Browsing Tag

hyper pop

Lose yourself in the escapism of MUNBOI’s hyper pop hip-hop hit, Runaway

It has been almost a year since MUNBOI walked us down Memory Ln with his stellar slice of stoic hip-hop, but it only took his fiery flow in the first verse of his latest trap-pop-hip-hop amalgam, Runaway, to jog our memory and remind us of all the reasons he left us in awe.

By blending elements of hyper pop, chiptune, and grime-y hip-hop, the 24-year-old Bracknell, UK-hailing alternative artist, producer, and audio engineer enticed us into his sonic fantasy. For the two-and-a-half-minute duration of Runaway, you’re enveloped by the – quite literally – animated escapism of the hit. The sticky-sweet texture of the melodies contrasted against the blazingly rapid rap bars is enough to leave your senses in a tailspin, but the beats will always bring you back down to earth safely.

Since we last heard MUNBOI, he hasn’t failed to make major waves in the industry. With the help of his hardcore fans, he has sold out his hometown and London shows. Radio 1, BBC Introducing, and BBC Radio Berkshire also played their part in raising the artist up from the underground.

Runaway hit the airwaves on the 12th of July; lose yourself in it via Spotify.

Review by Amelia Vandergast

Get down with the cognitive sickness with Sarah Sunday’s hypersonic pop-punk hit, all the world is crazy

‘all the world is crazy’ is ironically a sentiment that no one of sane mind could disagree with. When Sarah Sunday used it as the proclamation in her latest hyper pop-punk anthem, she made it impossible for her audience not to get down with the endemic of cognitive sickness.

The future-pop elements around the pop-punk guitar-driven hooks created the EDM evolution that the genre has never known it needed but has silently been crying out for. If any track has what it takes to make the masses shake off the depressing presumption that they’re outliers for feeling suffocated by entropy, it’s the anthemically sticky-sweet triumph.

Her uplifting vocal energy augmenting the lyrics, which cut right to the core of the madness we’ve tried to put our heads in the sand and ignore, ensured all the world is crazy is one of the most seminal anthems of the summer. We utterly adore her.

all the world is crazy was officially released on the 1st of May; stream the aptly zany official music video via YouTube.

Review by Amelia Vandergast

Azure Kai went hypersonic with her latest alt earworm, Gotta Get the Girl

Utilising her inherent passion for creativity, the artist and Monmouth University student Azure Kai went hypersonic with her latest alternative earworm, Gotta Get the Girl. With a beatboxing and record-scratching prelude, it was an easier-said-than-done feat to keep the energy just as high through the release, but the momentum never falters in the melting pot of genre and style.

From frantic EDM synthetics to funk-dripping basslines to Eastern rhythms and classical strings to syncopated pseudo-trap, this amalgamated tour de force is an all too welcome attack on the rhythmic pulses. Let the track take control and you will soon feel as exhilarant as this declaration of determined passion sounds.

The honeyed and harmonised vocal lines which wrap their soul around the reprise, “gotta get the girl” create a quintessential magnetic centre of gravity in the turbulently pioneering hit.

Stream Gotta Get the Girl on Spotify.

Review by Amelia Vandergast

Nicholas Dante incited a sonic insurgence with his harsh electro-art pop debut, Rebellion

The Brooklyn-based artist, Nicholas Dante, brought the uprising we’ve all been waiting for in his electro-art pop debut single, Rebellion.

The hyper-pop elements melded with harsh electro synthetics allow industrial tones to go pop in the insurgently promising debut that the world is already paying attention to. After making light work of putting momentum behind the debut, the Avant Garde originator will undoubtedly become a landmark fixture in the future of pop.

Beyond the cinematic production, the experimentalist holds reverence to pop pioneers, naming Britney Spears, Madonna, and Janet Jackson as his main aural influences, which goes a fair way in explaining the hooky proclivities of the track that will push your speakers to their limits.

Jump on the sonic insurrection by streaming Rebellion on Spotify, Bandcamp, and Soundcloud.

Review by Amelia Vandergast

Madishu is a contemporary electro-pop cut above the rest in her hypersonically redemptive single, Naïve

Madishu

The Austrian electro-pop artist, Madishu, is off the sonic Richter scale in her latest single, Naïve. The piercing RnB-tinged electro-pop aesthetic will ensnare you from the first melodic hook, while the lyrical vulnerability pushes you deeper into the soulfully disarming hypersonic world, which will be a hit with any fans of 8 Bit-adjacent music.

If any artist can relinquish you from the shame of being naïve, it is Madishu with this addictively vindicating earworm which effortlessly demonstrates the beauty in sincerity when there’s such a scarcity.

“The song is about a toxic friendship I broke free from, and the journey I took in learning to value myself enough to no longer tolerate people who constantly take from me without giving back.”

After achieving viral renown via her collaboration with MOONBOY on the track Need U and off the back of her own original work, the Austrian singer-songwriter is a vision of visceral colour in a drab and dark world.

Naïve will officially stream across all major platforms on February 3rd. Hear it here.

Follow Madishu on Facebook, Instagram, and TikTok.

Review by Amelia Vandergast.

