Browsing Tag

Experimental Folk

8udDha bl0od’s m00n1!ght3r Is Ethereal Psychedelic Neo-Folk Planted in a Lush Forest of Sound

https://soundcloud.com/william-orpen/divine-divinity?ref=clipboard&p=i&c=1&si=075C90CEB238416D93BACFBA16BCFC81&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

8udDha bl0od’s talent is resonating on a whole new frequency in their ethereal psychedelic neo-folk single, m00n1!ght3r. Following a prelude that conjures the kind of air you would expect to breathe while participating in an ancient ritual, the Wicker Man’s aural aesthetics continue through the experimental production as it splices spacey synthesisers with acoustic instrumentation.

Diaphanous whispered vocals drift in and out of the single in the form of a semi-lucid echo, finding the intersection between neo-folk and shoegaze. Instead of leaning on distortion as a shortcut to transcendence, m00n1!ght3r plants a lush forest of sound, designed to take you higher than an ayahuasca ceremony. Every texture feels moss-covered and moon-dazed yet the track retains enough melodic clarity to keep the spell accessible.

Safe to say, the Brighton-based, restlessly prolific artist has struck to the core of our heartstrings and rhythmic centres once again. They’ll never cease to amaze when they’re breeding intimacy into arcane aural mysticism.

m00n1!ght3r is now available to stream on all major platforms, including SoundCloud.

Review by Amelia Vandergast

Folk Etherealism Became Diaphanous Acoustic Mysticism in 8udDha bl0od’s ‘83I13V3’

8udDha bl0od

We’ve toured a lot of 8udDha bl0od’s discography, yet the Brighton-based singer-songwriter still succeeds in catching us off guard with his multifaceted musical talent. In one of his most tender singles to date, 83I13V3, folk etherealism reaches a plateau of diaphanous semi-lucidity, compelling you to lean deeper into the orchestrally scored acoustic piece where delicately finger-picked guitar strings sing around 8udDha bl0od’s voice as he projects abstractly arranged harmonies into the arcane atmosphere of the release.

That arcane atmosphere proves how much vision and command 8udDha bl0od has when it comes to conjuring a cathartically intimate aural aura. Every picked note feels placed with devotional care, letting the track breathe in a soft-lit space between folk confession, chamber-pop fragility and experimental acoustic mysticism. The production lets the song hover and slowly illuminate the strange emotional architecture inside it.

83I13V3 feels suspended between prayer, apparition and memory, carrying the kind of fragile intensity that rewards close listening. For an artist already able to move through multiple sonic identities, this single stands as proof of deep feeling and spectral precision.

83I13V3 is now available to stream on all major platforms, including SoundCloud.

Review by Amelia Vandergast

Ask Carol Opened Up their Alt Indie Folk Universe in an Exclusive A&R Factory Interview

Ask Carol is an alternative indie/folk rock duo from a remote mountain community in Norway, deep in the Norwegian woods. Ask Carol consists of Carol, lead singer and lead guitar player, who also plays trombone, loops, percussion and more, and Ask, on the drums, synth and guitar, often even at the same time. Ask Carol have toured in the US, UK, Germany, Italy, South Korea, Japan, Philippines, Sweden, Denmark and Norway. They released their debut album in 2022/23, and now they released their second album this November 2025. During COVID, they played music for the neighbors cows, and they’ve made a name for themselves with videos of them jamming out in the wild, with beautiful scenery as a backdrop.

How did you get started as a band?

Well, we, Carol and Ask, met, at something called Folkehøyskole here in Norway. It’s sort of a gap year between high school and college, where you have classes but no grades. After that we spent some years studying and talking about maybe some day starting a band, but it never happened. Then we moved to different cities, but some time later we ended up in the same city, Oslo, and that’s when we actually started to play and make music together. After a while we did our first ever concert, and since nobody knew that we made music, no family, no friends, we decided to do our first concert as far away as possible. So we played our first concert ever in Seoul, in South Korea. The rest is history, as they say.

