Browsing Tag

Future Bass

Spotlight Feature: Ducktail’s fiery feat of anthemic electro-soul, Over, ft Kristal Oliver, Bursts with riotous, almost punk energy: try telling us this isn’t the debut of the year

Posted on 23 June 2023

With a Wall Street career in the rear-view mirror, the electro luminary in the making, Ducktail, ensured the world knew about his arrival in the Future Bass scene by dropping his debut single, Over. If it’s good enough for Pete Tong, the multi-layered leads driving through pop-hooked groove-pocketed basslines are worthy enough for your rhythmic pulses.

The New York-based artist and producer teamed up with the Grammy-nominated platinum artist Kristal Oliver, who exhilarated the release with her award-winning vocal lines before the anthem for a lost and now found cause was mixed and mastered by none other than Gosteffects.

Ducktail and Kristal Oliver converged to create an unreckonable force with this fiery feat of anthemic electro-soul. With choruses that burst with riotous, almost punk, energy and ever-ascending verses, which will leave you on a new spiritual plateau, just try telling me this isn’t the debut of the year.

As change is the only inevitability in life, Ducktail prepared us for it with Over, by illustrating that freedom to step into the infinite possibilities of the unknown is something that we should forego complacency and stagnation for.

“Over is all about following your passion and finding happiness along the way. Music has always been the greatest source of happiness in my life. So, in a way, Ducktail was created to repay the debt I felt I owed to something that’s given me so much. Lyrically, Over is a testament to pursuit and passion; it quells decisional regret, something we’ve all experienced.”

Over hit the airwaves today on June 23rd. Check it out on all major platforms via this link.

Review by Amelia Vandergast

Follow Ducktail on Instagram
Listen on Spotify, Apple Music, SoundCloud
Watch on YouTube

Spotlight Feature: Ducktail gave a lesson in inspirational exhilaration in his future bass debut, Over, ft Kristal Oliver

Posted on 2 June 2023

https://soundcloud.com/ducktailmusic/over/s-GjYt5XNuVOX?si=c3c6f4a5eec14e1f838d53d40193d6be&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

As change is the only thing that is certain in life, Ducktail prepared us all for it by lighting the green light to illuminate the way towards spiritual decision-making, which will lead you to the endless possibilities awaiting in the unknown.

“Over is all about following your passion and finding happiness along the way. Music has always been the biggest source of happiness for me. So, in a way, Ducktail was created to repay the debt I owed to music. I always strive to create something of inherent value and spread joy – even through the darkest times. Lyrically, Over is a testament to this notion; it quells decisional regret, something we’ve all experienced.”

Over will hit the airwaves on June 2nd. Check it out on all major platforms via this link.

Review by Amelia Vandergast

B-Fix holds a candle in the firestorm of his EDM pop single, Come Back to Me

Posted on 28 October 2022

The Perth-born, London-based DJ, songwriter and music producer, B-Fix dialled the soul up to 11 in his latest progressive dance-pop hit, Come Back to Me. The future bass meets progressive house pop single holds a candle for the spark of a once-in-a-lifetime love while breaking sonic boundaries through B-Fix’s genre-obliterating inclination as an aural innovator.

B-Fix found his passion for music in the punk rock scene before dominating the EDM genre with his stormy high-energy hooks and ability to dizzy his audience with his bass-drenched drops. On the basis of Come Back to Me alone, innovation-hungry dance fans will want to save a spot on their radar. He has exactly what it takes to be bigger than Wave Racer, Vanic and Flume. Watch this space.

Come Back to Me officially released on October 21st. Check it out for yourselves on SoundCloud.

Review by Amelia Vandergast

Visit the Citadel in Sentry’s latest future bass single

Posted on 14 September 2022

UK-based future bass and electronica producer, Sentry invited his listeners into the ‘Citadel’ in his latest emotionally-heightened single, taken from his upcoming project, The Anomaly, which is due to drop later this year.

Citing Quiet Bison, Porter Robinson and OBLVYN as his influences, the 22-year-old artist makes familiar progressive moves, but there’s a sublime equanimity to his production style between the big percussive breaks. Toeing the line between scene-setting ambience and visceral synthetics, Citadel is a ground-breaking hybrid that you are going to want to take for a spin time and time again.

Citadel is now available to stream on Spotify.

Review by Amelia Vandergast

Nikkita prescribes optimism in her debut EDM pop hit, Looking Up

Posted on 4 February 2022

From the suburbs of Perth, the breaking EDM pop artist, Nikkita delivered her internationally resonant synth-driven debut single, Looking Up. Usually, there is a compromise between evocative power and sonic momentum in the pop genre; Looking Up finds the perfect balance of optimistic vulnerability and sheer perennial pop earworm potential.

