Browsing Tag

Independent Artist

Saxboi Slick on Collaborating with ANNIKS and Redefining EDM with Live Sax

Saxboi Slick, a trailblazer in blending live saxophone with electronic music, recently sat down with A&R Factory to discuss his groundbreaking collaboration with ANNIKS on Take Me (The Russmerican Mix). The track masterfully combines Progressive House, Deep House, and Tech House elements with the unmistakable warmth of Saxboi’s live instrumentation. In this interview, he sheds light on the creative synergy between himself and ANNIKS, the challenges of balancing live and digital sounds, and how his personal experiences have shaped his artistry. From faith and resilience to his aspirations for sync licensing and live performances, Saxboi Slick’s insights offer a glimpse into a musician committed to pushing creative boundaries while staying true to his purpose.

Welcome to A&R Factory, Saxboi Slick! We’re thrilled to speak with you about your collaboration with ANNIKS on Take Me (The Russmerican Mix) and your inspiring musical story.  Take Me (The Russmerican Mix) seamlessly fuses Progressive House, Deep House, and Tech House with your soulful saxophone licks. How did you and ANNIKS approach creating such a genre-defying sound?

“I started following ANNIKS about a year ago because I was amazed to see a female DJ making waves in the EDM genre—it’s inspiring! Her music choices are powerful, and her vibes really resonated with me. As I got to know her artistry, I discovered she wasn’t just a DJ but also a talented producer.

I had been trying to create EDM tracks that I could record my saxophone over for years without success—it just isn’t my speciality. When I heard ANNIKS’ original music on Spotify, I felt like I’d found exactly the kind of sound I wanted to integrate with my saxophone. Even though I knew reaching out was a long shot, given her large fan base, I decided to try anyway. To my surprise, she was open to the collaboration.

The track, ‘Take Me’, was one she created and asked me to add saxophone to. As I listened, I began to hear melodies and harmonies in my head that could complement her work. I approached her harmonic moments with my own melodies, aiming to enhance her track without overpowering it—and I think it worked beautifully.”

ANNIKS’ viral TikTok influence and your live performance artistry bring unique strengths to this collaboration. How did you balance these elements to craft a track that feels both modern and organic?

“When I listened to the original song, my goal was to complement what ANNIKS had created, not overshadow it. I focused on critical parts of the track and either harmonized with those key moments or left them untouched. The idea was to share the space naturally and let the saxophone enhance the music without forcing it. Her track is already stunning, and I wanted to add value without taking anything away.”

Your saxophone adds an undeniable warmth to this electronic track. How do you approach integrating live instrumentation into electronic music, and what challenges did you face during the recording process?

“Integrating live saxophone into electronic music is all about understanding the mood, tempo, and key of the track and finding ways to complement it. The biggest challenge was mixing the saxophone with a fully digital track. Analog sounds like mine can clash with digital audio, so the breakthrough came when I embraced the analog feel and treated the saxophone like a digital instrument in the mix. I used a parametric EQ to boost the mids and highs while keeping some warmth in the low end.”

You’ve faced significant challenges in your life, from homelessness to bullying. How have those experiences shaped your music and the way you connect with your audience?

“My journey taught me that perseverance and faith can overcome even the toughest challenges. I  try to convey this in my music: don’t give up on who you are or what you’re meant to be. It’s not easy—many people abandon their dreams to fit into what society expects. Being homeless and facing bullying showed me that I could survive and still pursue my passions. These experiences fuel my drive and remind me to hold onto my faith in myself and in God.”

Faith and purpose are central to your story. How have these values influenced your artistic vision and your mission to uplift underserved communities?

“When I lost everything, all I had left was faith. That’s where my journey truly started. Even when my faith in God was diminishing, it wasn’t gone, and in those moments, I found restoration—not just in my faith in God, but also in myself. Everything I’ve accomplished today is rooted in that faith, and it’s something I hope to share through my music and actions.”

Fans of Bakermat, CamelPhat, and Nora En Pure will likely connect with this track. How do you see your music standing alongside these artists, and what do you bring to the electronic music landscape that’s uniquely yours?

“I’m honored to even be mentioned alongside those names, but the credit really belongs to ANNIKS for creating this track. I feel blessed to have contributed my saxophone to it. What I hope I bring is a unique fusion of live saxophone and electronic music that adds something fresh and soulful to the scene.”

The track is gaining momentum with playlist curators. What are your thoughts on the role of playlists in promoting your music, and how do you hope to expand your reach further?

