Browsing Tag

Genre-Fluid

Ride-or-die romanticism burned through Chiron Loxton’s alt-hip-hop sermon of the soul, Pure

Desire runs deep in the alt-hip-hop hit, Pure, from the rising rap artist Chiron Loxton, created in collaboration with Truent. Around syncopated trap beats, minor-key piano melodies amplify the sincerity in the genre-fluid declaration of unflinching passion. It’s a melting pot of electronica, RnB, and hyper-pop motifs, as the vocals prove to be just as chameleonic through the consistently shifting form of the track, which shows that die-hard romantics are still committed to their ride-or-die ethos.

While the moody RnB pop harmonies carry you through the choruses, the introduction of the grimey rap bars delivers a broadsiding juxtapositional contrast that leaves a lingering imprint. It’s the kind of track that will haunt you until you finally give in and add it to your playlists for repeat hits of the romanticism rendered through pure talent.

Now based in Thailand after a snowboard season in Japan, Chiron Loxton drew from a new emotional register inspired by a powerful connection made in unfamiliar terrain. Fuelled by genre-hopping, festival energy, and the impact of cultural diversity, he channelled that kinetic spark into this release.

Pure is now available on all major streaming platforms, including Spotify. 

Review by Amelia Vandergast

Vemalo Painted the Sepia-Tinted Ache of Soul Separation in Their Genre-Fluid Single, Outside of Me

With Outside of Me, Vemalo refused to sidestep emotional devastation in favour of commercial palatability. They held it in their hands, inspected every facet, and layered it into a track that never shies away from rawness or restraint. The single bleeds from the starting line with dusty, distorted, diaphanous guitars that shape a middle ground between shoegaze haze and desert rock’s parched tone. As the instrumental moodboard unfurls, Vedantha Kumar’s vocals become the spiritual tether in the sonic expanse, offering the same slow-release burn as Jim Morrison’s lucidity laced with the melodic ache of Chris Isaak, without once losing his own voice to reverence.

The haunting sense of soul estrangement is matched by production choices that lean into cinematic melodicism without indulgence. After the midpoint, a jazz-licked interlude momentarily stills the chaos before the returning vocal refrain hits harder with each repetition. Vemalo used this section as a calculated lull; exhibiting their precision with dynamic emotional pacing.

Written by Matthew Davis and Vedantha Kumar, the single isn’t just autobiographical, it’s anthropological in the way it dissects the universal experience of watching someone disappear from your shared world, leaving you suspended, untethered, watching your own life move outside of yourself. Matthew, formerly signed to EMI and known for working with Daisy Chute and Stuart Moxham, brings his narrative precision, while Vedantha, drawing from his time in August and After and his Indian heritage, lends the soul. Paris-based producer Jonathan Le Fevre created the perfect environment to honour that intention.

Outside of Me is now available on all major streaming platforms, including Spotify.

Review by Amelia Vandergast

Falc1 Transformed Romantic Reverence into a Desert-Born Swell of Emo-Folk in Desert Tears

Falc1 delivered a duskily dreamy indie folk serenade with Desert Tears, a reverie-wrapped love letter that lays it all on the line. With a clever and measured integration of 80s-esque reverb in a future-forward and genre-fluid arrangement, the track transcends style. It finds its definition in the resonance that reverberates between the acoustic and emotional architecture of the single.

The lyrics move like an impassioned swarm of poetry through the synchronicity of piano and acoustic guitars, amassing visceralism with every progression until the crescendo of amplified emotion. As that wave crests, it stings like a heartbreak vignette, but nothing is lost in the swell. The reprising admission of “I love that you’re mine” becomes a primal mid-western emo cry, soaking every syllable with soul and all the contradictions that come with love held tight through doubt and clarity.

Based in Toronto, Falc1 is no stranger to breaking moulds. With over 60 tracks to his name and a loyal audience built from the ground up through TikTok, he’s become a vital voice for the fans who live between genres and crave substance more than spectacle. Desert Tears proves he’s not trying to fit into a movement. He’s making his own. With new tracks landing monthly and momentum only building, Falc1 is an artist not just to keep on your radar, but to keep in your headphones on repeat.

Desert Tears is now available to stream on all major platforms, including Spotify. 