Debut releases don’t often come as euphoria-inducing as Looking Up, which uses dizzying crescendos and massive future bass breaks to remind you of the visceral sensation that comes as a consequence of finding the freedom in optimism. Yet, I do not doubt that Nikkita’s vocal timbre would be as enlivening in acapella. She has everything it takes to become the next big pop sensation; with plenty of material in the pipeline, she is one to watch.

Looking Up was officially released on January 28th; you can check it out for yourselves on SoundCloud.

Review by Amelia Vandergast

Sentry takes us to Yesteryear with his latest future bass production.

Posted on 28 September 2021

If any up and coming electronica artist has what it takes to create a new trajectory in the evolution of future bass, it is the 21-year-old UK pioneer, Sentry.

By using natural elements in his ambient work that cuts with an atmospheric chill, despite the warm organic textures weaved into the production, you can’t help but be arrested by the cinematic flair exhibited in Yesteryear.

The first drop is a harsh and scuzzy descent into discord; from there on out, the basslines tear away at any ambience the prelude offered and leaves you galvanised by the alchemic synthesised momentum.

Yesteryear is now available to stream on Spotify.

Review by Amelia Vandergast

Zazen gave FAULHABER’s ‘Go Ahead Now’ a bass-drenched future house feel with his remix.

Posted on 12 September 2021

https://soundcloud.com/iamzazen/go-ahead-now-feat-faulhaber-zazen-remix

Washington DC hailing artist and producer Zazen made the basslines even deeper in his remix of the world-renowned Dutch DJ and EDM producer FAULHABER’s seminal single, Go Ahead Now. The original was a fine feat of Euro-dance; under Zazen’s production, the track became infinitely more captivating with the ominous layers of reverb over dark tones and the breaks that became infinitely more extreme.

Since 2012, the independent artist, Zazen, has become renowned for his dynamic style that fuses future house with hard kicks and clean bass lines. For anyone who likes their EDM on the filthier side, you’ll find plenty of playlist stapes in his collection of original tracks and remixes.

You can stream Zazen’s remix of Go Ahead Now via SoundCloud.

Review by Amelia Vandergast

Constellation Prize bring the grooves in their bassy electro-pop hit, Chase That High.

Posted on 11 July 2021

UK-based dance-pop duo Constellation Prize is set to drop their most euphoric release to date, Chase That High; the endlessly energetic anthem will seal a spot on your summer pop playlists before the hooky chorus even hits.

With slightly filthier basslines than you would expect from your average future pop track, Chase That High is adrenalizing from start to finish. Perhaps most notably, the artist brings serious swathes of style to the high-vibe pop anthem. All too often, feel-good tracks fall into the trite and cliché trap, but Constellation Prize is nothing if not refreshing and organic in their electro-pop style that modernises 80s – 00s dance-pop grooves.

Chase That High is due for release on July 30th. You can check out Constellation Prize on SoundCloud.

Review by Amelia Vandergast

Emily Silver raises the temperature in her dance-pop track, ‘Feel the Flames’

Posted on 10 July 2021

Independent London-based singer-songwriter Emily Silver’s latest future pop track, Feel the Flames, is enough to make Lady Gaga sound tame. The single that was co-written and produced by the Brit Award winner, Simon Ellis (Britney, Spice Girls, S Club 7), is the epitome of filthy pop.

The bass-drenched-drops motif the track with electrifying energy which Silver easily matches with her fiercely resounding vocal timbre. Emily Silver has already performed in the Royal Albert Hall and the 02 Arena, but with her vocals, there isn’t a stage she couldn’t command. There’s a magnetic amount of hunger in Feel the Flames that grips you with sharp melodic teeth and refuses to let go.

Feel the Flames is due for release on July 16th; you can check out Emily Silver on SoundCloud.

Review by Amelia Vandergast

Sukesha Ray has unleashed her emboldening future pop anthem, ‘We Are the Way We Are’

Posted on 9 June 2021

Prepare your summer pop playlists for the latest euphoria-laced future pop anthem, ‘We Are the Way We Are’ from American singer-songwriter and dancer Sukesha Ray.

Once again, the emotion brings just as much energy to the track as the intense build-ups and colossal future bass drops in the anthem that starts with an all too resonant melancholic tone before the progressive track builds momentum and garners mental resilience along the way.

After racking up over 140,000 streams on Spotify alone with her sophomore single, A Place We Never Knew, it is easy to see how the autonomy-embracing single, We Are the Way We Are, will follow.

You can check out We Are the Way We Are by heading over to Spotify.

Review by Amelia Vandergast

Older Posts