Browsing Tag

funk

Jafar Curry turned disco-dripped RnB nostalgia and rap-shot conviction into the luxe sonic labyrinth of ‘Dangerous Love’

Dangerous Love by Jafar Curry

RnB, hip-hop, funk and pop all find their place within Jafar Curry’s Dangerous Love, a swanky groove-soaked single that radiates soul as soon as the arrangement begins to unfold. The Thai genre-fusionist has built a reputation for weaving eclectic influences through his catalogue, yet nothing about his approach feels forced or experimental for the sake of spectacle. Everything moves with organic melodic momentum and sonorously rich passion, giving the impression that earworms such as Dangerous Love exist as natural extensions of Curry himself.

The track wraps listeners in the warmth of nostalgia while still carrying the exhilaration of discovering an artist capable of making familiar textures feel freshly minted. There’s a strange thrill in imagining what the Bee Gees might have sounded like had they steered toward disco-dripped contemporary RnB, punctuated with a rap verse that strikes the production with sharp conviction, acting as a contrasting juxtaposition against the dreamy hues of the RnB instrumentation, creating a tension that keeps the groove alive The production itself feels massive, a labyrinth of layers that gradually reveals its depth the longer you sit with it. Synth accents, rhythmic flourishes and velvet vocal harmonies ripple through the mix, building a luxe sonic environment that rewards attentive listening.

Curry’s broader body of work reflects the soul of a musician raised on blues, jazz, funk and rock alongside RnB and alternative hip-hop. As a singer, songwriter, producer and multi-instrumentalist with international performances behind him, he carries a musicality that flows through his piano work and vocal delivery. Dangerous Love captures that full spectrum, pairing rhythmic drive with storytelling sensitivity in a way that resonates to the nth degree.

Dangerous Love is now available on all major streaming platforms, including Bandcamp. 

Review by Amelia Vandergast

Golden Gate and Inaya Day pulled no punches in the disco-hewn euphoria of My Name is Love

Golden Gate collided disco, funk, and soul in their latest serotonin-loaded single, My Name is Love, featuring the vocal dynamite that is Inaya Day. It’s an unapologetic invitation to shed inhibition and inhabit the sheer exhilaration of casting off negativity and living voraciously through passion, lust, and love. The vocals hit like a spiritual uprising, where the power in the octaves channels the purity of the soul they project.

Describing the rhythms as infectious would be too soft. There isn’t a dormant inch of the body left once the track’s strobing synths and phasers start radiating through the airwaves. Retro yet searingly modern, My Name is Love is a 70s disco funk anthem laser-focused on lifting spirits and tearing up dancefloors. The Leeds-based duo behind Golden Gate, Tee Cooper and Harper Lake, laced the production with cinematic lushness while enlisting a global crew of players to inject sweat, groove and electricity into every pocket of the mix.

Dubsworth on bass, Tom O’Brien on synths, Parthenope on sax, Gary Haguenauer on guitar, and the backing vocals of Cheryl Holland, Katie Brewer, and Harper himself round off a line-up that feels less like a studio session and more like a movement. As the centrepiece of The Disco Express 100th compilation, and an undeniable highlight of their live sets, My Name is Love doesn’t just honour the roots of disco, it resurrects them with technicolour ferocity. Put Inaya Day on the same pedestal as Jennifer Hudson and hand her a crown while you’re at it.

My Name is Love is now available on all major streaming platforms, including Spotify.

– Review by Amelia Vandergast

Joseph Quiles gilded his grooves in his jazz fusion collaboration, ‘Inner Drive’

Joseph Quiles cemented his command over smooth jazz fusion in his third single, Inner Drive, created in collaboration with Brandon Votel and Eddie Wiernik. As the basslines reach back into the golden groove of 70s funk, the track finds its sonic soul in the big band brass that colours the soundscape with rhythmic opulence. It’s an accordant, richly layered production that breathes with intent, letting the momentum spill from the rhythm section and swell in each fluid note of the saxophone and piano.

Inner Drive doesn’t seek a climax; it builds a world. One where the smoothness doesn’t come at the expense of vitality, where the swank sits side-by-side with sincerity. The kinetic synergy of each instrument is tuned to escapism. The sax dances in restraint as the piano guides the melody. The percussive textures feel handpicked, not programmed, giving each shift in energy a deeply human quality.

Quiles’ vision of jazz fusion is vibrant in restraint and methodical in passion. Collaborating with Votel and Wiernik brought depth without overwhelming the groove. It’s not just a track for the jazz traditionalists or the funk disciples. It’s a release for those chasing sonic sophistication with soul intact. Inner Drive allows each element to breathe, stretch, and shine on its own terms, while keeping the whole tightly bound in smooth elegance.