“Playlist curators are invaluable. They know their audience and what resonates with them. If a curator thinks my track fits their playlist, it’s because they believe their listeners will enjoy it. That kind of exposure helps both the artist and the curator, and I hope to continue expanding my reach through more placements like this.”

You’ve mentioned the versatility of Take Me (The Russmerican Mix), working in both intimate and high-energy settings. How do you craft music that appeals to such a wide spectrum of listeners?

“As a saxophonist, people often expect me to stick to jazz, blues, or smooth R&B. While I respect those genres and cater to them when needed, I don’t want to be confined to a single style. I aim to branch out and explore other genres, creating music that connects with a broader audience without losing my individuality.”

What can you tell us about your plans for future collaborations, live performances, and potential sync licensing opportunities?

“I’m excited to welcome future collaborations with ANNIKS, SunGrass Records, and anyone who wants me to bring saxophone into their music. My ultimate goal is to be a full-time musician—to perform, entertain, and make a living from my saxophone. Sync licensing opportunities would be amazing because they allow music to reach entirely new audiences. I love what I do now, but my dream is to let my saxophone be my career.”

Make sure to visit Saxboi Slick’s website for the latest updates—the site will be kept up to date with all his developments, from new music to performances!

 

Interview by Amelia Vandergast

Breaking the Mould: An Interview with r/ginola on Bold Soundscapes and a New L

r/ginola

With an unmistakable knack for pushing boundaries and weaving intensity into every track, r/ginola is a genre-defying artist carving his own path from the unlikely backdrop of Connecticut. Having honed his craft through years of experimentation and evolution, his music is an unapologetic blend of moody cadences, raw emotion, and influences as diverse as shoegaze, nu-metal, and modern trap. In this candid interview, r/ginola opens up about his tumultuous artistic journey, the deeply personal themes behind his forthcoming 8-track LP, and his unrelenting commitment to authenticity in an industry often criticised for its uniformity. From his creative process to his take on vulnerability, this conversation offers a glimpse into the mind of an artist determined to leave a mark.

r/ginola, welcome to A&R Factory! It’s a pleasure to sit down with you and discuss the release of your upcoming LP. Before we get into the music, we’d love to get a better understanding of who you are as an artist. How did you get started and where has your music taken you so far?

I started about 4 years ago as more of a way to vent my feelings and frustrations that I had at the time. I showed friends the stuff I was making during a smoke sesh and they really encouraged me to get in a proper studio and take it seriously. That period was very dark but I’m glad I went through it. It allowed me to fully express things but also find myself as an artist and really made me open to new ideas or sounds.

Fast forward to now, after 3 rebrands in terms of name & genre, and over 100 songs, I feel I’ve really grown as an artist, and I am currently making my best stuff. The old stuff was cool (a lot of it is deleted) but the new stuff is basically a blend of what I was making previously.

What’s the most satisfying/challenging aspect of your craft?

Hmm.. the most satisfying to me is creating songs. I enjoy the writing bit, coming up with different flows and then putting it all together. The most challenging bit is mixing/mastering. I’m not the greatest at it but I normally try to tweak it to how I would like it and how it would sound in my car

Can you describe the unique elements that define your sound?

My sound to me is different from anything you hear currently. It’s hard nowadays for artists to really stand out because there is a lot of copy and paste but with my sound, I worked hard to make it different.

My delivery/cadence is very moody, and I think that comes from my time making shoegaze/nu-metal music. The lyrics are very sexual or aggressive at times, which is basically my usual nature.

What’s the story behind your 8-track release?

Whenever I drop a project, I always try to paint a picture. The picture is created by expressing everything I have dealt with in my life through relationships, friendships and miscellaneous things. This project, in particular, is about me falling in and out of love with an ex. I don’t wanna dive too deep into it, but you get the gist. I should also add that when it comes to the story/lyrics of each song, I leave it up to the listener to interpret it however they see fit.

How would you say the release reflects your identity as an artist?

This release is me. From the lyrics to the story to the energy to the sound, this project embodies everything I set out to be when I initially started.

How do you balance vulnerability and creativity?

When it comes to writing I pretty much lock myself in a certain period of time in my life and remember what it felt like. The more vulnerable I am the better the lyrics I believe. I try to keep it from sounding like I’m whining and keep it very fun so people are able to connect with it better. Sappy love songs just aren’t for me. I like to make mine sick and twisted, very dark at times.

