Emerging from the arid expanse of Western Colorado, NIGHT WHIP cast aside all semblances of convention with their electrifyingly debauched eponymous debut single which spans 16 minutes and stretches the mind even further.
If you ever wanted to know what a synthesis of sludge, doom and psych rock would sound like filtered through Tarantino’s cinematic lens, hit play and sink into the tour de force of tonal alchemy, which is far more potent than any substance sampled in Fear and Loathing in Las Vegas.
The track deftly balances dusky desert atmospheres with the rhythmic intensity reminiscent of Queens of the Stone Age and the tight licks characteristic of Eighties Matchbox B-Line Disaster. As NIGHT WHIP tears through their inhibitions, the explosive doom metal breakdowns and relentless rhythmic drive culminate in a deeply authentic and unflinching score.
Formed in 2018 by Griff Chiono and Colin Keefe as a side project of the alt-punk band Bronco Country, NIGHT WHIP has rapidly become a staple in the local music scene. Their sound, described aptly as “heavy western,” captures the profound isolation of small desert towns with its distorted baritone guitars, relentless drums, trippy electronics, and hauntingly layered vocals.
Set to release on June 28th, 2024, under the band’s label, Bureaucracy Records, Night Whip is poised to cast a long shadow over the alternative music landscape. Discover your preferred way to listen via the band’s official website.
Review by Amelia Vandergast


chaos which Author & Punisher lay down in his set in Rebellion Bar in Manchester. The San Diego, California based artist will make you reshape your view of one-man Doom bands with his automated robotics and mechanical devices. Usually, when I see watch a performing artist, I will usually draw comparisons to other artists, but it’s safe to say that no artist is in the same league or even the same dimension of Author & Punisher. That overwhelming vibrating reverberation of when a vintage engine passes you in the street may come close. It’s filthy, it’s iconic and witnessing it live may have been the finest sensation of auralism I will ever be treated to.
I can honestly say I’ve never stood to witness a performing artist more attuned to his sound. The level of passion as he went about his blinding set was as palpable as the overwhelming reverb gave the venues monitors a run for their money. Every cell in my body stood to attention to the kicks and distortion of his mechanically organic sound which bled white noise aggression through urgent progression.