Browsing Tag

Emo Rock

Fosh. Gazed Into the Void with Their New Wave Indie Release, Staring Into the Dark

Ahead of the release of their debut 15-track LP, Up with the Sun, the New Wave Indie brother trio, Fosh., teased the blissful tones to come with the release of Staring Into the Dark.

With 90s emo inclinations brushing up against the cruising guitar chords and angular lead work, Staring Into the Dark sonically strides across familiar territory while facilitating your arrival at a brand-new destination. Their honeyed brand of melancholy is instantly palatable as it oozes from the harmonised vocal lines that sugar coat ennui with soul while the melodies easily make an earworm out of the single.

If you can’t get enough of Staring Into the Dark, you won’t have long to wait for the release of the debut album, which is set to drop this fall.

Staring Into the Dark was officially released on August 4th; you can stream it on Spotify and follow the band on Instagram and TikTok.

Review by Amelia Vandergast

Just Pathetic are wondering just what happened ‘Since College’

Describing themselves as ‘a band specialising in substandard music and haphazard melodies’, Just Pathetic’s ‘Since College’ is a poppy-punk number, with elements of Bowling For Soup, The Police, Sum-41, and Journey all mixed up with a Blink 182 tongue-in-cheek bouncy, upbeat ode to time since…well, you guessed it, since college.

There’s a nice little break-down mid-song, a nice flanged-and-octaved guitar-line throughout, and lyrically there’s some not-too-serious digs at teen entitlement, angst, and ‘emo-days’ mixed up with underage drinking and ‘interesting’ cigarettes. It’s fun, it’s vaguely silly, and it’s catchy, energetic, and exuberant mixed in with laid-back ‘stoner’ vocals (there’s a tiny hint at ‘Superfuzz’-era Mudhoney to the delivery), with the fuzziest guitar tone we’ve heard in a long time. It’s the age-old question: ‘Where have the days gone since college?’

You can hear ‘Since College’ on YouTube; check out Just Pathetic here.

Review by Alex Holmes

Cxldface – Better Off Alone: The infectiously anthemic pop punk soundtrack to your solidarity

‘Better Off Alone’ is the latest feat of pop punk from Las Vegas artist, Cxldface, which will throw you right back to the 00s era of alt-rock while implanting a viscerally modernistic perennial earworm which ensures that there’s little chance of forgetting the infectiously hyped melodies.

Considering we’re all spending a little more time alone than usual, it’s easy to see how Better Off Alone could be a sanity-saving playlist staple for many. With reminders that there’s plenty of worse things than solidarity, euphorically sonic synth lines and the punchy hook-laden guitars, Better Off Alone practically spoon feeds serotonin.

At just 18 years old, Cxldface, is able to boast a maturity to his sound and a potent enough amount of distinction through his tendency to meld elements of electronica, hip hop and indie into his empoweringly scathing anthems. Get him on your radar.

Better Off Alone is now available to stream via Spotify

Review by Amelia Vandergast

Get acquainted with La Roma’s sonic sophomore single ‘Strangers’

After a successful debut with their single, ‘So Long, Adieu’, in 2020 Alt-Rock artist, La Roma, delivered their evocatively iron-wrought single ‘Strangers’ which captures the agony of social tethers tearing.

With sharp lyrics which reflect commonly thought but rarely spoken sentiments such as ‘what have I done to disturb you, it’s like I no longer fill the void in your day’, your soul’s capacity to feel will be well and truly be tested. If Strangers was released in 2019 it would be a raw hard-hitting release, but as it dropped in January 2021, while plenty of people were locked away in their rooms re-evaluating their relationships, it’s overwhelmingly resonant.

Any fans of Thrice, All Time Low, Taking Back Sunday and Jimmy Eat World will definitely want La Roma on their radar. Their nuanced take on Hard Rock comes complete with cuttingly angular guitars, intense percussion, viscerally restraint-less vocals and the sense that La Roma is going to take the scene by storm once COVID has finished destroying it.

Strangers is now available to stream via Spotify.

Review by Amelia Vandergast

IGGYC shares their introspection in the darkly theatrical post rock hit ‘Thoughts’

Moscow-hailing Bay-Area-residing artist, IGGYC, has recently released their latest darkly theatrical progressive post-rock single ‘Thoughts’ which allows sonic symphonic rock to meld with 00s emo and cataclysmic increments of hard rock.

Starting with a piano-led prelude, Thoughts gently eases you into the raw embittered soundscape which quickly amasses momentum until you’re in the midst of a fervent whirlwind that carries frenetic reminiscences to the likes of Dir En Grey. IGGYC delivered so much more than a senselessly momentous release, expect your heartstrings to get caught in the wrenching choruses which carry the same weight as the entirety of MCR’s Black Parade album – all in the space of 4:29-minutes.

