Browsing Tag

country

Unknown River set the bar for honkytonk hits plateau-high with ‘Outlaws on My Trail’

The Floridan singer-songwriter and multi-instrumentalist Unknown River set the bar for penning immersive escapist honkytonk hits plateau-high with the standout single, Outlaws on My Trail, taken from his debut album, The Dead River Passage.

The fiddle and banjo-driven single delivers a vignette of a man coming to regret the repercussions of his down-and-out actions; the combination of the simple country living exposition and the upbeat arrangement and vocals is enough to make the experience of outlaw-evading sound like a riotous way to see the sands of time slip away, and therein lies the beauty of Unknown River’s indomitable magnetism.

By taking the influence of bluegrass, delta blues, country, rock and old-timey traditional tunes, Unknown River’s amalgamated Americana signature is designed to strip away the plight of modern-day malaise and entrench you in the ease and euphoria of eras that are far from bygone – roots-crafted sanctuaries are just one hit on play away. Press it.

Outlaws on My Trail is available to stream on Spotify.

Review by Amelia Vandergast

The blues rock renegade Chance Brown supercharged the airwaves with his electrifying single, Come See ‘Bout Me

The Victoria BC roots rock renegade Chance Brown delivered a bluesy bluegrass invitation you won’t want to turn down with his latest single, Come See ‘Bout Me.

Don’t let the acoustic guitar-wielding cover art fool you. Come See ‘Bout Me is more electrifying than anything Jack White has crafted in his entire career and just as rich in mainstream appeal thanks to the garage rock infusion. The track is so much more than a live wire, it is more reactive than the Chernobyl power plant at the point of explosion.

Between the harmonica blasts, the lap steel tones and the tightly controlled chaos of the choruses, Chance Brown succeeded in paying homage to the traditions of blues and ensuring that those aural traditions have a place in the contemporary music industry.

After spending his life in unwavering devotion to honing the different elements of song-crafting, Chance Brown has polished his talents and maintained his passion, initially ignited by the likes of Justin Townes Earle and Gord Downie, enabling him to become one of the most scintillating raconteurs of truths in any town.

Come See ‘Bout Me was officially released on the 18th of August; stream it on YouTube.

Review by Amelia Vandergast

Tracy Inman on A&R Factory: It’s About Time

Talking to us about ghosts, It’s About Time and his whole life in a small town with so much love, Tracy Inman kindly tells us about his exciting life as a Paranormal Investigator and shall inspire many to follow their dreams. This is an interview to remember fondly.