You’ve cited influences ranging from Deftones and Static Dress to Yeat and Young Thug. How do these varied inspirations manifest in your music, and are there any nods to these artists on this record?

Jeez, I could talk about each of these artist for days! And there are loads more, LOADS! But these have been very prominent in my artistry. I’d say Deftones for sure has played the biggest role, Chino Moreno for me is god (I’m glazing heavily and I don’t care haha), I love that guy dearly! From songwriting to singing to energy to just about everything, he heavily influences my music. I love Static Dress for their visuals as well as their sick storylines, Oli is very cool!

Going by the standout single, sssnake, you’re clearly one to push the boundaries of sound design, where did that boldness as an artist come from?

I’ve always been bold. Maybe too bold at times but I like being this way. You can’t be afraid to take risks or try new things, you just gotta go for it and stick with it. Will it get you in trouble sometimes? Sure, but who cares! Be different, enjoy yourself!

How has your location shaped your artistic journey?

Umm I mean I feel like it kind of blessing but also a hindrance. I’m from Connecticut, so not too many people know of the state or where it is. There aren’t many artists or any artists for that matter that have made it out. But I also feel like that’s because everyone is trying to sound like everyone, and since Connecticut is unknown, no one wants to hear their story. They’d rather listen to someone from California, Florida or New York if the story is similar. For me, I’m in my own lane; there is no one making this kind of music here. And I love that!

What does 2025 have in store for you?

We will see together hahah I’m hoping to tick some boxes off the things I’ve been manifesting but I won’t be disappointed if things don’t go as planned. End goal is to just continue putting out great music and enjoy every second of it!

Stream r/ginola’s new 2025 LP on SoundCloud now.

Interview by Amelia Vandergast

Exclusive A&R Factory Interview with Producer Mykah: From Church Choir to Afrobeat Innovation

In this exclusive A&R Factory interview, Producer Mykah takes us on a journey through his inspiring rise in the music industry, from his humble beginnings in a church choir to producing for global icons like Davido and Ozuna. With a signature style that marries Afrobeat and R&B, Mykah discusses the challenges he overcame to establish his studio, his creative process, and his passion for giving back to the community through YouTube tutorials. He also sheds light on his recent EP, collaborations with rising stars like Boyspyce, and his vision for the future.

Producer Mykah, welcome to A&R Factory! We’re grateful for the opportunity to connect with you and discuss the crowning points of your career and your future ambitions. Going back to your origin story, what inspired you to step into production and how did you get started? 

Thank you for having me! My journey into music production began with inspiration from my dad, who was the choirmaster at our church. I was fascinated by the keyboard and curious about how people could create such beautiful music with it. That curiosity led me to learn the keyboard, and soon, I was playing for my church. In 2016, I took it a step further by downloading FL Studio, a DAW for music production, and I started teaching myself how to make beats by watching YouTube tutorials. That marked the beginning of my career as a producer.

Were there any challenges you faced when you started out?

I like to view challenges as building blocks to success, but the most significant obstacle I faced was financial. Setting up my own music studio required resources I didn’t have at the time. However, I overcame this by consistently putting out more beats for purchase, which gradually provided the funds I needed to establish myself.

Your list of credits is almost endless; which projects stand out for you and why?

One project that stands out for me is a track I produced featuring Ozuna and Davido. The experience of having two artists from different continents working on a beat I created was mind-blowing. It’s moments like these that remind me why I do what I do. I’d also say my signature style, which blends Afrobeat and R&B, adds a unique element to my projects.

What inspired you to create a tutorial series on YouTube?

YouTube played a significant role in my journey as a producer—it’s where I learned many of the skills I have today. Creating a tutorial series was my way of giving back to the community and helping upcoming producers like myself who may not have access to formal training.

Can you tell us a little about your recently released EP and your work with Boyspyce?

My recent EP focuses on Afrobeat, showcasing its many facets while featuring talented up-and-coming artists. I wanted to provide a platform for these artists to share their talent and tell their stories. Working with Boyspyce was a particularly fun and rewarding experience. Our collaboration came about after he discovered my beats on YouTube, and the rest is history.

How have the artists you have collaborated with shaped your career?

Collaboration has been pivotal in my growth as a producer. Every time I work with an artist, I learn something new and refine my craft. Artists like Davido, Ozuna, Barry Jhay, and Boyspyce have left a lasting impact on my journey, helping me evolve and reach new heights.

What would you say is the main driving force behind your creativity, and how is it pushing you towards your long-term goals?