Review by Amelia Vandergast

Zach Hodges Bottled an Atomic Glitch in Jazz Fusion Form in ‘Nuclear Muskrat’

Zach Hodges let chaos reign in Nuclear Muskrat and conducted it with a conductor’s cultivated touch and a mad scientist’s curiosity. The 19-year-old Midlands-based musician, composer, producer, and multi-instrumentalist may be early in his career, but through his LP, Baby Landmark, he’s already proven that genre loyalty is a concept best left in the past.

Hodges, known for his work as a theatre musical director for String Cheese Theatre, his position behind the kit in Midlands jazz trio Head to Head, and his international touring experience, funnelled every inch of his multidisciplinary pedigree into this 7-minute experimental tour de force. Nuclear Muskrat isn’t content to sit still—within its frenetic framework, it flexes polka funk motifs, indietronica laced with avant-garde effects, funked-up disco grooves, blues-drenched riffs, erratic polyphonic keys, and incendiary synth bursts.

While it could have been easy for this to feel like a pure act of self-indulgence, it’s easy to go along with the ride with Hodges as he demonstrates the malleability of sound in a way so seamless it is as though all of the textures, tones and tempos have always been complementary pairings. It’s as though the contemporary history of music has been condensed in the explorative mind-melter that continually pulls the rug and lays down a different one before the last footstep can land.

If you’re always on the hunt for music that challenges mediocrity, Nuclear Muskrat is the ultimate contender.

Nuclear Muskrat is now available to stream on all major platforms, including Spotify. 

Review by Amelia Vandergast.

Ben Z Breaks the Mould with the Shape-Shifting Alt Trap Pop Anthem, ‘Wanderin’’

Ben Z made an unapologetic introduction with Wanderin’, a debut single that refuses to follow a straight path. What starts as a cinematic composition that wouldn’t be out of place in Zimmer’s repertoire chameleonically morphs into a moody trap flow, with bars blazing over the sharp beats that bring intensity to the production, amplifying every syllable that Ben Z lays down with conviction and charismatic swagger

Succeeding in his mission to lay down hits that blaze past the mould right out of the gate, the innovator has a promising career, and if the visceral impact of Wanderin’ proves anything, it is that he’s an artist with the fortitude and fire to deliver. The seamless transition from orchestral grandeur to brooding hip-hop dynamism is a bold move, but one that pays off by showcasing the full force of his creative instincts.

With a vision this sharp and a debut this potent, Ben Z has already set the bar high. If this is just the starting point, whatever comes next is bound to hit just as hard.

Wanderin’ is available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Goodfellow delivered the antidote for obsessive rumination with his alt-pop hit, Think 2 Much

Goodfellow, accompanied by the honeyed harmonies of female vocalist seleen, dropped a genre-defying single that seizes the RnB Trap Pop scene with an undeniable groove. ‘Think 2 Much‘ hit the epicentre of the contemporary genre-fluid zeitgeist by weaving pop elements reminiscent of Maroon 5’s chart-dominating era with ‘Payphone’ into a foundation of trappy beats.

In ‘Think 2 Much’, the lyrics paint a chaotic whirlwind of thoughts induced by an overwhelming crush, offering listeners a sticky-sweet vignette of emotional turmoil. This perennial earworm doesn’t just narrate; it plunges you into the heart of melodious obsession where there’s no escaping the razor-sharp hooks which are embedded within the quintessential soul of RnB.

The slick production ensures that the beat remains too addictive for just one listen, and the same goes for Goodfellow’s cheeky, hedonistic charm that permeates the track, resonating through augmented summer-vibe melodies that promise to outlive the season.

For those entangled in the messy throes of romance, here’s your anthem.

Think 2 Much is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Jojo and Wo shook up country hip-hop with ‘Beer Money (Champagne Wishes)’ ft Fred Lockett

JoJo and Wo, the self-made sibling duo from Houston, have once again proven their genre-blending mettle with their latest single, Beer Money (Champagne Wishes). It’s a track that hits all the right notes for fans of country hip-hop, with Fred Lockett adding an extra layer of grit to an already unapologetic banger.

If Yelawolf, Kid Rock, Colt Ford, and Lil Nas X are staples in your playlists, you’ll instantly be gripped by the beat in Beer Money, which slams and slaps over acoustic guitars that pull you straight into the soul of the country scene.