Thank you for joining us today Tracy. Let’s start off here. What was it like growing up in East Alton, Illinois and what do you love most about your hometown? Why have you chosen to stay all these years?
The area I have been in most of my life is in the metro St. Louis area. It’s a small town vibe, but not far from the big city.  I have lots of fond memories of growing up with a tight knit family and friends and community. I have stayed in this area to be closer to my family and friends.
It’s About Time is your new 10-track release and we really enjoyed listening to your creation. What was the main inspiration behind it and who have you made it for? 
The title says it all.  I’ve been writing for many years.  This is a collaboration of songs that I wrote when I was younger and what I am writing now. Facebook was not around when I first started writing so the ON FACEBOOK song was written about 2 years ago.  But the song Daddy’s Girl and Guess What were written about 20 years ago when my children were younger.  I wrote the song Dad when my father was in the hospital. The only song i did not write on this album is Old School.  That song was released by John Conlee back in the 1980s and I always thought it was a very underrated song.  I challenge everyone to listen to that song and listen to the lyrics.  Great song!
You stated that Daddy’s Girl has been played as the father/daughter dance at many wedding receptions. Does this make you happy and proud?
Yes. I have 2 daughters and a son. It was played for my oldest daughters father/daughter dance and I was extremely proud to be dancing with her to it.  I will do the same with my other daughter when she gets married.  I was sent a video a few months ago of another father dancing with his daughter to it at their reception and I couldn’t believe I had made an impact on their wedding.  It truly is a great feeling.
How did you first get into music and what/who has helped you in your journey? What have been the fun moments and what challenges have you overcome?
I’ve always loved singing. ever sinced I can remember, I was singing. My brother Chris is the same way.  He is a talented singer as well. But I took a different route than most. I fell off course from my music after high school.  I started a family, went to work, etc.  I always kept writing, but didn’t really do anything with it. Over the past couple of years I realized I needed to get this stuff out there.  With encouragement from my wife and kids, I decided to reach out to a record company to start the path forward.  I contacted a company in Nashville, Tn, AOK Records and we put the songs together.  Adam Knight is a great person to work with.  I recommend his services to anyone.  The funnest moment for me was recording.  Standing behind that microphone belting out these tunes came out naturally for me and I really enjoyed the experience.
Do you love making country music? What does it mean to be an artist in this genre?
Yes.  I love writing. If my songs dont make it with me singing them, I’m content with that. Hopefully someone out there might want to record them as well.  As far as being an artist in country music now-a-days, I’m in the minority.  An older artist trying to get his music heard. I started this process with making music so my great-great grandchildren could hear after I’m long gone. A legacy so-to-speak.  But, Adam realized the need to start sending these songs out there to get real airtime on radio and plays on streaming, so we went that route as well.  This process has already surpassed all my expectations. Knowing that people are listenting to my songs is the greatest feeling in the world. I am genuinely honest about that. And I am here for any fans.  TracyInmanMusic.com.  Please reach out with any questions for me.
We’re fascinated that you’re a Paranormal Investigator. Have you ever been blown away by something/someone you’ve found?
I co-own a FREE social media platform called Paralinked.com. It’s a Facebook for the paranormal community. I am also a co-founder of T.H.A.T. Paranormal group.  And I run a podcast on Weds evenings called Paranormal Plus with Grizzy Chris and Tracy Inman.  With T.H.A.T., we did a hunt in Ashmore Estates near Charleston Illinois and we set up a tricycle on an upper floor by itself on level concrete.  We watched it for over 20 minutes, nothing. As we walked out, we caught it rolling backwards on film. It can be found on Paralinked.com in the evidence section. Pretty cool  What does the job entail and is it an exciting experience each day? We do this once a month.  I have friends in the field that do it everyday basically.  But with everything going on in my life, I can’t fit it in as much as I should. Paralinked.com takes up a lot of time to run.  Are ghosts real? Everyone has differing opinions about this. I have seen a few things that are unexplainable. The tricycle for instance. I started off as a skeptic, but after seeing a few things, I believe there is something out there. I compare a ghost hunt to a guided fishing expedition, there might be plenty of fish at the location or none at all.  We have so many questions. Feel free to reach out with any other questions concerning this.
Lastly, do you have any funny/amusing gig stories you can share with us? Perhaps a fan interaction or something that makes you laugh, showing us that the music industry can always spring surprises and fond memories?
I have played in various bands over the past few years and some talented musicians. Not too many stories. Just seeing the smiles and enjoyment of the crowd seeing along is a great feeling for me. I look forward to what the future holds. I am very sincere when I say “thank you to everyone for supporting me”. No matter what happens with my songs, just knowing it brought entertainment to others is better than any amount of money I could get.  Thanks Tracy Inman

Hear this new music on Spotify.

Interview by Llewelyn Screen

Blake Robert served Southern-twanged high-octane soul in his country pop-rock single, On My Mind

The Austin sound resounds in the eponymous debut country pop-rock album from the up-and-coming singer-songwriter Blake Robert.

The heart-on-sleeve standout single, On My Mind, spills Southern-twanged high-octane soul by the smorgasbord as the radio-ready production lends itself effortlessly well to drunk-in-love euphoria. With over two decades of experience crafting Eagles-esque earwormy guitar hooks, the rhythmically sharp ones implanted in On My Mind effortlessly reel you into the romanticism, which is just as magnetically sticky-sweet as the affectionate escapism found in Taylor Swift’s upbeat hits.

If you’re a fellow TX native and you can’t get enough of the debut album, catch Blake on his 2024 live tour through Austin, and keep him on your radar for more addictively energetic releases.

Blake Robert’s self-titled LP is available to stream via Spotify.

Review by Amelia Vandergast

Get your recklessly raucous country rock fix with Tracy Inman’s latest single, I’m Drunk Again

When only boozy & bluesy tongue-in-cheek country rock will hit the spot, dig into the latest single, I’m Drunk Again, from the recklessly raucous singer-songwriter Tracy Inman.

From endearing accounts of encounters with bullfrogs to tales of hedonism that make Charles Bukowski sound like a lightweight to sing-along choruses and foot-stompin’ rhythmics, I’m Drunk Again delivers it all in one tidy, polished, and infectiously feel-good package.

Even though the country genre is proliferated with songs about whiskey, the St. Louis-hailing singer-songwriter still managed to pull something original out of the brown paper bag. I can only imagine how well I’m Drunk Again goes down in a live performance in crowded and bleary rooms.

Stream I’m Drunk Again on Spotify, or check out Tracy Inman via his official website.

Review by Amelia Vandergast

Madison Hughes painted a vignette with the poison arrows of a lothario in her country single, The Heartbreak Kid

If Helen of Troy could launch a thousand ships with her face, trailblazing country songstress Madison Hughes could do the same with her velveteen vocal lines in her latest single, The Heartbreak Kid.

