Browsing Tag

Drum n Bass

Mild Horses unleashed avant-garde chaos in his genre-defying electronica release, Eye of the Behemoth

Posted on 25 April 2024
Eye Of The Behemoth by Mild Horses

Mild Horses, the experimental brainchild of Matthew Leuw, previously known for his roles in various underground bands, including Norwich’s Crest and Brighton’s Coin-op, has returned with ‘Eye of the Behemoth’.

The single seizes the listener with its lo-fi synth melodies grounded on a solid backbeat, before erupting into a drum n bass rhythmic firestorm. Not merely content to rest here, it pushes the boundaries further with sharp horn stabs, marking a bold foray into avant-garde territory. As the track progresses, the intense energy momentarily retreats into more subdued, jazzy grooves that infuse the piece with psychedelic tranquillity, setting the stage for a climactic resurgence. The finale of this instrumental odyssey is a masterclass in musical composition—returning full circle with a powerful beat that perfectly encapsulates the track’s dynamic range.

‘Eye of the Behemoth’ is not just another experimental track; it is a statement of artistic integrity from Mild Horses. This single does exactly what it promises—immersing its audience in an artfully crafted storm of sound that resonates long after the last note fades. It’s an assertive piece that boldly declares Mild Horses’ niche in the eclectic landscape of contemporary music. For fans of genre-defying soundscapes, this release is an essential experience, offering both challenge and reward in its complex layers.

Stream and purchase Eye of the Behemoth ahead of its official release date of May 10th on Bandcamp.

Review by Amelia Vandergast

Drum n Bass entered into a new evocative era with Joy Doc’s All of Me

Posted on 19 April 2024
https://soundcloud.com/joydocdnb/joy-doc-all-of-me-master/s-UmM63gn67rf?si=a4dd89fb1def497ca20fc0ff28693304&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Joy Doc’s latest single, ‘All of Me‘, is a compelling showcase of her multifaceted talent as a drum and bass producer, vocalist, songwriter, DJ, and pianist. Hailing from London, Joy Doc has been carving a niche in the UK’s electronica scene, and this track is an undeniable testament to her superlative prowess.

The track commences with an ornate orchestral introduction, setting an evocative stage for what’s to come. As Joy Doc’s vocals enter, “Oh Lorde,” will be the first thing on your mind due to the striking resemblance and depth in her voice. These vocals, layered over the sound of hammered piano keys, create a hauntingly beautiful atmosphere, where you can contemplate the self-sacrifice of giving someone your whole essence only to transform into a shell of who you were before you surrendered yourself completely and knelt at the feet of romantic mercy.  The lyrics poignantly explore the transformation of self when consumed by love, painting a vivid picture of becoming a secondary character in one’s own love story.

The production, handled by Joy Doc herself, is flawlessly and meticulously crafted, ensuring that the listener is drawn in and remains captivated until the outro and then some; the crescendos of drum & bass momentum are tensile, perfectly timed to elevate the track’s emotional intensity.

Mixed and mastered by Jose De Mara, ‘All of Me’ is a declaration of Joy Doc’s potential to dominate the electronica landscape. Her previous accolades, including her debut E.P ‘Sunshine‘ and the recognition of her track ‘Been Here Before‘, are just the beginning.

All of Me will hit the airwaves on April 19th; stream the single on SoundCloud.

Review by Amelia Vandergast

DARCY – Mandem Carni: an avant-garde installation of artful electronic annihilation

Posted on 3 March 2024

With her sophomore single, Mandem Carni, the artist and enigma DARCY emerged from the shadows of her former alias and unleashed a visceral force to be reckoned with. The dark, bass-heavy oscillations resonate with a raw, physical intensity, capable of giving even the most robust speakers goosebumps.

This track is a masterful blend of genres, straddling the line between an industrial electronic horror score and an avant-garde installation of artful annihilation. It’s a sound that carries the terrorised glamour of a Dana Dentata release, yet pulses with the kinetic energy akin to Avalien. DARCY’s approach to music production is both aggressive and energetic, yet marked by an increasing fluidity and ambition that sets her apart.

Mandem Carni is an unflinching embrace of the dark and the macabre. It’s a track that doesn’t just flirt with the nightmarish; it revels in it, all while maintaining a level of artistic finesse that transcends mere shock value. The production quality is impeccable, with each beat and synth meticulously crafted to contribute to an atmosphere of controlled chaos.