How did you come up with the band name?

It’s kind of simple really, our band name is just our two first names… We spent a long time discussing and contemplating what we should call ourselves, but all the time the answer was right there in front of us. So, why not just use our first names? Ask and Carol, Ask Carol. Btw, Ask is an old Norwegian name, from the viking times and the norse mythology. Ask was the first human on earth, created by Odin, the god.

What is your favourite song to play live?

That must be «Tonight», because it’s uptempo and energetic and always gets the crowd going. We improvise a lot, it’s got looping, grooves and guitar solos, it’s so much fun to play and be spontaneous and mess around with the riffs and everything.

Who or what have been some of your biggest influences over the years?

Both of us started out as guitarists. Therefore, Jimi Hendrix has been one of our mutual influences. His extraordinary guitar playing, and cool sound is awesome. Outside of music, we may be influenced by everything from a good movie or TV show, to the trips and adventures we have had and all the beautiful nature and weird experiences we’ve had on tour.

What’s been one of the most memorable moments in your journey so far?

There’s been so many! From the amphitheater concert in Manila, in the Philippines, on Valentines day, which we thought would be only a small gathering but ended up being nearly 1500 people, to the first time playing the legendary SXSW festival that we had dreamed of since we were little.

You just released a new album, can you tell us more about it?

Yes, we just released our second album about a week ago! We’ve been working on this album the last few years, while we have also been touring almost non-stop. It’s called AC II: Desert Sky, and as the name suggests, it is very much inspired by the vast and magnificent desert landscapes of the South West of the US, just like our song “Desert”. Both on our US tour last year, and after playing SXSW in Texas the year before, we traveled through those desert landscapes and stopped to jam by the roadside many places. It is a magical place, it gives us a feeling of freedom and hope. It is a harsh environment, as well, but it’s something about it.

The album is also kind of a summary of an era in the Ask Carol world, with a few of our so-called Backyard Jams, including our version of the Neil Young song “Ohio”, as well as a few CowChella surprises. During Covid we often did these jams in our backyard, and one day the neighbors cows suddenly came running over. We hadn’t even noticed they were there. It went viral on TikTok, and we did more of those jams for the cows later, and called it “CowChella”. Since it was a big part of our whole vibe the last years, we decided to incorporate some of those original recordings into the album. (Photo attached is from one of those “CowChella” jams in the backyard.)

Why did you choose to release the album on Vinyl and CD as well?

It was important to us to release the album on vinyl and CD because we feel the digital streaming services and social media has taken the focus away from the music itself. Everything is about the algorithm, and pleasing the algorithm, and it’s oversaturated with ads and slop, and now you’ve got the AI as well. With the physical format, you get something concrete, something you can touch and feel, and you can look at it without looking at a screen, and you can listen to it without being distracted by ads or cat videos or whatever.

What’s next for you?

After touring almost non-stop for the last three or so years, as well as with our second album that just came out, it is time to get back in the studio and work on some new material. We just released our second album as well, so in the coming months we’ll get to work on the promo of the album, while also getting ready to start the next writing and studio period.

Next year, from the Spring/Summer, we will be back out on the road, so let us know where we should play then!

Stream the latest album from Ask Carol on Spotify now.

Interview by Amelia Vandergast

Ask Carol map emotional abstraction in the folk expanse of their desert mirage-esque release, Cold July

Ask Carol subverted the hallmarks of the folk vignette in their standout single, Cold July, pulled from their recently released LP, AC II: Desert Sky. Like a mirage shimmering above a scorched plain, the instrumentals arrive with mind-warping salvation as the lyrics pull you into a paradox-laden narrative. It twists and turns through jagged emotion and abstract self-reflection, but the beauty of Ask Carol lies in how the duo never leaves you stranded in the desolation. Their sonic compass always finds a route forward, even while careering away from the cliffs of convention.

