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Bonnie Raitt

Leah J Jones captured the grace of grief in her latest single, Saints and Stars

As tenderly compelling as I Will Follow You Into the Dark by Death Cab for Cutie, with all the ethereal iconography and tonality to boot, the latest stripped-back and sonorous score, Saints and Stars, from Leah J Jones strikes all the right evocative chords while establishing the singer-songwriter as the Joni Mitchell of our generation.

With a perfect touch of baroque melancholic malady to tinge the magnetic release with a mournful resonance, it’s impossible not to be affected by this attest to grief which captures the interplay between sorrow and gratitude for what a loved and lost figure granted us with their life. It’s a stunning testament to how influence is one of the few things in this life that isn’t ephemeral. We can’t wait to hear what is in the pipeline from the celestial song crafter.

Saints and Stars was officially released on November 5th; stream it on Spotify.

Review by Amelia Vandergast

Susan Ritchie lit a beacon of tranquillity and wisdom in ‘It’s High Time’

Susan Ritchie, whose name has become synonymous with authentic artistry on the Central CA Coast, lit a beacon of tranquillity and wisdom in the standout single, It’s High Time, taken from her debut album, Life is for the Living. So much more than solely a musical score, it’s a journey into the heart of what it means to find peace and meaning amidst the chaos of modernity.

Ritchie gave the adage ‘live and let live’ brand-new potency within It’s High Time by speaking chapter and verse on how it takes nothing to accept trans men and women who are just looking to align their minds with their appearance. Her ability to weave everyday experiences into her songwriting, while giving a nod to the universal experiences we all share, is on full display here. The song is a reminder to pause, reflect, and embrace the moment, a message that resonates now more than ever when it is too easy to be consumed by the insanity which breeds on every corner of the internet.

The influence of her early inspirations, from James Taylor’s finger-picking to the sweet yet sassy blues of Bonnie Raitt, is evident in the song’s composition. Yet, It’s High Time is unmistakably a Susan Ritchie creation. It’s a song that showcases her evolution as an artist, blending soul, blues, rock, and folk into a seamless and captivating experience.

Regardless of how many people find comfort in Susan Ritchie’s soulfully sonorous sound, she speaks directly to you through the intimacy of her lyrics and the magnetically powerful delivery of her gilded-in-introspective-gold lines.

Stream It’s High Time on Spotify now.

Review by Amelia Vandergast

Tekla Waterfield – Original Lies: 90’s Nostalgic Pop

I grew up on the iconic sounds of 90’s female Pop acts; Texas, Garbage, Catatonia and The Cranberries to name a few. So, when I checked out the fresh new track Original Lies by the sensational Pop act Tekla Waterfield I was blown away by the nostalgia that is entrenched in the sound. She has a unique sensibility to her vocal style, however her vocal range is somewhat reminiscent to one of my favourite current artists Courtney Barnett. Yet it’s clear, that Tekla Waterfield is more than any sound that has been orchestrated before. The singer songwriter found her own essence within her poignantly palpable harmonies which she’s infused with the roots of her Seattle sound. Her sounds tend to bounce between Folk, Jazz, Indie and Blues through her discography proving that she’s one of the most eclectically talented underground artists around today.

With Original Lies, Tekla has created an anthemically catchy Pop hit, complete with an irresistibly catchy chorus that even Kim Gordon would give 5 stars.

Check out the sensational Pop hit Original Lies on SoundCloud:

Review by Amelia Vandergast