For anyone with a penchant for the darker, more brooding variants of drum and bass, Mandem Carni is an augmented anthem to be experienced.

Mandem Carni disrupted the airwaves on February 18th; stream the release on Spotify.

Review by Amelia Vandergast

Ireland’s Idle Discourse reached the pinnacle of hardcore furore in their mechanical juggernaut, Rotten Egg

Posted on 9 February 2024

Idle Discourse came down hard(core) on the uncompromising nature of society and its proclivity to push the atypical to the sidelines in their ensnaring mechanical juggernaut of a dance track, Rotten Egg,

The thunderous, genre-defying anthem shakes the foundations of hardcore music by combining the raw energy of drum n bass, the electrifying spirit of Prodigy-esque dance, and the unyielding force of TRC-reminiscent hardcore while fusing a cacophonous mechanical edge reminiscent of BMTH and Enter Shikari and blazing past them on the evolutionary timeline of hardcore.

From the first note, it grips you in an adrenalizing chokehold and refuses to let go. Its brutal intensity is its relentless force, yet it’s the cheeky energy and profound message that truly sets this track apart. The narrative is woven seamlessly into the fabric of the song, making it not just a musical experience but a call to awareness and understanding. They used every ounce of their fervid volition to strike a fatal blow in the insidious heart of marginalisation.

‘No diagnosis’ – the chorus line – highlights the plight of those diminished by an apathetic system. It’s a reminder of the unseen struggles many face, from autism spectrum disorder to ADHD and unresolved trauma. Rotten Egg, while light-hearted and tongue-in-cheek, implores listeners to reconsider quick judgments and labels.

The band, comprising Craig ‘Sea High’ Hoey, Lorcan Bowens, Donal Bowens, Rob Gaffney, and Leigh Walsh, demonstrates a profound understanding of the human condition. Their fusion of metallic drum and bass with dystopian synth wave elements and hardcore-tinted sections reveals a band that has evolved in more ways than one.

Rotten Egg will sulphurise the airwaves on February 9th; stream it on Spotify.

Review by Amelia Vandergast

JANAYAH & Marcus Wiles brought euphoria to the dancefloor with their liberating EDM anthem, NOTHING TO LOSE

Posted on 6 November 2023

With their tantamount talent, the debut single, NOTHING TO LOSE, from the emerging vocalist and lyricist JANAYAH and EDM producer Marcus Wiles, who are both enrolled in the prestigious BRIT School in London studying music and production, respectively, is a radio-ready affirmation that whether they’re honing their collaborative chemistry or going solo, they’ll both have an illustrious career ahead of them.

The way the tension and emotion-fraught stabs of piano keys under JANAYAH’s stridently pitch-perfect vocals lead up to a mind-bendingly liberating drum n bass-drenched EDM crescendo signed, sealed, and delivered a promising future for the duo.

Their reverence for EDM and ability to emanate the same meticulous song-crafting flair as the likes of Calvin Harris, 3LAU, ChrisLake, Joel Corry, David Guetta, and Tiesto, will leave you on a knife edge as sharp as the hooks.

Once the monolithic momentum grips you, you’ll be at the mercy of the powerhouse duo. We can’t wait to hear the sophomore release after getting to grips with the transcendent debut, which could easily be considered the strongest EDM debut in 2023.

NOTHING TO LOSE is now available to stream on Spotify.

Review by Amelia Vandergast

The genre alchemist James Urquhart is set to unleash his progressively prodigious hit, The Tearz and the Pain

Posted on 4 November 2023

The genre alchemist and one of the top producers in the UK, James Urquhart, drifted through a melodic menagerie of style in his latest single, The Tearz and the Pain, which is locked, loaded, and ready to drop an atom bomb of ingenuity onto the airwaves.

With all the hooky body-rocking flavour of 90s boyband pop in the deliciously infectious vein of the hit that announced Backstreet’s Back after a mellow 80s RnB opening sequence that Seal fans will give the seal of approval, Tearz and the Pain reaches its high-octane peak in a euphoric intersection of drum n bass before winding the track right down again.

The progressive prodigy left us arrested with every aural transgression and convinced us that labels will be hammering down the door to his professional studio, which he uses to produce his and other people’s hits. Previously, his music has been distributed by Hed Kandi and Let There Be House; there’s no telling who will pick him up next.

