This is a duo based in Nottingham, UK who come out with bone crushingly intense Death Electronica. This is definitely not music you would want your kids to listen to, unless they don’t plan on sleeping for a while.
Driving beats and synths power is the name of the game here, powering through again and again to no rest bite. ‘Bone Cult’ are here to rock and not stop.
Starting out as a stripped back guitar and drums outfit, the duo has evolved by embracing technology to create new unheard on earth sounds. Taking inspiration from Daft Punk, The Prodigy, Slipknot, Death From Above 1979 and Enter Shikari, the duo’s productions span a vivid and vast spectrum of rugged energy, riffs and production.
Relentless touring has seen the band perform to festivals across Europe, North America and Asia. The band’s popularity has soared internationally following their inclusion as characters in the online video game ‘Avakin Life’. A massive achievement and a great way in for the band. Gaming and music are two cultures that really mix well.
This is music to a select few but I can appreciate it’s quality. I wouldn’t listen to this before bed however.
I would usually be the first person to say, ‘don’t touch a classic’ but in this case I am forced to clarify and amend that statement. A Taste Of Honey released ‘Boogie Oogie Oogie’ in the summer of 1978 and it became an instant hit and one of the most memorable songs of the era. Dj Gual has touched a classic but he really has the Midas touch. He stays true to the groove of the song and gets authentic and superb vocal assistance by the very talented Cheshy. She is able to sing effortlessly and unhindered over a slick track.
The production is really clean and the musicianship is something to proud about. It really is a successful rejuvenation of a vintage, time-honoured anthem. Obviously a labour of love, DJ Gual proves once again that he has a respectful recollection of Disco mixed with artful innovation. Not everyone can touch a classic but, DJ Gual, you go right on ahead. With a soon-to-be club classic under your belt, we can’t wait to hear more!
Have a listen to ‘Boogie Oogie Oogie’ by DJ Gual on Soundcloud. You won’t be disappointed.
Up and coming Alt Electronica artist Brigham Hollywood made their debut with their EP Computer Generated Idiocyin March 2020. As you’d expect from an EP with such a title, the producer made experimentalism and expression the heart of each of the soundscapes.
The first track Malicious is the perfect introduction to their accessibly eccentric songwriting and production style which will register as an infectious aural treat for any fans of Daft Punk and Disclosure.
With playful nuances of House, 80s Synthpop and RnB all infused into the high tempo enticingly entrancing beats in Malicious, don’t be surprised if you’re left with a rather stubborn earworm after listening to Brigham Hollywood’s modern take on Retro Dance Pop.
You can check out Malicious along with the rest of the EP for yourselves by heading over to SoundCloud.
If you like your music fuelled by Funk, Groove, and Soul, prepare to be enamoured by EDDIE SATURN’s latest playfully vibing mix “VACATION” featuring MyCompiledThoughts.
The world may be a little insane right now and going on vacation may be hard but listening to this warm and vibrant mix definitely isn’t. There’s little use in attempting slap a genre-label on VACATION, the soundscape transcends the archaic notion of aural constraint.
The popping melodies sit in constantly evolving beds of electronic effects and pick up momentum as the track which is sure to appease any fans of Daft Punk progresses. Yet with the experimentally melodic Indie feel, there’s very little in the way of assimilation in VACATION.
Perceptibly, co-producer Donny Darkpop pulled it out of the bag when they polished the mix which doesn’t just verse about nirvana, it takes you there.
You can check out VACATION for yourselves by heading over to SoundCloud now.
The Zero Won are a band from Athens with a very distinctive sound, bridging a link between indie pop and disco through hypnotic sonorities and mesmerising vocals. With a strong electronic influence in their sound, these guys have something fresh to offer and upon first listening to their new track “Lights,” one of the primary things which is noticeable is the image evoking quality in the music. All the elements are blended so well within the texture that the sound created has the ability to take you on a visual journey just by listening to it. In fact, I personally can’t wait for a music video to accompany the song.
Apart from the mesmerising and hypnotic quality expressed in the music, “Lights” also features a variety of sounds ranging from delicate guitar countermelodies, big synth sounds, pointillistic percussions and a strong melodic line in the vocal part. This, in fact, results in a memorable expressive chorus which drives the music constantly forward. As the song reaches the end, momentum is built up towards a final climax which is literally an explosion of sound featuring all the interesting elements of instrumentation chosen and combining everything together through a great mix. Listening to this song is just a hypnotic experience from start to finish.
Damask are an innovatively underground act from Essex, UK who have recently celebrated the release of their first single Inner City. Their sound is a concoction of Pop Rock & Funk styling, which is wonderfully produced into an enigmatic universal sound. The idea behind the sound came from band members; Duncan Haslam and Takahide George combined desire to create sweet, soulful vibes with a touch of class.
Inner City boasts the unmistakable soul jingle which introduces the track before it starts to flow with infinite possibility. I adore the darker undertones to this music, it transcends the usual cheap styling of the genre to create a dulcet sound which are resonant of bands such as The Killers, Editors and Chris Cornell.
The lyrics are as catchy as the hooks in the music, put them both together and you get an infectious melody, not too dissimilar for Daft Punk’s cult hit with Get Lucky. However the lyrics have a far Deeper Indie Rock resonance behind them thanks to the monumental vocal arrangements of the lead vocalist.
Check out their debut hit on the Soundcloud link below!
Vision Four 5 dropped their new dance floor track on the 27th of October 2017. It’s got us a little bit excited. Sure, the internet is swarming with artists that promise to be the next greatest thing and follow in the footsteps of the likes of Daft Punk, Eric Prydz & Darude, but Vision Four 5 is a delight that I can honestly say I’ve never heard the likes of before. They’re a delectable mix of Techno, House & Electronica, their recipe for musical creativity have created music that’s cross generational that everyone can enjoy.
They’re a live dance music act from Brisbane, Australia who have become the masters when it comes to interactive video technology to provide a totally immersive experience in their shows. The band have been around since 1990, and it’s honestly a crime that they’re still a relatively unheard of collective of musicians. Whilst they’ve achieved notoriety in Australia with a multitude of radio hits; their splendour is relatively un-sampled across the pond.
If you’re looking for transgressive beats & stunning imagery look no further than their latest single. It encapsulates all of the dancefloor euphoria that they’ve invoked whilst they’ve been on tour with their music. They consider touring an essential part of the writing process in their refreshingly innovative way of making their adrenaline fuelled music.
Their choice to include the Sydney based singer, songwriter & DJ Kate Tomlinson in their latest hit allowed their music to delve into a new era of music. Kate has a delectably resonant power in her vocals with the ability to melodically resonate over the layered harmonics.
Check out the official video for Take Me with You on YouTube!