Browsing Tag

Bowling for Soup

Pop-Punk trailblazer, Brooklyn Belton, unveiled the ultimate adversity aftercare anthem, Just Fine

Posted on 27 April 2023

Starting with an instant hook that sounds like it came straight out of the Bowling for Soup arsenal, the debut single, Just Fine, from the Ohio pop-punk trailblazer, Brooklyn Belton, effortlessly became one of our favourite alt-rock earworms of 2023 so far.

With an instrumental arrangement so tight it is practically corseted, Brooklyn Belton polished the punk rock genre with her anthemic slice of stellar songwriting, which won’t fail to leave you galvanised for the way the exhilarant guitars wrap around her lyrics that compel you to pick yourself up, dust yourself off and deal with the cards of adversity your autonomy has dealt you.

When the chorus comes around, you’ll lose yourselves in the euphoric energy while simultaneously finding yourself in the candid introspection that perceptibly oozes from the wounds of a personal battle.

Just Fine hit the airwaves on April 14. Check it out on YouTube.

Review by Amelia Vandergast

Urban Cafe Crew launched a riotous pop-rock attack on society’s most blindly entitled generation with ‘Hey There Boomer, It’s Not OK’

Posted on 19 January 2023

Australia’s wittiest pop-rock outfit Urban Cafe Crew launched a riotous attack on the generation that set every subsequent one up for failure with their latest single, Hey There Boomer, It’s Not OK.

Every millennial and Gen Z can derive vindicating catharsis from the playfully scathing track that finds an antagonistically hooky way of relaying every boomer sin that has left the earth scorched and financial security out of reach for the majority.

But hey, the boomers had it the worst, right? Their determination to make the world worse for their offspring is warranted, right? They have a right to see any signs of social progression and drag it back with their knuckles that have scarcely been lifted off the floor since 1989, right?

Hey There Boomer, It’s Not OK was officially released on January 14th; check it out on SoundCloud.

Review by Amelia Vandergast