Inner Drive is now available on all major streaming platforms, including Spotify. 

Review by Amelia Vandergast

904 Rewrote the Rhythm of Reality with Their Kinetically Charged Electro-Funk Hit ‘Like a Film’

904’s latest track, Like a Film, doesn’t just soundtrack life through a lens, it reprogrammes perception through a fusion of funk, pop, rap, and indietronic disco grooves synthesised to make you move with the relentless momentum of the beats and equally as kinetically energising synths and vocals, which bring the smooth with the frenetic to keep the energy to the nines.

With all the hallmarks of a definitive funk pop earworm and rap verses that allow the up-and-coming outfit to wax lyrical with a euphoric pulse, Like a Film is cinema for the rhythmic pulses. The structure is tight, but the sound is anything but contained. It unfolds like a visual montage of hedonistic highs and sweat-slicked dancefloors. From the first drop, the rhythm is built to incite motion. The swagger in the bars amplifies the groove rather than halting it, making space for flex and finesse to co-exist without compromise.

904 are already proving their ear for what hits hardest without falling back on nostalgia or gimmicks. They charge ahead with total conviction, keeping production values on par with their ambition. If your playlists are littered with artists in the vein of Daft Punk, you won’t hang around finding a place for 904 on your radar. But even without the sonic references, the magnetism in this single will do the heavy lifting.

Like a Film is now available to stream on all major platforms, including Spotify.


Review by Amelia Vandergast

Blue Bayou Blew the Lid off Indie Pop Convention with the Electrically Unhinged Euphoria of ‘Hide and Seek’

Blue Bayou

When an artist becomes impossible to ignore off the back of their debut single and the strength of their live sound alone, that becomes the mark of an artist that will stand the test of time, even in an era of ephemeral trends. The organically rich vibrancy within the sophomore single, Hide and Seek, is only going to make it harder for Blue Bayou to keep a low profile in the music industry.

For decades, Frank Zappa set the bar for eccentric funked-up colour, but it would appear that Blue Bayou have transcended it with the electrically zany arrangement in Hide and Seek, which makes no attempt to temper the quintessential charm of an artist following their muse to idiosyncratic corners of the airwaves to unlock exhilarating synth appeal with indietronic disco chops to die for. There’s a real sense that if you buy a ticket to a Blue Bayou show, you’ll be sonically born again.

With their reputation built through infamous live sets in Oxford and on stages shared with Max Blansjaar and Danny Mellin, Blue Bayou haven’t just flirted with anticipation – they’ve earned it. Their chamber pop instrumentation – soaked in trumpet stacks, disco strings, arpeggiating Juno lines, and diegetic chaos – is a meticulous riot. Hide and Seek is an audacious love letter to both Dury-esque absurdism and WH Auden’s precision.

Their status as Oxford’s most in-demand live band has already been secured, and with Chris Barker at the production helm, Blue Bayou’s rise from cult live fixture to alt-pop phenomenon is starting to write itself.

Hide and Seek is now available to stream on all major platforms via this link.

Review by Amelia Vandergast

Anirban Jee Soaked the Soul of Disco in Retro Pop Gold with ‘Are We Gonna’

https://music.youtube.com/watch?v=CXuEg-fVvUo&si=hVCae7KRJQXqhecp

Are We Gonna by the internationally notorious chart topper, Anirban Jee licks retro pop with swathes of funk, giving the glow of a disco ball lighting above a gyrating dancefloor. The serotonin flows as easily as the Nile Rodgers-esque staccato guitar rhythms in the melodious rapture of the track that lifts as much as it hits the sweet spot tucked away in your soul. With a voice that reaches the pinnacle of euphony through infectious charisma, Are We Gonna is an earworm you’ll want to nurture forever.

Known for rewriting the rules of pop, urban, and R&B composition, Airban Jee’s discography is a testament to his endless creative evolution. From his early start at twelve with an electronic keyboard to multiple chart-topping singles and collaborations with heavyweight producers like Simon Cohen and Steve Peach, his career has been a masterclass in soulful, lyrical expression. With accolades including Songwriter of the Year awards, multiple #1s on the World Independent Music Charts, and extensive commercial radio airplay, he’s become a driving force on the global stage.

Following successes with tracks like Will Above My Wish and You On My Side, Are We Gonna continues the momentum, proving that when it comes to creating timeless anthems, Anirban Jee knows exactly how to hit the visceral marks.

Are We Gonna is now available to stream on all major platforms, including YouTube.

