Browsing Tag

Funk Soul

Sierra Velez’s ‘Growing Pains’ carries rite-of-passage pain into the epitome of modern soul

Sierra Velez came into her own in more ways than one on Growing Pains, a soul, funk and blues-driven single that turns emotional exhaustion into a rite-of-passage reckoning. Now based in Texas after moving from New York, Velez uses her sophomore single to sharpen the aura of an artist learning exactly how much space her voice can claim.

Growing Pains sheds the pain of realising that the most selfless people often end up secondary in a world happy to take from them. Rather than reaching for melodrama, Velez lets the scorn within that relatable scar sit inside a groove-rich arrangement where soul warmth, funk movement and bluesy reflection all feed the same emotional fire.

The old-school touch to her sound sidesteps the corridors of dated trends, giving the track a timeless feel while still letting her presence stay freshly forward-facing. Her voice harmonises with sheer sublimity, carrying an inexpressible and equally irreproducible aura that makes the single feel intimate without shrinking its scale.

Fans of Amy Winehouse, Joss Stone, and Erykah Badu’s self-possessed emotional clarity should hear the appeal instantly.

With such a sense of confidence in her authenticity, it is impossible to resist being drawn into Sierra Velez’s orbit. Growing Pains makes her next move feel well worth watching.

Growing Pains is now available on all major streaming platforms, including Spotify.

Review by Amelia Vandergast

Loz Bridge Incited a Swanky Riot of Jazz-Infused Soul Pop from the Piano Bench with ‘Whatever It Takes’

Loz Bridge

Loz Bridge injected a potent dose of funked-up soul into his jazzy piano-pop tour de force of swank and style, Whatever It Takes. The songwriter, pianist and producer with a lifelong relationship to keys is a savant when his fingers are held in suspension above them, finding ways to entwine emotion and melody; he will infatuate listeners who treat technical skill as something to kneel at the altar of, while giving romantics the thematic warmth of sincerity spilling out in the form of an unconditional love song. Jazz aficionados may also want to prime themselves for the primal way the sax lines unspool through the radio-ready production.

The stridency of the euphoric momentum in Whatever It Takes sits beside the musicianship as the single opens into a riot of jazz-pop flavour. The production is immaculate, letting the piano gleam and the sax lines curl through the arrangement with after-dark heat Clarence Clemons would have smiled at.

After teaching himself to write songs in Amsterdam, then deepening his harmonic language through jazz-piano study at the Royal Welsh Conservatoire, Bridge brings depth to his oft steamy melodic lifts. As for his voice, imagine the expressive presence of Phil Collins fused into the husky magnetism of Marvin Gaye, and you’ll be right on the money that you’ll want to spend on his records after you hit play.

It’s about time someone dethroned Michael Buble, and I’m flying Loz Bridge’s banner.

Whatever It Takes is now available to stream on all major platforms, including YouTube.

Review by Amelia Vandergast

Experimental Singer-Songwriter, Klas Ehnemark, Gave ‘Indian’ the Force of Ancestral Belonging in a Disconnected World

If we all lived consistently reminded by the fact that we’re the current manifestation of our ancestry instead of focusing on our ego and the immediacy of our sole legacies, we might stand a chance at veering away from the dystopia we’re currently in. Klas Ehnemark’s Indian is a visceral interruption of self-obsession, an invitation to drench yourself in the bliss of knowing that even though everything is temporary, the roots of ancestry anchor you within a world becoming more and more disconnected. Hailing from the windswept Swedish island of Öland, and only now stepping into public view after years of private songwriting, Ehnemark arrives with the presence of someone who has taken his time for a reason.

Sonically, Indian is a lush landscape of pop, funk, and the pure heat of impassioned soul. Ehnemark’s vocals soar with spellbinding conviction, the emotional range of his delivery almost as impressive as his octave range; rock musicians would kill to carry the same force in their vocal cords, and all his power is primed without overshadowing the catharsis of the production. There are shades of Van Morrison in the spiritual warmth, hints of José González in the intimacy, and the reflective pull of Bon Iver and Nick Drake in the songwriting, yet Indian carries its own pulse of belonging and continuity.

Indian is now available on all major streaming platforms, including Spotify.

Review by Amelia Vandergast

O.W.T.O. Poured a Large G&T of Grooves and Tunes in Their Latest Interview

There’s a certain clarity in how O.W.T.O. views creation: no smoke, no mirrors, just the truth of what happens when real musicians hit record. In their chat with us, they open up about the real-life spark behind Don’t Push It and how the visuals expose the tenderness and tension found in everyday love. From translating their funk-soul pulse into something that resonates on screen to teasing This is Amazing—a celebration of simple joys in complicated times—O.W.T.O. remind us why authenticity still matters in an age of filtered everything. They talk collaboration, connection, and how their sound sits somewhere between nostalgia and evolution, all while keeping one eye on the ever-changing pop video landscape. It’s honest, unpretentious, and brimming with humanity—just like their music.

You’re about to unveil the video for Don’t Push It. What creative vision is driving this release, and how do you want the visuals to expand on the story the song tells?

The story behind the music is a reflection of life’s reality. If we are lucky, we have loved ones, but sometimes they can get on our nerves! In the case of the visuals for the song, i) we see a couple going through some issues, ii) we see a guy questioning things, a guy whose head might be turned, iii) we see that we all have ups and downs, and we all have to make choices.

Can you walk us through how you approach translating your sound – which is so rooted in soul, funk, and live energy – into a visual language for your videos?

