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Dogs D’Amour

Secondhand Smoke – Sinking Ships’ Twang-Soaked Hymn for the Wandering Soul

Sinking Ships by Sinking Ships

Sinking Ships doesn’t play Americana by the book—he stains it with Detroit’s garage rock grit and lets it linger in the air like Secondhand Smoke, which also happens to be the title of his latest single. With twangy, roots-reverent guitars cradling the intro, the track gently pulls you in before his gravelly, whiskey-soaked vocals take centre stage. Echoing the swagger of Dogs D’Amour and The Stones, his delivery balances rugged sincerity with a devil-may-care coolness.

The sepia-toned lull doesn’t last long. As the crescendo kicks in, the single shifts from dusky introspection to full-blown rock ‘n’ roll earworm. Winding guitar strings, steel guitar timbres, and brashy chords ensure the alt-country undercurrent never fades completely—it stays locked in, an uplifting presence coursing through the track’s folk storytelling heartbeat.

True to tradition, Secondhand Smoke paints a panorama of a portrait, tracing a beatnik attempt at self-discovery, where hope clings to the horizon like the last glow of a setting sun. Whether meaning is found or not seems almost secondary—the real story is in the search itself.

With this release, Sinking Ships proves he’s found his footing in the crossfire of alt-country, indie, and garage rock. His sound isn’t polished, it isn’t predictable, but it lands exactly where it needs to—right in the marrow of modern Americana’s restless spirit.

Stream Secondhand Smoke on all major platforms, including Bandcamp.

Review by Amelia Vandergast

Gregory Lee Pickard’s ‘Home’ is a reverent nod to roots and rebellion

Gregory Lee Pickard

In his seminal, soon-to-be-released, solo single, ‘Home‘, the illustriously revered Gregory Lee Pickard, whose career has spanned three decades and spawned countless accolades, distilled a soundscape with the culmination of his extensive experience and his ability to conjure more than sound through his panoramic vignettes.

The single melds country rock rhythms with gruff vocals, which will undoubtedly appeal strongly to fans of Dogs D’amour and The Quireboys. This cultivated ode to the concept of “home”—whatever that may signify for the listener—allows Pickard’s authenticity to shine iridescently.

The country twangs within the proto-punk-esque production allows Gregory Lee Pickard to soar above the mediocrity of artists who debase their discographies with assimilation; this is authenticity at its core. Just one hit of the single will leave you desperate to explore the treasure chest of rough-cut gems which throwback to the 70s NYC punk scene but firmly roots itself in contemporary resonance.

Gregory Lee Pickard, a storied songwriter, singer, and performer continues to lead and shape the sound of his current band, Not Las Vegas, while his foundational work with The Revelons has seen him headline venues from CBGB to the Bowery Ballroom. His broad discography spans influential releases and collaborations that touch everything from indie films to major motion pictures, cementing his place in the annals of music history.

For those who cherish musical integrity and the resonant tales of life’s wanderings, ‘Home’ by Gregory Lee Pickard offers more than just a listening experience—it invites a profound connection to the very essence of personal and musical exploration.

For more information about Gregory Lee Pickard, head to his official website.

Review by Amelia Vandergast

brx – Not Sorry!: An Acoustic Punk Anthem for the Disenchanted

Brooks Oliver, known musically as brx, has carved a niche in the punk rock scene with his latest single, ‘Not Sorry!‘. This track, a standout from his upcoming home studio album “It’s Pronounced Brooks“, is set to resonate with fans of The Quireboys and the Dogs D’amour, while also appealing to a broader audience of rock enthusiasts.

‘Not Sorry!’ is a raw, unapologetic anthem that captures the essence of punk. The gruff, punk-pierced vocal lines, laid over simple acoustic guitar chord structures, reach the epitome of the genre.

Lyrically, brx delves into themes of nihilistic misanthropy, articulating a sentiment of frustration and defiance that’s palpable in every line. It’s more than just a cathartic release; it’s a potent source of vindication for anyone tired of suffering under the weight of societal expectations and the frustration of the balance of inauthentic and idiotic interactions.

Stream Not Sorry! on Spotify now.

Review by Amelia Vandergast

Blomqvist & Mattjus borrowed a few tones from Dogs D’Amour for their acoustic rock triumph, Dangerous Curves

Any fans of bluesy rock in the same vein as Dogs D’Amour, Pretty Boy Floyd, and The Quireboys won’t want to hesitate to get the acoustic rock LP, Right on Time, from the devilishly reverent duo, Blomqvist & Mattjus, in rotation.

Track 6, Dangerous Curves, is the perfect introduction to the duo’s redefinition of the iconic rock tones that built the sonic landscape in the 70s, 80s and 90s. With vocals that could give Massive Wagons a run for their money and catchy choruses that would be best enjoyed while driving with the top down, this infectiously low-down and dirty acoustic anthem is far too irresistible for a solitary play. The celebration of sensuality veers just close enough to 80s sleaze to scintillate it with salaciousness, but the sense of bluesy soul quickly perturbed any sense of vulgarity.

Right on Time was officially released on May 23; get stuck into it on Spotify.

Review by Amelia Vandergast

Californian solo artist, Beau James Wilding, put the grit in folk with his reverently fervid single, SET MYSELF ON FIRE

With the choppy discord in the acoustic guitar strings against his gravelly punk blues vocals, the Californian solo artist, Beau James Wilding, orchestrated a roots rock masterpiece with his latest single, SET MYSELF ON FIRE.

We didn’t need his bio to inform us of his intense emotional relationship with sound and music. But learning that the relationship was strengthened after he was left legally blinded by a disease at eighteen made the fierily ardent passion in SET MYSELF ON FIRE burn with even more reverence.

Any fans of Dogs D’Amour and The Quireboys won’t want this fervidly impactful single to pass them by. The dark poetic imagery in the lyrics paired with the frenetic pace of the guitar rhythms that consume the instrumental arrangement with their ragged timbre is a sobering multisensory experience that reaches the pinnacle of gritty folk.

SET MYSELF ON FIRE will officially release on January 13th. Stream it on SoundCloud.

Review by Amelia Vandergast