2burbo created a hyper pop-trap hit of hope for the masses with “just might save the world”

Aural originator 2burbo poured a potent shot of optimism into his standout single, just might save the world, which rips through every genre known to man to create a hyper hit of hope for the masses.

The 8-bit videogame synthetics around the trap and pop elements allowed the futuristically-inspired experimentalist to pair suitable sonics around his declaration of “hey, I just might save the world”. With the euphoria spilling from the short and colourfully sweet single, if anyone has what it takes to put our disillusioned world back on track, it is the Wisconsin-based artist who started operating under the moniker 2burbo in 2001.

Under the influence of everyone from Crystal Castles to Bowie to Prince to Steel Panther, it is no surprise that 2burbo was able to infuse so much distinction in his vibrant sonic signature.

just might save the world is available to stream on Spotify. 

Review by Amelia Vandergast

MACK delivered the ultimate hyper-pop indie hip-hop track, U COMING WITH ME?

The New Jersey-hailing hyper-pop hit maker MACK has launched another infectious hip-hop-pop-punk fusion with their latest single, U COMING WITH ME? Currently, the 20-year-old artist is known for winning the Write Out Loud songwriting contest hosted and judged by Taylor Louderman; it is only a matter of time before her accolades are 100% independent.

With an earworm of a melody that won’t quit until you have immersed yourself repeatedly in the alt-indie pop guitars, body-rocking pop beats and vocal lines you’d go to the ends of the earth to hear again, the single is a powerfully vulnerable hit that inhibits nothing.

So when MACK poses the titular question, it is hard to envisage anyone not falling head over heels for her talent that has seen her original music break the 1 million stream mark with her original music across all platforms.

Lyrically, the track encompasses the insecurities that can transpire when someone shows unconditional affection but long-lingering and intrinsic complexes make us feel unworthy. It’s an incredibly popular phenomenon, not that the airwaves would let you believe it. MACK isn’t just pushing sonic boundaries. She is bringing in a new wave of lyrical candour too.

U COMING WITH ME? along with the EP, WHEN DOES IT GET BETTER?, is now available to stream via Spotify.

Review by Amelia Vandergast

Uriel J. Winfree III brought in the future of RnB with the cinematically sensuous ‘Stranger of Mine’

Uriel J. Winfree III’s latest genre-fluid single, Stranger of Mine, will school you in sensuality. The Brooklyn-based artist takes influence from Chino (Deftones), Black Dante, Sam Cook and Hendrix for his hypnotically seductive amalgams of R&B, Indie, Rap, Hip Hop and Soul.

Stranger of Mine starts with a futuristic hyper-pop prelude before the smooth demure energy starts to flood the intricately layered electronica instrumentals, which push RnB beyond the contemporary curve. He single-handedly created a new trajectory in the evolution of the genre while keeping the impassioned soul and romanticism that the genre’s roots will always be implanted.

The tattooist, actor, filmmaker, singer-songwriter and performer seems to have cinematic multi-faceted talent from every pore. The best part? None of his elevated and artful creations feels too stylised to resonate as inaccessible.

Stranger of Mine is now available to stream on all major platforms via this link.

Review by Amelia Vandergast

Ninali took us to Tokyo in her synaesthesia-inducing hyper-pop comeback 

Feel the neon glow of Tokyo in Ninali’s synaesthesia-inducing slice of hyper pop, which lit up the airwaves on November 11th. After squeezing inspiration from her trips across the world, Ninali has made a comeback after her wanderlust hiatus. Now residing in Spain to focus on her music career and to study music production, she’s projecting her sultry vocal timbre into her jazzy feats of RnB pop to share the exotic flavours she sampled.
Ninali made her first venture into the music industry aged 18 when she took Belgium by storm with her single, Lovedrunk, which scored her an indie record deal, national airplay and a spot on a compilation album curated by one of the biggest Belgian radio stations. With her sophomore single, she reached number 34 in the Belgian Ultratip charts and secured plenty of live dates. We’re stoked to have her demure soul and uplifting sound vivifying the UK music industry for the first time. She’s certainly not one to sleep on, especially if you are partial to serotonin spilling across your synapses.
Head to Tokyo on Spotify. 
Review by Amelia Vandergast

Mars Alva shares the euphoria of escaping toxic relationship dynamics in his latest alt hyper-pop single, Erase

Here to prove that there is nothing sweeter than the euphoria of breaking free from a toxic relationship dynamic is the alternative Houston, TX artist Mars Alva, with his latest indie hyper pop single, Erase. It is a markable sonic shift from his spacey single, CRASH!, which came four months prior. The raw nature of the lyricism necessitated the off-kilter production that reflects the tumultuousness of dissonance gifted by narcissists.

Erase looks back on the love-bombing stage of a relationship, where the facades that were painted on thick soon started to slip. Upliftingly, Alva supercharged his release with the visceral energy that manifests when the only regret you have from walking away is the time and energy you wasted. Even if you haven’t been there yourself, you will still get the rush from this sonic firestorm, influenced by the 1975, Kanye, Frank Ocean, and The Weeknd.

The official music video for Erase will premiere on October 14th. Catch it on YouTube.

Review by Amelia Vandergast