My creativity is fueled by my passion for constantly creating new sounds and pushing boundaries. It’s this drive that keeps me experimenting and evolving. Looking ahead, I see myself creating global hits and launching my own music production school to nurture the next generation of producers.

What’s your vision for the future, and how does that tie in with the contributions you want to make to the music industry?

My vision is to continue innovating and elevating Afrobeat on the global stage while building a legacy that empowers others. I want to give back to the industry by creating opportunities for young talents and fostering a collaborative environment where creativity thrives.

What are you putting into place to ensure that you reach your milestones and grow your brand?

I’m focused on exploring new sounds, incorporating AI into my production process, and collaborating with artists, producers, and entertainers from around the world. These steps will help me stay ahead of the curve while expanding my reach and influence in the music industry.

Discover Producer Mykah’s work on Spotify and keep up to date with his latest work via Instagram.

Interview by Amelia Vandergast

Interview with Mike Maurice: From Basement Beginnings to Folk Evolution

In this exclusive interview, Mike Maurice shared the evolution from his debut EP, Apartment Secrets, to the rawer, folk-tinged tone of his latest release, Telephone.  Maurice reflects on his formative experiences, the collaborative magic of working with Danny Black, and the creative synergy that fuels his seven-piece band.

Mike Maurice, welcome to A&R Factory! It’s a pleasure to sit down with you ahead of the release of your upcoming single, Telephone, on October 11. What inspired the single and what themes are conveyed through it? 

The journey of this song started as something I wrote in my basement, a deeply saddened tune, and perhaps one of the first that isn’t necessarily about anyone in particular.  Telephone allowed me to dive deep into an interpersonal connection of a fictional figure whose emotions are derived from real-life experiences.

Would you say it is a continuation of your earlier work or a departure?

Telephone is a very organic departure from Apartment Secrets as it calls for more of a raw folky element that I feel most connected to. I recognize that Apartment Secrets has become the predecessor for this song and for what is to follow, which leads me to embrace this journey of evolution for my sound.

What sparked your passion for music and how have you kept that spark ignited throughout the years? 

My spark for music started at a very young age. I was about 4 years old when I heard my older brother playing an upright piano downstairs at the ranch home I grew up in, tucked away in the woods of Oxford, Maine. Not to sound cliché, but music was my calling.

It felt like an ability that I knew I needed to acquire, a language I needed to learn. I begged my Mom for piano lessons. I was writing music and got into multi-track recording around the age of 9. The ability to create and realize that there are infinite possibilities with 6 strings, 88 keys, and what-have-you for instruments, makes you realize it’s a beautiful world.

What’s your band’s origin story; what brought you all together? 

The formation of this band came from combining my closest friends in the Maine music scene. Leading up to the pandemic, I was primarily a piano player, gigging weekly at bars, and restaurants, playing in numerous bands, weddings, and so forth. I learned a lot from being a backing musician in several bands, learning what and what not to do when leading. I learned how hard it is to find talented musicians void of ego – and I knew this would be a key factor in putting my group together.

I called my closest friends from various projects over the last decade to come together and form this sound. We all have each other’s backs, and as a 7 piece whenever we play a show and receive comments on how tight and clear our sound is, we feel honored and exuberated. We’re having a blast and creating something truly special.

Your debut EP, Apartment Secrets, exhibits the sharpness of your songwriting chops and your ability to paint vivid vignettes through sound; what was it like working on this EP? 

Apartment Secrets was my first project where I didn’t settle or rush.  The concept came about in early 2020 with a handful of tunes. This was the first singer/songwriter album I self-produced with help from a good friend, Thomas Clukey, recording in the basement of a home I owned at the time. I initially planned to release this album in 2021, but I was so glad I didn’t.  Some songs didn’t make the EP, while others, freshly written, did.  The mood stayed true, I found elements I liked, and I let my songs marinate and mature to be the best they possibly could be at the time of recording.

Forest Fire was such a fun song to record from that album.  It started as this ‘golden nugget’ where I was almost afraid to do too much or alter it. I knew this was a strong track and when I first played it out, it stood out as a favorite. This song is one of the fastest songs I’d ever written; just 15 minutes with chord progression & lyrics. I was listening to a lot of John Mayer and Fleet Foxes at the time.

Now when I listen back to Apartment Secrets, I feel as if I could forge it a little differently. My musical head space has shifted, and thus wouldn’t be true to that album. Overall, Apartment Secrets is an accurate timestamp to where I was in my musical journey at the time.

