Browsing Tag

Electro Pop

Misty Drinx went back to the golden era of pop via his debut space odyssey, Oh I Love That Song!

Knowing that there is no better feeling than falling head over ears for an infectiously funk-laden pop hit, the up-and-coming artist Misty Drinx brought about a brand-new era of electro-soul with the release of his debut single, Oh I Love That Song!

Going back to the golden era of pop via a space odyssey, the single sweeps you up in a nostalgic 80s atmosphere, constructed by the oscillating synth lines, polyphonic keys and swathes of reverb that aid the transcendent euphoria of Oh I Love That Song!

Lyrically, the single may pay an ode to the feeling of hearing a song and wishing you wrote it, but the sentiment will undoubtedly be the same from the moment you greet the melodious earworm. We’re already stoked to hear the sophomore hit from Drinx now he’s found his euphonic calling.

Check out the debut single from Misty Drinx on Spotify.

Keep up to date with future releases via Instagram.

Review by Amelia Vandergast

The sandman chewed bubblegum (pop) in Delila’s third single, Sex Dreams

Not many pop hits can rival Marina and the Diamonds’ Primadonna and Icona Pop’s I Love It, but the NY-hailing pop icon-in-the-making Delila effortlessly matched the sticky-sweet floor-filling energy with her third single, Sex Dreams.

Sex Dreams, which hit the airwaves on June 28th, is a drastic change in tone from Delila’s previous releases, Mad World and Killerkiller; it is safe to say she’s come into her own with the sugar rush of a single, which was created in collaboration with the production team, Supperclub.

In stark contrast to the title, Sex Dreams is a romantically rapturous release which celebrates the strength of a connection that goes beyond the conscious and spills into the subconscious to litter dreams with wanton lust.

Building an infectiously electrifying pop hit around real emotion is more than what artists with decades of experience in the industry can achieve. The sincerity resonates through the vibrantly honeyed euphoria in Sex Dreams while the production gives Taylor Swift’s discography a run for its money.

Delila said:

“Sex Dreams is about an off-and-on long-distance relationship, which left us mostly communicating over the phone. After a long period of not speaking, I received a text asking me if I was manifesting them because they couldn’t stop thinking about me, and I was in all their dreams. I wrote the song to say, listen to yourself and be with me.”

Stream Sex Dreams on Spotify now.

Follow Delila on Instagram and TikTok.

Spotlight Feature: Ducktail’s fiery feat of anthemic electro-soul, Over, ft Kristal Oliver, Bursts with riotous, almost punk energy: try telling us this isn’t the debut of the year

With a Wall Street career in the rear-view mirror, the electro luminary in the making, Ducktail, ensured the world knew about his arrival in the Future Bass scene by dropping his debut single, Over. If it’s good enough for Pete Tong, the multi-layered leads driving through pop-hooked groove-pocketed basslines are worthy enough for your rhythmic pulses.

The New York-based artist and producer teamed up with the Grammy-nominated platinum artist Kristal Oliver, who exhilarated the release with her award-winning vocal lines before the anthem for a lost and now found cause was mixed and mastered by none other than Gosteffects.

Ducktail and Kristal Oliver converged to create an unreckonable force with this fiery feat of anthemic electro-soul. With choruses that burst with riotous, almost punk, energy and ever-ascending verses, which will leave you on a new spiritual plateau, just try telling me this isn’t the debut of the year.

As change is the only inevitability in life, Ducktail prepared us for it with Over, by illustrating that freedom to step into the infinite possibilities of the unknown is something that we should forego complacency and stagnation for.

“Over is all about following your passion and finding happiness along the way. Music has always been the greatest source of happiness in my life. So, in a way, Ducktail was created to repay the debt I felt I owed to something that’s given me so much. Lyrically, Over is a testament to pursuit and passion; it quells decisional regret, something we’ve all experienced.”

Over hit the airwaves today on June 23rd. Check it out on all major platforms via this link.

