Browsing Tag

Experimental Indie

Ascend with Lunar Paths’ dark indie Avant-Garde single, Rise

Any artist with a track titled MetaGoth#1 in their discography has my immediate perpetual attention; with their latest single, Rise, Lunar Paths went even heavier on the dark haunting beguile.

The layered and looped percussive patterns and eastern rhythms steadily inch you into the heart of the psychedelically tribalistic feat of ethereal indie, which laments the lack of soul in our era that makes mental resilience a necessity; lest you be swept away by the dystopian waves. Rise acts as an all too efficacious anchor, with its glimmers of hope in the shimmering echoes.

The transatlantic duo made the Bela Lugosi’s Dead of this era with Rise. It’s not the darkwave you’ve ridden the crux of before; it’s the ethereal Avant Garde sanctity we sorely need.

Rise is now available to stream on SoundCloud.

Review by Amelia Vandergast

Gentlemen’s Crow has released their psychologically thrilling experimental Indie single “You Were Never Really Here”

After a successful debut, Floridian Indie artist Gentlemen’s Crow released their romantically enrapturing single “You Were Never Really Here” on August 7th.

Gentlemen’s Crow seems to exude the level of cool which Alex Turner attempted with the latest Arctic Monkeys album. It’s effortless, it’s intellectual, it’s simply mesmerising. With infusions of Psych Blues nuances into the anthemically-charged soundscape, the choruses won’t fail to leave you adrenalized.

As for the lyrics and concept for the track, You Were Never Really Here is a testament to the talent, imagination and wit of the artist. It’s not every day that you encounter a single which offers both a psychological thriller and a fresh-new Indie sound. Gentlemen’s Crow is well worth putting on your radar.

You can check out You Were Never Really Here for yourselves by heading over to Spotify. For more info, you can head over to the artist’s official website.

Review by Amelia Vandergast

Roussett – We Might Just Do This All Day: Hypnotically Psychedelic Alt Indie Pop

“We Might Just Do This All Day” is the psychedelically serene latest single from up and coming Alt Indie artist Roussett.

If Elliott Smith experimented with spacey and colourful tones, I’d imagine that it wouldn’t sound all too different from the ethereal catharsis found in We Might Just Do This All Day which would be haunting if it weren’t so soothing. The lucid layers gently weave through their Jazz-infused progressions as the delicately amorous vocals find the perfect synergy alongside them.

I don’t make Mr Bungle comparisons lightly. But the soundscape perceptibly shared the same kind of ingenuity which you’d find in the hazy, oceanic avant-garde tracks such as Retrovertigo and Pink Cigarette.

There will be plenty more to come from Roussett in 2020, so do your blood pressure and get them on your radar.

You can check out Roussett’s latest single We Might Just Do This All Day for yourselves by heading over to SoundCloud.

Review by Amelia Vandergast

Blacktate has made their debut with the transfixing Alt Indie Pop EP “While the World’s on Fire”

Up and coming Alt Indie Pop artist Blackstate has made their debut with the eclectically-inspired endearingly unforgettable debut EP “While the World’s on Fire”.

With the first track “Wolves” allowing you to dive in headfirst into the cathartic instrumental experimentalism and grounding lyrics. You instantly get a taste of Blackstate’s refreshingly distinctive songwriting approach. There’s a palpable visceral feel to each element of the soundscape, from the lyrics to the vocals to the melodies which carry the perfect pinch of melancholy while exuding fragile optimism.

The second track “Lost My Crown” will allow you to imagine what it would sound like if Elliott Smith experimented with synths. If I wasn’t emotional after the first single, I definitely was when I fell into the pensive grips of Lost My Crown.

With track three “The Arsonist” Blacktate has switched up their sound once more, offering a bass-heavy EDM-driven mix which incorporates elements of Darkwave EBM which wouldn’t sound out of place in a sticky goth club.

Track four “Tulips” offers yet another instrumentally-driven mix, this time, there’s elements of glitchy analogue beats which almost flirt with Drum and Bass yet the track never breaks from its mellifluous concordance.

The concluding single “Dancing Wolves” revives 80s Synth Pop under a brand new effervescent guise, if you hadn’t already warmed to the vocals and their charmingly devilish experimentalism, this is where it hits hard.

If you’re anything like me, you’ll deal with the fact that the world is a little bit depressing right now by immersing yourself in resonant music which makes you feel not quite as alone in your existentialism. For this purpose, I can’t recommend Blackstate enough. In their own words, here’s what they had to say about the EP:

“Blackstate is about Friday. Two o’clock. About almost surviving another day. Another week. About the weekend and about getting f*cked. About how social media is great. About eating a burger. About the “good life”. About cat videos. About being sane. About the fact that anxiety is perfectly normal. About the fact that insecurity is (not) a fear of the future self. About more cat videos. About not needing the truth. About being a wolf. About an angry emoji. Love emoji. About how this country sucks, but you’re really okay. You’re happy. You’re sane. One day less alive.”

You can check out Blackstate’s EP which dropped on January 25th for yourselves by heading over to Spotify.

Keep up to date with the latest releases and tour info from the band via Facebook.

Review by Amelia Vandergast

Maimo – scraps: Ethereally Composed Experimental Indie

17-19 by Maimo

Straight from the first few notes of up and coming experimental Lo-Fi artist Maimo’s latest single “scraps” you get a sense that there’s minimal chance of an archetypal track unfolding.

Even though there is plenty of adoration to be found within scraps for any Psychedelic Pop fans, there’s a sporadic, chaotic energy behind the soundscape which compels you to listen to each progression with infinitely more investment. Maimo also ensures that no concordance is lost through the Lo-Fi recording of the single, each texture sits vibrantly and crisply in the mix allowing you to hear the porous notes of the guitar along with the unpredictable percussion and mesmeric vocal layering. If you could imagine Frank Zappa and the Beatles meeting perfectly in the middle, you may get a little bit of an idea of how this intricately masterful offering of Jazz Rock resonates.

You can stream and download Maimo’s ethereally composed standout single which was released on April 20th for yourselves by heading over to Bandcamp now.

Review by Amelia Vandergast