How did you come to collaborate with Danny Black, member of Good Old War and Gregory Alan Isakov?

A dear friend of mine, Adam Monaco, introduced me to Danny Black through a project he had been working on. Adam and I also have a side project, Pianolin, which is piano & mandolin-based improv. We’ve known each other for many years, and he helped with bass and mandolin on Apartment Secrets.

Adam showed Danny our Pianolin project, and in casual conversation, Danny seemed to express interest in what else I was developing. So, I asked Danny if he’d help work on Telephone with me and he agreed. Earlier this summer, I went out to Philly to record my stuff with Adam and Danny where we started to record Telephone among two other tracks

What was it like working with him in the studio? 

We hit it off, he’s such a great dude. When I went out to Philly with my banjo player, Zavier Walker, we had a full day in Danny’s studio.  We took Telephone, a song I’d been playing for 2 years, and nudged it to life by bringing in cello played by Peter Oswald, Adam’s mandolin, Danny’s pedal steel & harmonies, Joe Beninati’s percussion, and Zavier’s banjo – thus, elevating the song to its fruition as you hear it now. It’s so cool to hear Danny’s atmospheric approach to pedal steel, the production came out incredible.  If you’re a fan of Gregory Alan Isakov, I think you’ll dig this tune. Danny is awesome to work with and I’m excited for more songs that will be released in the near future… stay tuned!

Stream Mike Maurice’s discography on Spotify.

Connect with the artist on Instagram and Facebook or check out his official website.

Interview by Amelia Vandergast

Step into a sanctuary of alt-90s nostalgia with Straw’s debut single, Apartment 3513

With all the seductive appeal of Soundgarden, the debut single, Apartment 3513, from the Panama-hailing solo artist, Straw, allows alt-90s fans to crawl through the corridor of nostalgia before unlocking the door to an affectingly warm earworm which animates through scuzzed vintage tones and deliciously hook-rife vocals.

In spite of the convivial sonic and vocal magnetism in the debut single, Apartment 3513 charts a journey on a road to nowhere, fuelled by anxiety and depression, where the only pit stops made were to score. After 14 years of mental health issues and an attempt to numb them through substance abuse, Straw has turned his life around like a velvet revolver to give sanctuary to anyone who needs to veer from the path of self-destruction.

After studying at Berklee and the Musicians Institute in Hollywood, Straw returned home to Panama where he collaborated with the Nashville-hailing songwriter, Grant van Dijk to bring his debut to life. Through the perfect equilibrium of candid soul and rock n roll swagger, Straw ensured that he wouldn’t find himself short of plaudits – especially if the singles in the pipeline match the intoxicating energy in Apartment 3513.

Apartment 3513 opened itself to the airwaves on August 9th; step in via Spotify.

Review by Amelia Vandergast

Interview with Keilene: Unveiling the Multitalented Artist Behind ‘Lips’

Keilene’s artistic journey is nothing short of extraordinary. From her roots in Rio Piedras, Puerto Rico, to her current status as a rising star, Keilene has continually pushed the envelope in music, dance, modelling, and acting. Her latest single ‘Lips’ is a culmination of her unique blend of cultural influences and creative passion. In this exclusive interview, she bares her inspirations, and exposes what ignites her unflinching passion for the arts. Prepare to explore the mind of a true creative powerhouse and discover what makes Keilene a force to be reckoned with in the industry.

Welcome to A&R Factory, Keilene! We are thrilled to have such a multifaceted and dynamic artist join us. With your latest single Lips freshly released, we can’t wait to dive into your creative universe.  First off, can you tell us about your early life in Rio Piedras, Puerto Rico, and how it has influenced your artistic journey?

Wow, where do I start?! Well, I was born at San Juan Municipal Hospital Rio Piedras, Puerto Rico. My mom is Taino-Puerto Rican and my biological father Afro-Puerto Rican, but my dad who raised me is Jamaican. I moved to Coral Springs, Florida when I was quite young, however, my culture is invariably embedded in me through family, food, and of course, music. Music has always been at the forefront of every moment in my life, whether it be on family holidays with us dancing bachata in the living room, or turning up the volume to Alicia Keys while we clean house on a Sunday morning. At every turn, I am fascinated by how music can put color in the air.

You’ve built a diverse career spanning music, dance, modelling, and acting. What motivated you to explore so many different creative fields?