Review by Amelia Vandergast

Follow Ducktail on Instagram
Listen on Spotify, Apple Music, SoundCloud
Watch on YouTube

IORA – Nylon: Synthesised in Catharsis Indie Electro-Pop

Ahead of her performance at Glastonbury, the indie electro-pop sensation IORA debuted her latest slice of synthy candour, Nylon, on June 7th.

Using her imploringly rich vocals that practically effervesce with distinction to allude to the torment of being trapped between two opposing forces while the upbeat instrumentals allow the track to surge with oscillating energy, conflicting emotions are part and parcel of delving into Nylon.

But by the single reaches its synthesised in catharsis outro, you will be left with the affirmation that few artists are adept in sonically visualising their torment and portraying it as universally resonant aural gold. Someone hand her a Mercury Prize already.

Nylon is now available to stream on Spotify.

Review by Amelia Vandergast

Spotlight Feature: Ducktail gave a lesson in inspirational exhilaration in his future bass debut, Over, ft Kristal Oliver

https://soundcloud.com/ducktailmusic/over/s-GjYt5XNuVOX?si=c3c6f4a5eec14e1f838d53d40193d6be&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

With a Wall Street career in the rear-view mirror, the electro luminary in the making, Ducktail, ensured the world knew about his arrival in the Future Bass scene by dropping his debut single, Over. If it’s good enough for Pete Tong, the multi-layered leads driving through pop-hooked groove-pocketed basslines are worthy enough for your rhythmic pulses.

The New York-based artist and producer teamed up with the Grammy-nominated platinum artist Kristal Oliver, who exhilarated the release with her award-winning vocal lines before the anthem for a lost and now found cause was mixed and mastered by none other than Gosteffects.

As change is the only thing that is certain in life, Ducktail prepared us all for it by lighting the green light to illuminate the way towards spiritual decision-making, which will lead you to the endless possibilities awaiting in the unknown.

Ducktail and Kristal Oliver converged to create an unreckonable force with this fiery feat of anthemic electro-soul. With choruses that burst with riotous, almost punk, energy and ever-ascending verses, which will leave you on a new spiritual plateau, just try telling me this isn’t the debut of the year.

“Over is all about following your passion and finding happiness along the way. Music has always been the biggest source of happiness for me. So, in a way, Ducktail was created to repay the debt I owed to music. I always strive to create something of inherent value and spread joy – even through the darkest times. Lyrically, Over is a testament to this notion; it quells decisional regret, something we’ve all experienced.”

Over will hit the airwaves on June 2nd. Check it out on all major platforms via this link.

Review by Amelia Vandergast

Hell hath no fury like YME scorned in her moody alt-electro pop hit, ENEMY

If you like your electro-pop dark, moody, and Avant-Garde, YME’s latest vindicating artful earworm, ENEMY, is a viciously hooked hit that will reel you in hook, line and scintillating sinker.

Never one to mince her lyrics, the Netherlands-based songstress who exudes the experimental spirituality of Bjork and a sense of conviction that leaves her in a hell hath no fury league of her own, is in the habit of cutting right to the core of vulnerable emotion and proving just how much power resides within the protagonists who wear their hearts on their sleeves. All too often, abusers mistake their ability to beat people down as a sign of strength; YME dispels that insipid myth with her highly originated demure style and candour.

ENEMY is now available to stream on Spotify.

Review by Amelia Vandergast

Unshackle your soul with Imelda Gabs’ latest alt-RnB single, Free Spirit

The innovative soul singer Imelda Gabs took back control in her empoweringly enlightening alt-RnB single, Free Spirit, which is just one of the standout singles on her debut LP, Synopsis. The track is for anyone that has ever encountered a fuckboy/girl and been left reeling with questions confounded by insecurity and self-doubt when actions have no cohesion with their words in the cold light of day when they’ve had the usury way.

Any fans of the Weeknd will be instantly enamoured by the synthetically sweet instrumentals that fuse elements of future pop with the soul of RnB to create the perfect platform for her vocal lines as they evolve from ethereal to convectively powerful.