Review by Amelia Vandergast

Deep Groove Dominion: ‘Bad Habit’ by Thirteen Paris Vandals

Thirteen Paris Vandals, the creative moniker of Jon Norton, injected old-school boom-bap hip-hop with an intravenous shot of funk and disco in his latest single, ‘Bad Habits’. With groove pockets deeper than the Grand Canyon, no one will be immune to the hype of the hit, which crackles with live wire charisma, cutting through the noise with pretence-less bars that establish the Leeds-based luminary as a masterful orchestrator of urban euphoria.

‘Bad Habits’ pulses with high fire, all gas, no brakes energy that infuses each note with sonic serotonin; despite being roughed up with the grit of hip-hop, the track is iridescent as the disco balls that will call for his sound to be played beneath.

The enigmatic nature of his sound unriddles itself by bringing into perspective the artist’s influences, cited as seventies psychedelia and space rock; these elements, in addition to inspiration found within The Beatles and The Beachboys, weave their way into his diverse sonic palette.

With the magnetic charm of icons like Pharrell Williams and Outkast rolled into one, Bad Habits is a testament to Thirteen Paris Vandals’ potential as one of the most promising hip-hop artists in the UK. Don’t just watch this space—be part of his legacy and hit play.

Bad Habit is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

The Proto-Funk Pioneers, The Yowies, have officially arrived with their decadently disco debut single, Real Time

There’s no putting the mythologically monikered proto-funk renegades, The Yowies, back in their cage after they unveiled their debut single, Real Time. The decadent disco track pours an alchemic cocktail of indie-licked RnB, funk, jazz and soul, stirred by razor-sharp songwriting chops that cut straight through the static of the contemporary music scene.

The tonal sublimity of the seductively smooth single rivals the kaleidoscopic luminosity of a disco ball as The Yowies groove across their foundational influences, which pit the timeless soul of Winehouse against the guitar licks of Nile Rodgers and the spacey transcendence of Bowie in his Young Americans era.

With jazz nuances as a smoke machine, there are few sonic signatures as slick as what is exhibited in The Yowies’ debut release which makes it impossible not to get into the fiery smooth groove. Every replay reveals a new level of their creative genius, solidifying them as a band at the forefront of proto-funk revivalism

Real Time was officially released on September 29; stream the single on all major streaming platforms, including Spotify, now.

Review by Amelia Vandergast

Keith Rayburn – Shine On: Guitar Strings as Gospel

For his latest eagerly anticipated release, Shine On, Keith Rayburn rendered funk-laden rock into smoky, Motown-esque soul intersected with bluesy grooves to offer conjurings of catharsis so intense the single borders on sonically sacred.

Each progression plunges the listener deeper into a hazy, irresistibly immersive soundscape that echoes the nostalgic aura of The Doors as his guitars speak gospel in chorus with the lyrics which attest to how dimming your light is never the answer when the illumination of resilience is an option.

Rayburn is well on his way to riffing his way into the rock pantheon with his peerlessly cultivated sonic signature that will scribe its way through your synapses long after the outro of the sublimity-soaked sanctuary of a single which is easily one of the most sincere feel-good releases you’ll hear all year.

With tens of thousands of monthly Spotify listeners from around the globe behind him and his versatile musicianship, Rayburn is well on his way to reaching the acclaim his superlative song crafting deserves. Make his ear for a melody your new aural remedy.

Shine On arrived on the airwaves on September 4th; stream the single on Spotify now.

Review by Amelia Vandergast

Michael Kanyongolo followed his muse instead of the herd in his alt-dance track, Justice

Brooklyn-based electronic music producer Michael Kanyongolo obliterated the EDM mould with his 3-track release, MK, featuring the seminal single, Justice.

In a track that pulses with an electro heart, Kanyongolo injects licks of funk delivered by rolling bass guitars to deepen the groove, creating progressive rhythms that play with complex time signatures, flirting with the Avant-Garde.

As the track unfolds, the heavy, dark, and reverberant phasers cloak the mix with an ominous, almost cinematic feel. The sound design isn’t just on another level; it’s in an entirely different orbit. Kanyongolo’s interstellar mix is one you can get endlessly lost in as the interplay between the layers brings ever-deepening textural depth and scintillation.

The auditory slice of ingenuity established Kanyongolo as an artist you can always expect the unexpected from. His inspiration from electronic icons like Daft Punk and Justice is clear, but it’s his signature synthesis of adventurous production techniques that make him worthy of a space on your radar.

Stream Justice on Spotify now.

Review by Amelia Vandergast