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Conor Latcham

Conor Latcham gets into the insidious underbelly of manipulationships with his self-deprecating disco track, Running

The Cardiff-based luminary, Conor Latcham has crooned his way back onto the airwaves with his latest spacey, synthy indie-disco pop track, RUNNING. The single was remotely recorded during lockdown with Marc Hughes (Lewis Capaldi, Tom Odell) on drums and Barry Grint (Beatles, Madonna, Prince) behind the mastering desk.

With the surfy angular guitar motifs around the mash of cosmic pop 80s nostalgia paired with Conor Latcham’s cooler than Alex Cameron vibe and the Arcade Fire-style catchy hooks, Running is infectious from the first hit. Despite the euphoria that effortlessly bleeds from Running, the essence of the single is far darker as it delves into the insidious underbelly of one-sided relationships. It is a masterclass in how to use your wit for closure. Grab a notepad and hit play.

You can feel the self-deprecating disco love for yourselves by heading over to Spotify.

Review by Amelia Vandergast

 

Conor Latcham brings realism to romance with their disco-pop track, ‘Do You Think You’re in Love?’

If you’re still sore from Daft Punk’s disbanding, the sonic indie disco pop grooves in Conor Latcham’s ‘Do You Think You’re in Love?’ brings all of the funk-laden consolation you could possibly ask for.

With Luke Marc Hughes (Tom Odell, Lewis Capaldi) on drums and Barry Grint (Bowie, Prince, Beatles & Oasis) in charge of mastering, the production matched the talent exhibited in the subversively relatable track.

Given the number of love songs hitting the airwaves (probably every second at this point), it’s nice to hear an almost-lovesong. It’s passion-driven; it grooves away from the sickly sweet proclivities of pop that allow all tracks alluding to love to sound like the lyrics were written by Disney screenwriters. We can see how Latcham came about their ‘blue-collar poet’ reputation. We can also see how he is going to take the scene by storm in 2021 and beyond.

You can check out Conor Latcham’s track, released by Trident Records, via Spotify and SoundCloud.

Review by Amelia Vandergast