discovering Sum41, the Offspring, Green Day for the first time.

Just Like Lennon Said carries the same energy of Iconic Pop Punk artists while offering plenty of the Isle of Man-based artist’s own ingenuity which comes from mixing elements of Blues, Rock, and British Old School Punk.

Behind the sonic aural euphoria, you’ll find the intricately absorbing guitar lead work which earned Jamie Blackburn his virtuoso stripes. You didn’t think it was just hyperbole, did you?

You can check out Jamie Blackburn’s single Just Like Lennon Said for yourselves by heading over to Spotify where you’ll also catch their earlier releases.

Review by Amelia Vandergast

Danger of Drowning – Heart to Break: An Infectiously Amorous Convergence of Indie Pop Rock and RnB

Indie Pop Rock and smooth RnB infectiously converge in Danger of Drowning’s latest single Heart to Break which dropped on April 30th.

As soon as you hit play, it hits you that Danger of Drowning has reached a new frontier with their intriguingly distinctive yet immediately resolving sound. Whichever music genre you usually find yourself delving into to enjoy sticky sweet sentimental love songs, Heart to Break is sure to hit the amorous aural spot.

By fusing the piercing emotion of Pop Punk combined with the arrestive melodic hooks and grooves of contemporary RnB, Danger of Drowning ensured that Heart to Break will stick to your synapses like superglue. Especially if you spent a fair amount of your youth listening to Panic! at the Disco.

You can check out Danger of Drowning’s Indie earworm for yourselves by heading over to Spotify.

Review by Amelia Vandergast