To others, it might seem overwhelming, but I see them all having the same common denominator, creating through expression. My motivation stems from my experiences of anxiety and depression during my adolescence, but throughout the years, I’ve learned to transmute those heavy emotions into divine inspiration as a result of the arts. Creating became a space for devotion.

Which of your creative endeavours do you find the most gratifying, and why?

That’s an easy answer. It’d have to be singing. I find myself reaching into the deepest depths of my soul and giving my all when my voice fills the room. It’s such a powerful feeling.

What was the inspiration behind your new single, Lips, and what message do you hope it conveys to your listeners?

I love this question! At my core, I am sentimental. I become enchanted by tender emotions in matters of love. I wanted to write an ode for that special someone in their life and embrace what it means to feel that, given the soft jazz tones. This song I hold dearly to my heart.

Working with notable artists like Beth Cohen must be an incredible experience. How has her mentorship influenced your music career?

Great question! First off, Beth is a phenomenal coach! Her teachings have brought confidence and vigor to my vocals like no other. She is a distinct means that has honed my instrument as well as the guide for me to navigate the music industry.

You recently landed a role in the horror/thriller, Bloodline Killer; how does acting compare to your experiences in music and dance? 

Being part of a great crew on set for Bloodline Killer allowed me the insight to see variations of me in the world of acting. It was such a fun experience diving into an all-ears and tenacious character like “Sergeant Keily”. Though acting is new territory for me, the opportunity to convey through diverse outlets has expanded the possibilities within my career.

What drives you to continually push the boundaries in your artistic career?

Interesting question! I’ve come to realize I’m not the same me I was five years ago, or three months ago. Sure, my values and soul are the drivers of this vehicle, but I continue to amaze myself with how I unravel greater versions of who I am meant to be. That will be the fuel to my success.

How do you want to make your mark on the music industry, and what legacy do you hope to leave behind?

This is beautiful. I’ve thought about this a lot. I aim to empower women to spark a flame within their spirits and realize the power they hold. Any opposition you face is a step towards your greatest achievements!

Stream Lips on Spotify now.

Discover more about Keilene via her official website.

Interview by Amelia Vandergast

Lose yourself in the snappy, sleek, and hypnotically seductive hit Angel Dust by Peech. and Nevi

In collaboration with Nevi, Peech. released another viral-worthy hit with the drop of Angel Dust. The striking exploration of modern rock’s potential is a bold statement of Peech.’s artistic evolution, which is especially significant as he reembraces his status as an independent artist.

The song’s intricate blend of old-school groove, funk-infused basslines, guitar lines that reverberate through the attitude of rock and a solid pseudo-trap backbeat creates an absorbing juxtaposition that pulls you right into the cutting-edge core of Angel Dust.

Peech.’s snappy vocal delivery, characterised by a razor-sharp cadence, perfectly complements the song’s rhythmic foundation. This element not only showcases his vocal versatility but also adds a dynamic layer to the hypnotically seductive hit which exhibits the artist’s flair with weaving complexity into an accessible format.

The production of “Angel Dust” is sleek and polished, elevating Peech’s unique instrumental style to new heights. The result is a sound that is as distinctive as it is captivating, leaving listeners with a lingering sense of awe and addiction to the rhythmically flawless alchemy.

The influence of bands like Highly Suspect and Royal Blood is evident in Peech’s approach to evolving rock music. Peech. takes these inspirations and pushes them further, infusing his tracks with a stylistic ingenuity that sets him leagues apart from the rest.

Angel Dust hit the airwaves on November 24; stream it on Spotify.

Review by Amelia Vandergast

David Deutsch has unlocked the gateway to visceral repose, Free Shavocado

LA independent artist and composer David Deutsch has scored original music for films, TV, video games and VR interactive programs. Most notably, he scored for the film Last Survivors and contributed to The Suicide Squad, The Invisible Man, The Kingsman, and the Emmy-nominated series, Hostile Planet.

Now, he’s here with his serenely explorative release, Free Shavocado. The evocative work shimmers with sonic beguile as it leads you through the gentle yet dramatic orchestral crescendos and synth sequencing your rhythmic pulses won’t be able to resist enmeshing with.

With the Gospel-esque non-lexical vocals sporadically appearing to swathe the soundscape with surges of heart-quickening soul, Free Shavocado is a transcendental corridor to serenity and visceral repose.

Free Shavocado, taken from David Deutsch’s EP, Prism, is now available to stream on Spotify.

Review by Amelia Vandergast