Thoughts is available to stream via Spotify.

Review by Amelia Vandergast

ourfathers. added nuanced maturity to the progressive post-rock genre with their colossally evocative single ‘an offering.’

Movements II by ourfathers.

It was only a matter of time until an alt-rock artist simultaneously exuding influence from Sigur Ros and At the Drive caught our distinction-seeking-attention. The latest progressive post-rock hit ‘an offering.’ from ourfarthers. has left us ensnared.

Admitting that tracks by emo artists appease your angsty soul may be met with all manner of snobby pretension from insufferable aficionados, but an offering. isn’t a track easily torn apart. Maturity can be hard to find in tracks which deliver burning unbridled emotion, but discernibly, an offering. is the needle in the evocative haystack.

With quiescently melodic increments sidled next to rip-roaring breakdowns when all restraint is thrown away with visceral abandon in sonically anthemic style, an offering. is enough to make your soul quiver.

an offering. is available to stream and download via Bandcamp.

Review by Amelia Vandergast

jain – kneading: Eccentrically Volatile Alt Garage Rock

Nashville, Tennessee artist jain released their noisy Garage Rock EP the end of June’ at… the end of June. The track which caught our attention was the discord-spilling riotously angsty single ‘kneading’.

The short and distortedly sweet track incorporates elements of Punk, No Wave, Post Hardcore and Indie and throws in some sonically psychedelic lead guitar work to ensure that you’ve never heard anything quite like this eccentrically volatile release before.

In short, kneading is utter chaos and it can even make artists such as Pavement and Daughters seem middle-of-the-road.

You can check out kneading for yourselves by heading over to Bandcamp where you’ll be able to download and stream the rest of the EP.

Review by Amelia Vandergast

Nashville Rock Newcomer Chase Tremaine is Set to Release Their Debut Album “Unfall”  

Chase Tremaine

Rock artist Chase Tremaine has given us a sneak preview of what’s to come in their rhythmically raw upcoming debut album “Unfall” which is due for release on January 24th.

Resonant lyrics are an essential component in Emo Rock. But in their standout single “Honest Tree” you may as well be having a direct conversation with the artist. But conversations are a little boring, aren’t they? Unlike Honest Tree, they don’t come with jarringly angular guitar riffs which prove that Chase Tremaine’s 13+ years spent honing on in their craft was definitely well spent.

Honest Tree is a sticky-sweet evocative gem which offers momentous energy from the instrumentals which sit neatly in the polished soundscape, but the vocals bring accessibility which we rarely get to hear – especially in Rock. There’s no abrasive swagger, just open and honest expression.

You’ll be able to check out Chase Tremaine’s debut album for yourselves via their website.

Keep up to date with their music antics via Instagram.

Review by Amelia Vandergast

All My Friends Hate Me – I Need a Life: Alt Rock Endearment for the Jaded

Given their artist title name, and the track title, I was in no way prepared for an infinitely endearing hit to reach my ears when I pressed play on up and coming artist All My Friends Hate Me’s latest single “I Need a Life”.

If you can imagine a complete modernisation of the sounds of the Kinks and the Kooks, you may be able to get an idea of All My Friends Hate Me’s unique and frankly refreshing approach to Emo Rock. There’s a similar tone to Stoner Garage Rock bands such as Fidlar, but there’s a magnetic concordance to I Need a Life which you aren’t likely to find elsewhere.

There will never be anything more essential than intellectual and sardonically-steeped music on the airwaves. After hearing I Need a Life, I’m fairly certain that All My Friends Hate Me is the artist best- equipped to dilute the nihilism of the jaded with their music.

You can check out the fourth single from All My Friends Hate Me for yourselves by heading over to Spotify now.

Review by Amelia Vandergast

Brent Beamer – Fourth of July: Antagonistically Biting Alt Rock

Brent Beamer

I’ll be honest, the tracks found on up and coming artist Brent Beamer’s debut album “In the Tumultuous” aren’t the easiest to listen to. Yet, within the caustic angst of Brent Beamer’s style, there’s plenty of cathartic appeal – only if you find catharses in volatile music of course.

While perfectly polished harmonic vocals may be easy on the ear, it’s incredibly rare for those very same vocals to resonate as human, let alone sincere. But with Brent Beamer’s new album you’re treated to raw, unfiltered emotion.

If you could imagine elements of Post Punk artists such as Magazine combined with contemporary Emo Rap, you’d probably get a good idea of what is waiting for you when you hit play on tracks such as “Fourth of July”. Hate the holiday? Well, now you have a brand-new soundtrack to your contempt.

You can check out Brent Beamer’s single Fourth of July along with the rest of their experimentally disconcerting tracks from their debut album by heading over to Spotify.

Review by Amelia Vandergast