Traversing people’s proclivity to convince others to plaster a fake smile over valid emotions, the solo artist dogbeach (Bob Maschio) created a sardonically protestive hit out of his latest single, Fake It.
To stick it to the façade-preferring masses who wouldn’t know what hit them if a drop of empathy crawled between their synapses, dogbeach released a sun-soaked progressive alt-rock lament to their selfish ineptitude with compassion.
Switching between post-hardcore vocals and melodic pop choruses and playing with punk and alt-90s pop tones, he efficaciously encompassed the bemused rage that comes to fruition in the face of the audacity that adds to the stigma around mental health.
It is a sure-fire hit of vindication for anyone that knows the frustration of other people’s expectations. The playful reprise of “why would I do anything for you” hits the nail on the head with satisfying precision.
‘When it rains, it pours’ seems to be the perfect adage to capture the deluge of dissatisfaction drizzling over the entirety of the UK. But Buzzcocks siphoned euphonic punk rock dynamism from the dismal atmosphere in their single, Manchester Rain, taken from their upcoming studio album, Sonics in the Soul.
Inspired by the relentless motivation of grassroots artists to keep the scene thriving in Manchester, Manchester Rain is a smorgasbord of riotous optimism. One that will stir even the most ennui-soaked souls through the blasts galvanic garagey guitars and assertively upbeat vocals that create hooks sharp enough to hang your leather jacket on.
In the tragic wake of Pete Shelley, co-founder and co-singer-songwriter Steve Diggle has kept the buzz reverberating through their iconic-since-the-70s-sound. Shelley would undoubtedly be proud of Buzzcocks continuing to stand at the vanguard of punk-rock euphoria.
With a scuzzy punk rock viciousness that could only have ever come from NYC, New Rock City’s latest single, Da Ratman!, is a blackened bop-worthy hit that could single-handedly and simultaneously restart the New Romantic and Horror Punk scenes.
With no two singles from the duo ever the same, they keep their fanbase guessing what revivalist tones they will deliver next. Based on Da Ratman! It’s safe to say that they know just how to pull different stylistic elements together to energetically complement each other. It’s as hooky as any Misfits track, jangly as Johnny Marr’s licks and comes with devilishly macabre undertones in the same vein as The Creepshow. Da Ratman! is a firecracker of a track that no one will regret hitting play on.
If the Beach Boys made their debut in 2021 and picked up some Midwest Emo tendencies, their bright and instantly infectious melodies would have plenty in common with the ones found in singer-songwriter, billion daily’s triumph of a debut single, Pull on My Heartstrings.
The intricately and anthemically layered single breezes through the whole tonal spectrum as it runs through the frenetic choruses and verses where you can drink in the lush accordance of shimmering notes. It is anything but your average debut, which has plenty to do with the artist cutting his teeth as a songwriter under the moniker, iamsleepless, for years. After turning away from music to explore faith, having an existential crisis from that decision and returning to music armed with weed and a guitar, he started work on his debut release; we’re beyond glad that he did.
Pull on My Heartstrings is available to stream from December 3rd 2021. You can catch it for yourself on SoundCloud.
Youngstown Ohio’s prodigal sons of industrial metal, Heck Vektor, have released their scathing new single, Superspreader. With the energy of garage punk, the harsh electronica stylings of Powerman 5000 and vocals that switch from Alec Empire-level slick to caustic and confrontational, it is impossible not to be drawn in by this tumultuous amalgamation of alt electronica and rock.
Even though I hit play on the covid-related track with hesitancy, the glitchy basslines, nefarious charisma and unpredictable breakdowns quickly replaced the cynicism with admiration. We can’t wait to hear what follows.
Video may have killed the radio star, but she’s been revived in feminine form in the latest single, ‘RadioGirl’, from the Denver, Colorado-based alt-rock artist, The Lost Dolls. The smitten feat of sugar-coated sleaze is made infinitely sweeter with the virtuosic guitars that will win over even the most hard-to-please fans of ‘70s punk rock.
The modernity in the track comes via the nuanced 90s grunge infusion and the pop-punk edge that brings RadioGirl right into the 21st-century while evoking a fair amount of nostalgia with vintage melodies that are just as infectiously catchy as Video Called the Radio Star.
It comes as no surprise that the Lost Dolls are racking up the streams and taking America by storm with their affectionately raunchy sound since making their debut in 2020. They’re definitely ones to watch.
You can check out RadioGirl for yourselves by heading over to Spotify.
After hearing Hellwaffles’ resonantly candid debut single “Training Wheels”, there was little chance we’d forget the Indie Punk Folk artist’s instantly endearing style. Upon hearing of the release of their second single “Audrey Hepburn”, we couldn’t help but dive right in and embrace the angsty quaint alchemy one more. It definitely didn’t disappoint.
The short and bitter-sweet track is as uncomplicated as they come. The frill-free Garage Lo-Fi-style guitar give the lyrics and vocals plenty of room to leave you transfixed by them as they playfully allude to Hellwaffles’ complicated relationship with the ultimate on-screen icon. It’s pointed, it’s playful, and it’s utterly ingenious.
We’re already stoked to hear what Hellawaffles serves up next with their unpredictably refreshing style.
You can check out Hellwaffles’ latest single for yourselves by heading over to SoundCloud.
Up and coming Alt Rock artist Merivida has made their debut with their genre-defying vitriolically explosive album “Leaked Transmissions from the Cosmos”.
While each track is a riotous convergence of Punk, Grunge, Psych, and Garage Rock, the best introduction to Merivida’s high-octane spacy sound is undoubtedly Smoke.
With the same rhythmically serpentine style as Velvet Revolver, Garage Punk vocals and the angst which practically drips from the frenzied instrumentals Smoke isn’t a track which you’ll forget in a hurry. Even with the harsh and grungy tones, Smoke still offers an anthemic feel, I can’t imagine how insanely energetic a live set from the Washington-based artist would be.
You can check out Smoke along for yourselves via Spotify. But we’d highly recommend listening to Leaked Transmissions from the Cosmos in full. It’s a rare perfectly curated release which allows each of Merivida’s hypnotically grungy tracks to become even more transfixing.
“Take a Bulleit” is the fiery, snappy new Rock single from up and coming artist Back of House. The Garage Punk attitude runs right through their angsty hit which also uses the stylistically menacing energy of Post Punk.
Artists such as Back of House prove quite irrefutably that Punk definitely isn’t dead. The confrontationally cathartic energy will always be essential on the airwaves. And it’s safe to say that with Take a Bulleit, they have stamped their own signature sound in Punk.
Their captivatingly bendy basslines, infectious vocal swagger, and ability to pull together an energetic earworm of a hit should ensure that Back of House doesn’t remain on the underground for all too long.
You can check out Take a Bulleit for yourselves by heading over to Reverb Nation now.
As an overly enthused fan of 80s Matchbox B-Line Disaster, hearing the debut single “Rotten Fruit” from up and coming Garage Punk artist Summer of Blood was an incredibly welcome defiling of my eardrums.
With the running rhythms and the caustic amount of energy poured into Rotten Fruit, Summer of Blood have definitely got our attention. Punk isn’t dead, but it’s on its last legs, and it was about time a new band emerged with the vivacity to make us fall in love with relatable aural angst once more. Rotten Fruit contains a fair amount of snarling noise, yet even when the momentum of the track peaks, you’re never left with discord. There’s plenty of abrasive fuzz, yet you’ll be able to appreciate each of the instrumentals coming together and bleeding blistering rhythm.
You can check out Summer of Blood’s raucously mesmeric feat of Alt-Rock for yourselves by heading over to Spotify.