Videos can be challenging, especially when you consider today’s viewing habits. We want our visuals to represent our sound and our listeners. With that in mind, we don’t try to copy or pretend something is when in reality, it is not. Our listeners know what they hear is what we played in the studio. We then try to realise its potential. For our videos, we try to create images of what life is and what life could be.

With the next music video already in production, what new ideas or directions are you exploring this time that listeners and viewers might not expect from you?

We are excited by the new video production. The track, ‘This is Amazing’, celebrates the good and usually simple things in life. With everything going on in the world, it’s easy to forget, or maybe we don’t get enough reassurance, that life can be amazing. We should all celebrate that potential. The new video explores that. It’s also a reminder, to us as much as anyone, that we must not forget to remember the good things.

Do you see your videos as extensions of the music itself, or as standalone pieces of art that offer another perspective on the track?

The good and bad thing about creating is that it’s often not the creator who gets to decide how their work is perceived. Do the visuals work without the music? We think yes. Does the music work without the visuals? We think yes. Do they expand each other? We think yes. All we can say is we are looking forward to seeing if we are right!

Looking beyond these next two videos, what kinds of concepts or visual experiments are on your wish list for future releases?

Right now, our creative resources are on and in the moment.  We don’t try to look too far ahead or put ideas in place that may inadvertently be restrictive. The world of the pop video, its uses and consumption are changing, if they haven’t already. Therefore, today’s ideas may not be tomorrow’s solutions. We embrace the changing landscape. More importantly, we look forward to being one of the views.

As your international presence grows, are you thinking about tailoring your upcoming projects to resonate with audiences in specific regions, or do you want the music and visuals to speak a universal language?

One of the many good things about music is that it is universal. Every culture needs it. Every culture makes it. Every culture celebrates it. One of the bad things about music is that everyone is right about it. If you like it, it’s good. If you don’t, it’s not good. Rather than focusing on differences, we hope our music benefits from what unites us.

Are there any collaborations, either musical or visual, you’re hoping to pursue in the near future to push your sound and storytelling even further?

We are always looking to collaborate with fellow creatives and to explore our potential, as well as theirs. We like to think of our sound as welcoming of, and dependent on, the possibility for change. This also opens up new avenues for new collaborations. If any visual, fashion, or content creatives would like to discuss future projects, we would be pleased to hear from them. 

Finally, when you imagine the next chapter of O.W.T.O., what do you hope people will be saying about your music and the world you’re building around it?

Tough question. When the project was started, it was about putting great musicians and their instruments in a studio and seeing what happens when you press record. It’s now becoming something that others are beginning to appreciate. When people say O.W.T.O., we’d like them to also think of a large G&T – Grooves and Tunes!

Discover O.W.T.O. on Spotify 

Lene – The Journey: An Alt-Indie RnB Sojourn for the Soul

Lene unravelled an indie jazz soul sojourn with The Journey, a single that transcends beyond the airwaves and leads listeners into an aural utopia where timbres impart catharsis and textures climb ever higher, yet the production stays grounded with its stylistic nod to indie aesthetics. Built on sultry electric piano, a lush bassline, and synth layers, the sound wraps around a heady fusion of funk, jazz, and R&B.

Her husky yet ethereally hypnotic harmonies carry a magnetism reminiscent of Macy Gray, coasting over grooves and oscillations of pure resolve, culminating in a jazz blues guitar solo so arresting it could stop your pulse mid-beat. Beyond the tantalising melodicism, Lene breaks from soul convention by crafting a vignette full of questions, anxiety, and lament, yet she filters both the bitter and the sweet through a kaleidoscope of colour, proving there is always rhythm to be found in the chaos.

The Milan-born, Austin-based singer and pianist has shared stages with jazz luminaries and gained national acclaim in Italy before bringing her sound stateside, where The Journey marks a new chapter of groove-infused introspection. Following the release of this seminal single, Lene is set to release her new LP, which was produced in LA with Mark Evich.

The Journey is now available on all major streaming platforms, including Spotify.

Review by Amelia Vandergast

U of Soul Delivered A Fusion-Fuelled RnB Soul Pop Gem With ‘All About the Music’ 

Right from the intro of U of Soul’s latest seminal release, All About the Music, you’ll know you’re in the hands of a cultivated connoisseur of genre fusion; there’s an assuredness to the groove that speaks louder than words.

While some focus on experimentalism, everything about this standout single feels intentional. Multiple conversations happen simultaneously in the release. Your rhythmic pulses tune into the funk-slicked groove, the aura that wraps around the track embodies what Bill Withers brought to the industry speaks to your soul, and your mind lifts with the transcendent reverb that shimmers.

Each new transition brings a new emotional flux that you will instantly lock into, but you’ll only realise how immersed you are in U of Soul’s talent when the outro hits and you don’t quite know what to do with your autonomy away from the scintillation delivered in the funk-wrapped RnB soul pop track that is one of the rare products of the 21st century that deserves to sit in your old school playlists.

With RJ Ross steering the U of Soul project, years of devotion to musical innovation pay off here, as they synthesise everything from jazz and classical sophistication to club-ready pop into one package that speaks across generations and backgrounds. With millions of streams, a global fanbase, and acclaim from both industry professionals and the everyday listener, U of Soul proves that authenticity is still currency.

All About the Music is now available on all major streaming platforms, including SoundCloud. 
Review by Amelia Vandergast