Browsing Tag

Cinematic Rock

Get ready to rock (opera) with the standout single from Solemn Pledge’s latest concept EP, Hollywood Dreams

Posted on 30 October 2023

A starlet sleeps in ‘Hollywood Dreams’ in the standout rock opera number from Solemn Pledge’s latest concept EP, Anna May Wong: A Screen Icon Story.

There are few things as visceral as the passion that drives us to reach the heights we are born to ascend to; the anthemic orchestration which emanates determination by the cinematic smorgasbord is one of the few exceptions as the NY outfit pays a fittingly strident ode to Hollywood’s first Chinese-American star.

Right from the opening instrumental sequence, you will be catapulted in the captivating hit which puts the guitars in overdrive to give them a fighting chance to dominate the soundscape with Maria Genevieve Elia’s commanding vocal lines which will blindside you with their three-and-a-half octave range.

After the previous EP, which touched on the history of Joan of Arc, we can’t wait to hear the ground Solemn Pledge choose to storm across with their next.

Stream Hollywood Dreams with the rest of the concept EP which dropped on October 20 by heading to Spotify.

Review by Amelia Vandergast

The Cinematic with Soul Alt-Rock Originators, Underblue, Will Wrench Your Heart Strings with ‘Hold On’

Posted on 9 May 2023

‘Hold On’ is the latest slice of filmic funk born from the ingenuity and superlative talent possessed by the NYC alt-rock outfit, Underblue, who have been creating inner-city waves since 2016.

This seminal release is an undeniable testament that it is their time. The soulfully smoky siren-ESQUE vocal lines from Kimberly Torres, the devilishly jazzy basslines from Simon Luk, and the ornate flourishes from keyboardist Ilvi Calderon is almost too much alchemy to handle – almost. Entwined with the guitars that straddle the timbres of the Cramps and My Bloody Valentine and the drums that punctuate the soundscape with flair, Hold On is a progressively interstellar triumph.

With heavy, hopeful, happy, and heart-wrenching being the cornerstones of the ethos behind the upcoming LP, you’re damn right you should save space on your radar for the powerhouse, which has enough innovation between them to rival Mars Volta – not an overstatement.

Hold On will officially release on May 19th followed by the full album on June 9th. Hear it on SoundCloud.

Review by Amelia Vandergast

MOVIE MOVIE shine on in their glamorously cinematic single, Bright Lights

Posted on 11 September 2022
NOW PLAYING by MOVIE MOVIE

Psychedelic Furs fans will want to clamour around the latest glamorously cinematic rock n roll meets power pop single, Bright Lights, from NYC’s new-found finest, MOVIE MOVIE.

With the psychedelically upbeat melodies that come with a swoon-some bite and Beach Boys backing harmonies, objectivity quickly falls to the wayside while Bright Lights is tonally shimmering into your synapses. While the lyrics set up the narrative of a lonesome wannabe starlet, the synths transport you away from this intrepid era and plant you into one where James Dean and Hepburn reigned supreme.

Bright Lights was officially released on July 22nd. Check it out for yourselves on Bandcamp.

Review by Amelia Vandergast

LUXTHEREAL bring in the new wave of classic rock with their ethereal hit, I Got You

Posted on 13 January 2022

After an entrancing synth-driven prelude, the Phoenix-based alt-rock outfit LUXTHEREAL’s standout single, I Got You, grips you with the alchemy that pours from the cinematic cocktail of classic rock, new wave, and post-punk.

The dreamy and ethereal instrumental interludes wrap around the robust vocal timbre of Rachel Guilbault and the increments of classic rock that pull you back to the 80s while simultaneously immersing you in a brand-new sonic world, defined by its emotive gravitas and atmospheric magnetism. Any fans of Christian Death will undoubtedly want to make LUXTHEREAL a firm fixture of their playlists.

I Got You is available to on YouTube and on Spotify.

Review by Amelia Vandergast

Embark on an aural space odyssey with Sunset Afire’s doomy cinematic track, Red Sails

Posted on 21 December 2021
Singularity by Sunset Afire

Doomy, groovy, cinematic tonal palettes feel more fitting than ever, and that’s just what the Brooklyn, New York-hailing post-hardcore outfit, Sunset Afire, delivered with their album, Singularity.

The standout single, Red Sails, is an atmospheric introduction to the nihilistically fuelled minds behind the vicious yet sublimely composed furore in the seminal album.

Rather than going full pedal to the metal, Sunset Afire knew exactly where to throw the fire into the single with the gorgeously layered male and female vocals and where to strip it back to build the tension. Red Sails doesn’t go full-on space odyssey rock opera; instead, it keeps grungy nuances at the heart of the progressively electrifying track that we can’t wait to hear more of. They’ve definitely made an ever-lasting impression with their elevated experimentalism.

Red Sails is now available to stream and download via Bandcamp.

Review by Amelia Vandergast

The award-winning orchestral rock composer Aldo has released his latest cinematic score, Stem the Tide.

Posted on 9 October 2021

There has been an influx of ambient and easy listening music on the airwaves in 2021; it took the talent of pianist, composer and songwriter, Aldo to prove what difference a prodigal touch to a soundscape can make.

His latest progressively orchestral, rock-tinged single, Stem the Tide, starts around ambient piano melodies and flourishes of Celtic culture; even when the momentum starts to build, the sublime tonal bliss goes untarnished. The Emmy award-winners scores have been on countless TV shows and documentaries. He has still found the time to release six albums, all of them containing the same panoramic flair that he is accoladed for in the film and TV music industry. If any artist has the ability to redefine your perception of talent, it is Aldo.

Stem the Tide is now available to stream on Spotify.

Review by Amelia Vandergast

Rock n’ Roll Opera gets overblown and fabulous with ‘The Fortunate Few’

Posted on 26 January 2021

While the lack of lockdown giggery has seen any number of recording projects take shape in home studios the world over, it takes a different kind of boldness to write an hour-and-a-half of brand new rock opera. That, however, is what The Fortunate Few present us with here and…well, it’s ace. Screeching guitar, a perfect Hammond organ part, and stunning male and female vocal parts, this is the opening track to an eighteen-track extravaganza and it sets the tone perfectly; the story begins with Mr. and Mrs. Todd at home, watching television, when a commercial comes on for Bendall’s Clinic…and…we’re off and into the Fortunate Few.

In the not too distant future, babies are grown in clinics and bought like cars or household appliances – sure, it’s easy to draw comparisons to Rocky Horror or Little Shop Of Horrors, although this is closest to the soundtrack to the awesome Circus Of Horrors (there’s perhaps a ‘horror’ theme, here), this is proper bombastic, overblown, 1970’s-style rock pomposity, and frankly it’s absolutely stellar.

Check out the Fortunate Few live, or follow on Facebook or Instagram.

Review by Alex Holmes

Dimitri Toonen – Not Home Today: Cinematically Haunting Prog Rock

Posted on 14 December 2020

Lifelong musician, Dimitri Toonen released their debut Alt Rock album ‘Leave My Mind Sometimes’ on November 20th, discernibly, sharing their soulfully captivating sound with the world was criminally overdue,

Leave My Mind Sometimes could easily rival Porcupine Tree’s album Fear of a Blank Planet in terms of emotivity. Yet, this progressively passionate release sets itself apart with the cavernous, gentle complexity.

The standout single Not Home Today bears none of the hallmarks of a self-produced single. It’s a deftly orchestrated pool of escapism twined with lyricism which compels you to delve deeper into the consciousness-consuming release.

You can check out Not Home Today for yourselves by heading over to Spotify.

Review by Amelia Vandergast