Formed in the isolated mountain town of Auma, Norway, Ask Carol has cultivated a sound that thrives on solitude, contrast, and duality. There’s both softness and sinew threaded through Cold July, a track that refuses to stay tethered to folk or indie rock tropes. As always, Carol’s multitasking rig keeps the low end humming while the space between the drum fills and guitar lines feels cavernous enough to hold the weight of their lyrical introspection.

After making international waves with tours across Asia and a series of showcases at SXSW, the pair returned with their sophomore album through their indie imprint ChoVan Records, drawing press acclaim and a groundswell of online traction through TikTok and Instagram.

For all their Nordic melancholia and stripped-back setup, Ask Carol generate the type of storm that’s impossible to ignore, especially with how Cold July became a study in pushing form and feeling to the edges, then letting them bleed together.

Cold July is now available on all major streaming platforms, including Spotify. 


Review by Amelia Vandergast

Trying to get home: Lu Carter is stunningly stupendous on her self-reflective single about a childhood memory while listening to ‘Weird Al Yankovic’

Taken off her latest astounding five-track EP that wasn’t supposed to happen called ‘Girl of Little Words‘, Lu Carter sends the anxious world a peaceful melody to remember fondly called ‘Weird Al Yankovic‘.

Michaela Carter aka Lu Carter, is a resilient Salem, Oregon-born, Brooklyn, New York City-based, experimental indie-folk singer songwriter and barista, who beautifully makes that old school nostalgic gems from the untouched forest, that carefully float into your curious brain and soothes your beating heart, like a cuppa hot chocolate on a cold winters day.

She peruses the thoughts of childhood and aging gracefully in her music and fills each listener with a genuine sense that you have heard a truly kind and authentic artist-who formulates ear-bending soundscapes-to give us hope and feel loved again.

This is the fascinating story of not being quite where you thought you would be in life and perhaps, being a bit hard on yourself at times. Her carefully crafted lyrics take you places on the clouds above and this poem is much more than that, as you close your ears, a small tear drips quietly down your cheek, as you imagine her stuck in traffic with her sibling beside her, stuck in traffic and all she wants to do is go home.

You get lost sometimes when you listen to Lu as she is a mood shapeshifter-her voice is so enchanting and real-going quiet sometimes mysteriously while she whispers tenderly and then you hear her clearly again, she catches your attention and your breath away, the angel sent to help us understand our childhood is here already.

Weird Al Yankovic‘ from the soothingly organic NYC singer-songwriter and sweet soul Lu Carter, is an absolute masterpiece from a caring musician who is making her way in this world and sharing her most vulnerable memories with us so eloquently. Her vivid storytelling is so majestic as her honesty overrides all and you feel at peace with yourself and the world.

The feeling of being sad and happy at the same time is something that was unfathomable before. This is the power of music and how some artists can enter your heart to help you deal with pain, is quite incredible.

Hear this lovely new single on her Spotify and see more via the IG music page.

Reviewed by Llewelyn Screen

Sham Chewali – The Non Believer: Accordantly Sweet Experimental Acoustic Folk

https://shamchewali.bandcamp.com/track/the-non-believer

Manchester-based Experimental Folk artist Sham Chewali released their latest single “The Non Believer” on November 1st. It’s safe to say that any fans of Billy Bragg are going to want to hear it.

The gentle melodies, the unsugared unmistakably Northern vocals (no one does melancholy better than us Northerners), and the image-conjuring lyrics all contribute to making the Non Believer a resonantly magnetic single.

And it is with their distinctive guitar work where Sham Chewali really sets themselves apart. The good majority of Folk music may lead you to believe that there are limitations when it comes to the chord progressions. But in The Non Believer, Chewali’s guitar offers intimately intricate rhythms along with sublime Bluesy finger-picked serenity.

You can check out Sham Chewali’s latest single The Non Believer for yourselves by heading over to Bandcamp now.

Review by Amelia Vandergast