The dynamic interplay between JoJo’s fiery, polished vocals and Lockett’s gruff, whiskey-soaked tones gives the track its undeniable edge. It’s impossible not to lose yourself in the rhythmic magnetism of the hit that kicks you into a foot-stomping groove.

JoJo and Wo’s legacy started in Houston, where they discovered their passion at just five years old. With appearances on NBC’s America’s Got Talent and Clash of the Choirs, and performances alongside the likes of Kelly Rowland, Alicia Keys, and The Pussycat Dolls, they’ve proven they were born to be on the big stage.

After signing to Pulse Publishing as songwriters, their global influence skyrocketed, securing placements on major TV shows and penning hits for LMFAO and Flo Rida. Now, with Beer Money (Champagne Wishes), JoJo and Wo are making waves yet again.

Beer Money was officially released on August 24 and is now available on Apple Music.

Review by Amelia Vandergast

Mars Playground carried an arsenal of earworm potential in his alt-pop hit, ‘S.O.S.’

Mars Playground, helmed by Chris Dixon, embarked on a bitter-sweet alt-pop exploration of angst and existential rumination with his latest track, “S.O.S.” The South Florida native melded the nostalgic beats of mid-2000s hip-hop with the crisp innovation of modern bedroom pop, set to the pace of hyper-pop while touching the raw nerve of pop-punk to craft a boldly original sonic profile worthy of drawing comparisons to the likes of Dominic Fike and Post Malone.

The icon of genre fusion synthesised trap’s rhythmic dynamism and indie’s subtle introspection to create a masterpiece of modern sound which oozes commercial potential. After initiating with percussive breaks that nod to the likes of Alexisonfire, the song subverts expectations with its euphonic pop aesthetics which envelop an emotional upheaval wrapped in a veneer of sticky-sweet melodies that cling relentlessly to memory.

As Mars Playground continues to chart a course towards critical acclaim, S.O.S. is yet another testament to the resonance of his boldly candid sound. The universal plea for solace amidst chaos sends a lifeline, woven with the threads of his vibrant, varied influences and the unvarnished truths of his journey.

S.O.S. hit the airwaves on August 28th; stream the single on Spotify now.

Review by Amelia Vandergast

Def Ember synthesised the future into retro melodies in their expansively fusionistic track, Quiddity

Def Ember’s latest seminal release, ‘Quiddity‘, from their double A-side single established the aural alchemist as a forerunner of genre-obliterating innovation. Released on January 26th, this track is a bold venture into unchartered melodic waters. Known for their genre-fluid approach, the Los Angeles-based artist ensured ‘Quiddity’ stands out with its warm meandering rhythms that guide listeners through a serenely dynamic soundscape.

The track skillfully balances a solid, kicking backbeat with mellifluous synth lines and soulfully arresting guitar licks, creating a mesmerising contrast that you can lose yourself in time after time without any of the magic in the polished production getting lost. While the synths bring a touch of nostalgia, the other layers in this smorgasbord of style push the release into the future.

The layered synthetics add depth and complexity without overwhelming the rhythmic pulses, thanks to the track’s meticulous construction and sci-fi-esque ambience. It’s a track that doesn’t just play to the ears but engages the soul, marking an exciting chapter in the artist’s evolving musical journey.

Stream the latest release from Def Ember on Spotify now.

Review by Amelia Vandergast

Rukudzo called time in her fiery pop hit, Big Things

The Hertfordshire, UK singer-songwriter and multi-instrumentalist Rukudzo exhibited what a perfect pop hit should sound like in 2023 with her latest hook-rife and soul-lavished single, Big Things, which allows indie guitars to weave an intricate melodic tapestry across the lush layers of reverb and the Afrobeat rhythms that give the genre-fluid track a solid backbeat.

The sonic ingenuity, which also leaves room for Rukudzo’s signature rock attitude, is only matched by the poignant lyrical message which unravels as a fiery vignette of a depiction of the necessity of knowing when to be forbearing in a relationship and when to draw the line and call time.

In every conceivable way, Rukudzo made an unforgettable impression with Big Things. You’ll be humming the melody for days and revelling in the introspection for even longer.

Big Things will drop on November 3rd, stream it on SoundCloud.

Review by Amelia Vandergast