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Electronic Metal

Blvck Toxxine channelled collective burnout into post-hardcore catharsis

Blvck Toxxine used their debut single, Out of Time, to protest against the pressure-cooker nature of reality, where exploring and living autonomy has become a luxury. The frustration within the collective sense of exhaustion runs deep in the gnarled veins of the Manchester-based melodic metal outfit’s seminal track. Through gutturally tensile slams of bass strings, an all-out skin-beating assault, and distorted, friction-fuelled guitars, Blvck Toxxine delivered a visceral release that feels like a scream against existence itself.

Symphonic glimpses of redemption bleed through the electronic synthetics, which cascade into post-hardcore glitched-out disassociation. The juggernautical earworm visualises the exhaustion of knowing you’re wearing someone else’s skin just to survive. With screamed vocals that match the unflinching ferocity of My Ruin, Poppy, and In This Moment, the band twists despair into defiant catharsis. The harmonic stretches don’t soothe so much as sanctify, creating a sense of salvation in the noise.

Led by Jane Lacey, the Manchester-born project merges djent, experimental electronics and emotional confrontation into a sound that embodies the corrosion and resilience of modern mental strain. Thematically, Out of Time reflects the fight to exist under the suffocating metric of self-improvement, where even healing feels commodified. Rather than surrender to the static of the world, Blvck Toxxine weaponises it, ripping through toxic expectations to find oxygen on the other side of anguish. For a band so steeped in chaos, their clarity hits harder than any distortion pedal could.

Out of Time is now available on all major streaming platforms, including Spotify.
Review by Amelia Vandergast

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Everything is Nothing ignited an industrial metal inferno with ‘fire breathe on me’

https://www.youtube.com/watch?v=e515_Mp6jSU

Everything is Nothing’s latest single, Fire Breathe on Me, aurally industrialises metal to deliver a cauterising anthem for anyone who wants to purge themselves from their own mind. The industrial electronica aesthetics are stripped back in the production, beckoning in a new era of hardcore; when they hit, they establish Everything is Nothing as one of the fiercest contenders in the past and present of industrial metal.

The unhallowed vocals prowl through the single, finding the gritty middle ground between Godflesh and Napalm Death, and attesting to the solo artist’s tenacity in chartering his own path through extreme sonic intersections.

Established in early 2023, Everything is Nothing quickly made his mark with the ravening furore in his debut EP, Beast Who Eats Everything, before exposing his cerebrally nihilistic side in his sophomore EP, Somnambulist, which explored the enduring emptiness and subjugation that bays at everyone’s door.

The latest single from the solo project, born in the mind of the UK one-man powerhouse, James Orez, embodies a raw and visceral intensity that belies the home-recorded production. It’s a relentless, uncompromising experience that you’ll want to relive every time you need a reprieve from the weight of crushing sentience.

The official music video for fire breathe on me is now available to stream on YouTube.

Review by Amelia Vandergast

Owl Rose have unleashed their frenetically cathartic post-hardcore EP ‘PTERODACTYLS’

OWL ROSE

If any up and coming alt-rock act is going to make hardcore fans miss sticky floors and colliding with sweat-soaked strangers, it’s Owl Rose. The Norfolk, UK-based alt-rock powerhouse’s EP, ‘PTERODACTYLS’, shares the same genre-blending propensities as Enter Shikari, Bring Me the Horizon and Architects, but this frenetic 6-track release is anything but assimilative.

In the standout single, Sigourney, along with the aggression you’d expect to find in any thrashy post-hardcore release, you’ll also be confronted by abrasive punk attitude. But when the chorus hits, the soaring vocals hook you even deeper into the sonic catharsis offered by Owl Rose’s mindful approach to metal.

Short of sticking a fork in a plug socket, you’ll be hard-pressed to find a more electrifying experience than hitting play on Sigourney.

The PTERODACTYLS EP was officially released on February 25th. You’ll be able to check it out via Spotify.

Review by Amelia Vandergast