‘Moving on’ songs proliferate the airwaves, but few lyricists prove that the pen is mightier than the sword as well as Imelda Gabs, who will take you on an inner-healing journey with this introspectively emboldening release which takes all of the guilt away from naivety.

Free Spirit hit the airwaves on April 14. Catch it on Spotify.

Review by Amelia Vandergast

AŸA is anything but pedestrian in her jazzy RnB pop single, Sidewalk

Singer-songwriter, producer, and artist AŸA has beguiled the Berlin scene and beyond with her latest RnB pop rendezvous, Sidewalk, which is anything but pedestrian for the way it breaks the monocultural mould by pulling on her Moroccan and Yemeni Roots while keeping the production refreshingly contemporary.

If I’m being honest, I dread the run-up to summer for the swathes of superficial sun-soaked singles that land on my metaphorical desk, but AŸA couldn’t be trite if she tried. The revolutionary soul in the ethereally warm vocal lines melding with the dominant percussion is a lesson in Summer pop alchemy. If the sax lines and the lyrics that narrate a story of romantic stagnation don’t leave you wanting to dive into realms of fulfilment, you may as well hibernate through summer too.

“The lyrics of the song are a metaphor for an ongoing relationship that is actually not going anywhere. Instead of riding into the sunlight with the one you love, you find yourself taking dark paths and compromises for the one you love even though it feels so wrong.”

Sidewalk was written, composed, and produced by AŸA, with help from Kurtis Wells, Johnny Kulo, and Gavriel. Executive production and mixing were taken care of by the #1 Billboard music producer, Ido Poleg, and the single was mastered by the award-winning engineer, Manon Grandjean.

Stream the official music video for Sidewalk on YouTube.

Review by Amelia Vandergast

Parisian electro-pop icon Andrea Dee lit an alchemically emboldened fire under her single, Be Her

Andrea Dee

If you can imagine what it would sound like if Breach and Bjork collaborated on a record, you can get an idea of the fiery aural alchemy contained in the latest electro-pop hit, Be Her, from the trailblazingly magnetic songwriter and producer Andrea Dee.

The single, co-produced by Aaron Knight, is slick with unfuckwithable attitude that Andrea Dee pulls off flawlessly. The unapologetic celebration of her own autonomy becomes as infectious and addictive as the lyrical hook that reprises through the stormer of an earworm, “It’s music that makes me be her”. I can totally relate.

With the bi-lingual lyrics bringing euro dance flavour to the mix that also found room for indie funk guitar licks, the Parisian singer-songwriter affirmed that she’s got a place in the industry – and it is way above the underground.

Be Her will officially release on March 24th. Hear it on all major platforms via this link.

Review by Amelia Vandergast

Chasing Abbey – Lie: 10/10 Sociopaths Will Detest The Taste of This Dance-Driven-Pop Ear Milk

What do you say about one of the freshest pop palettes of the decade, let alone the year? The scintillatingly sweet soul in the latest single, Lie, from the Irish outfit Chasing Abbey is enough to make a sociopath swoon at something other than their ability to manipulate for personal pleasure.

Capturing the deceit that hits the hardest, when it comes from someone holding your vulnerability in your hands, the electro-dance-pop earworm goes out to anyone in the same boat. While the synth lines deliver their glistening stabs, the steady builds and breaks in the backbeat work to entrance you as much as the titular reprise, which seems to garner more meaning with every repetition of that monosyllabic three-letter word that will be reverberating around your head long after this hit has faded to a close.

Taking the inspiration of the dance-driven pop hits from the 2010s; Chasing Abbey did more than emanate the likes of Swedish House Mafia and MK; they set the bar for every artist that wants to transcend their sound, which has seen them win the Irish Song of the Year Award at the RTÉ Choice Music Prize, sell-out national tours and support The Chainsmokers, Rita Ora and Enrique Iglesias.

Stream Lie on Spotify now.

Review by Amelia Vandergast