Follow James Urquhart on SoundCloud and Instagram to be the first to know when The Tearz and the Pain drops; with the soul it sonically unleashes, it is more than worth the wait.

Review by Amelia Vandergast

Fats & JM went on a ‘Mad One’ with their infectious EDM rap hit

Posted on 8 August 2023

The Azerbaijan-born British rapper and songwriter, Fats, mashed up his talents and his infectious tongue-in-cheek charisma with his co-collaborator JM to deliver the ultimate house party anthem, Mad One.

After a solid serving of sun-bleached acid house beats, Fats subverts the transcendently tranquil tones with his wit-sharp garagey rap bars and bass-drenched rhythms. Between his cleverly enticing cadence and his lyricism that carries the perfect amount of antagonism, there’s no resisting the magnetism of the monolithic drop.

If anyone deserves to go as viral as the Blackout Crew did in 2009 with Put a Donk On It, it is Fats. A month after the drop of the official music video for Mad One, it has already racked up 95,000 streams on YouTube and has been added to plenty more high-profile Spotify playlists.

We would usually say get on it while the hype is hot, but it’s unlikely that Mad One will stop being the hottest EDM drop of the summer anytime soon.

Review by Amelia Vandergast

Konetix weaved an electrifying sonic tapestry with his monocultural-mould smashing Drum n Bass single, Soy Candela

Posted on 2 July 2023

Konetix didn’t just push the boundaries with his latest drum and bass hit, Soy Candela; he forced them to erupt with the infusion of Latina flavour, psytrance transcendence, and jazzy motifs fed through the fiery sax lines.

With infectious energy and electrifying sonic tapestries as the two cornerstones of his MO, the enduringly ambitious artist hasn’t failed to make his mark in the music industry, which has been keen to celebrate his profound passion and the nuances within his distinctively vibrant flair as a music producer.

After his 2020 debut EP, the impassioned visionary has racked up over 10 million streams and has refined his craft while collaborating with industry heavyweights, such as DJ Phantasy, Nicky Blackmarket, Henry Shotta and Ben Snow. To nurture the talent of other emerging acts in the drum and bass scene, he has founded his own record label, Melted Face Records. Somehow, he has also found the time to captivate audiences worldwide with his DJ sets by making appearances at renowned clubs and on international stages.

Stream Soy Candela from June 30th on Spotify.

Review by Amelia Vandergast

nasir mf. pushed the boundaries of sonic expression in his emotion-driven EDM hit, fuckin lonely

Posted on 22 December 2022

If the sub-genre emo EDM doesn’t already exist on some dark and despondent corner on the internet, the electronica producer, nasir mf. started it with his trappy trailblazer of a debut single, fuckin lonely.

After a wavy indie trap prelude, the hit blasts off with a high-fire boost of momentum that allows the track to transcend drum n bass before the candid vocals run through pioneeringly bold lyricism to shatter the stigma attached to admissions of loneliness.

To make such an honest track at any point in their career is a brave move; to choose this track to introduce himself to the world, nasir mf. is a total fucking icon. The Brooklyn-based electronica artist made his debut to carry on the legacy of the black artists before him while pushing the boundaries of sound and expression. In the process of succeeding across the board, he became an instant icon in our view.

Nothing compares to the high of hearing an artist speak the unspoken and fuckin lonely let the euphoric floodgates open. We can’t wait to hear what comes next.

fuckin lonely was officially released on December 2nd and is now available to stream on Spotify.

Review by Amelia Vandergast

SEN COV smashes electronic archetypes in his latest cinematic breakbeat single, Kotor

Posted on 2 March 2022

Sound designer, artist, composer, and Strange Planet Label founder, SEN COV, has taken his aural mixology skills to the next level with his electronic-archetype-smashing mix, Kotor.

The cold grimey house beats fed through breakbeat progressions welcome you to the dark underbelly of house as SEN COV experiments with electro drill energy and polishes his sound in cinematically dystopic gravitas. We’ve more than had our electronic fill at A&R Factory, but no artist came quite as close as SEN COV came close to sating our hunger for original flair.

After Kotor, SEN COV will be unleashing fortnightly mixes. If you appreciate genre-transcending Drum n Bass breakbeat style, save a space on your radar.

Kotor is now available to stream on SoundCloud. You can keep up to date with all of the artist’s latest releases via Instagram.

Review by Amelia Vandergast