Not one to skate by on her most obvious talent, Hughes always ensures her vignettes come to life in enthrallingly vibrant colour. With her latest slice of Americana, she painted a portrait of the kind of lothario you will always hope to never know while providing pitch-perfect solace to the ones that have been shot with poisoned arrows.

The Florida-residing artist started her journey at 10 years old. Since, she has won over all three judges on NBC’s The Voice, which subsequently resulted in her cover of Knocking on Heaven’s Door being streamed half a million times on YouTube. Her most popular single, You or the Whiskey, found a place on the Billboard “7 Must Hear Country Songs” list and the New Music Friday County Spotify playlist. The Heartbreak Kid is easily deserving of the very same accolades.

Stream The Heartbreak Kid on all major platforms via this link.

Review by Amelia Vandergast

Skip Seattle and Go to the Ozarks for Your 90s Grunge with Jeremy Phillips’ Latest Single, Crazy

Country and Grunge rarely collide, but when they do, as proven by the latest single, Crazy, from Jeremy Phillips and The Ozark Grunge, evocative firestorms spark in the gruff vocal timbre and southern rock riffs, which will take you higher than a billionaire in space.

With the raucousness scouring the soul in Crazy, the hit is rough around all the right edges, but at its core, it’s a heartfelt release strong enough to pick you up off the floor if you reach to it in your lowest moments.

While the lyrics allude to how love is one of the only acceptable forms of madness, the blazingly tight instrumentals, which will throw you right back to the 90s, sell sludged-up sanctuary. While so many artists are keen to assimilate the Seattle grunge sound, Jeremy Phillips proves the distortion sounds just as sweet in the Ozarks.

Crazy is now available to stream on all major platforms via this link.

Review by Amelia Vandergast

Matt Mullins & The Bringdowns harbingered the ‘Beginning of the End’ in their expansively influenced single

Matt Mullins & The Bringdowns may be alt-country at their core, which their single, Beginning of the End, efficaciously signifies but written into the rich tapestry of a single are elements are folk, grunge, psych and new wave indie to create a genre-bending odyssey.

Their stylistic fluidity is one thing; the way they allow emotion to drive the momentum and paint a panoramic portrait of the human psyche and all that defiles and uplifts it is quite another. The Beginning of the End takes a raw and real anxiety for the people prolifically questioning the sustainability of our societies and enraptures the listener away from it all with the unshackling nature of the stellar songwriting.

Beyond the Slash-style soaring guitar solos, the Eddie Vedder-esque gruff vocal timbre, the gangly indie melodies that will appease any fans of the Psychedelic Furs, and the rugged folk elements which reminisce with the tones made iconic by the Levellers lies the true beauty of Matt Mullins & The Bringdowns. For your own sake, experience it for yourselves.

Beginning of the End, along with their latest album, Monarch Sessions, from which it was taken, is now available to stream on Spotify.

Review by Amelia Vandergast

Isiah & The New People started a Western Psych-Folk revolution with their live recording of Hold On

Joined by the conduits of rhythmic virtuosity that make up his live band, the prodigal son of western psych folk, Isiah Driessen, stepped into The Train Station to lay down the licks in his standout single, Hold On.

Hit play and be a fly on the wall to the mind-melting alchemy that spills from the live recording from Isiah & The New People. While the jazzy sax lines feed the seduction, the rhythm section ensures your pulses are tied to the progressions in the laidback but electric hit that kicks up plenty of Western country dirt.

Driessen’s impassionedly strident vocals are the cherry on the psych-folk sonic cake as they alternate between raucously bluesy lines to honeyed harmonies that reach the pinnacle of sweet. If you ever catch someone insinuating that contemporary artists suck because they don’t ‘make them like they used to’, rub this elevated with nuance single in their faces.

Stream the live jam recording of Hold On which premiered on June 9th on YouTube.

Review by Amelia Vandergast

Brandon Bing became the superlative raconteur of country rock gospel in ‘Rat Race’

With one of the most emotive opening guitar melodies we’ve heard in, well, forever, and guitar solos that Slash couldn’t have done better in the middle-eight, which leaves you reaching to crank up the volume, Brandon Bing’s polished country rock vignette of working-class culture in Rat Race is as tenacious as it is electrifying.

It seems somewhat paradoxical to derive so much pleasure from a single which traverses the precariousness of stability for the billions of working-class people trapped in the rat race and numbing themselves by any means necessary, but therein lies the beauty of Brandon Bing as a raconteur of country rock gospel.

It’s a drastic contrast from the last time we heard Bing with his feel-good honkytonk hit, Don’t Bring Your Car to a Rodeo, and while we didn’t dare underestimate his versatility, Rat Race gave us infinitely more than we bargained for with the earworm which starts with an instant hook. Just try telling us he isn’t one of the best contemporary country writers around.

Rat Race was officially released on June 9th; hear it on Spotify.

Review by Amelia Vandergast