The gorgeous vocals and clean production captures your imagination right away as you drift into a visual vortex of emotions that both excites and scares you too. Anaté toys with our emotions to captivating effect here in 2020 with debut song ‘Confusion’.
Anaté is a supremely creative collaboration between elegant singer & songwriter Ana who lives in Paris and Berlin, with Milan based producer Delman handling the soundscapes to electrifying levels of pure enjoyment. You can tell that they share the same vision musically as this is cinematic experience that is so rare and compelling.
“My debut single Confusion talks about duality. It’s about the conflict between what we want and what we are ‘allowed to want’; between who we are and expected to be; between emotion and reason. We all experience moments of inner conflict like that. Confusion explores these contrasting concepts and invites us to embrace both.” – Ana
Set for release on the 28th November 2020, this is a debut track that has so much tease and intrigue already. The deep thoughts of being in that vividly beautiful dreamy world you have created for yourself, while also dealing with what current reality has to offer, has truly opened up your eyes and soul to conflicting emotions.
Anaté’s ‘Confusion’ is an irresistible listen that makes you feel as though you are transporting in the Matrix and can slide from each world as you please. The journey to finally embracing yourself and accepting these thoughts is a long but ultimately self-healing mission. After all, knowing yourself better will help you love deeper and open your heart to many possibilities.
Hear this wonderful creation on Anaté’sSpotify and find out more about their vision on Facebook and IG.
‘Let the Music‘ from Berlin-based Patriziais a fun journey of dreamy pop pureness that will make you smile and possibly dance.
Patrizia was born into an Italian immigrant family who lived in small town Germany. At the age of just 6, she discovered a dance studio. This formed the foundation of meshing music with performance. Her creative ambition was not welcome in her lower working class, suburban world. However, a move to Berlin was on the cards and this would change everything for this young musician. She just wanted to dance and sing. Now, with the freedom to be creative in a safe environment that wasn’t small-minded, she could fully express herself.
I love the pop pureness here, this is about letting the music come to you and not to force anything in life. Just turn the music up and do what come naturally to you as this is the best way to live in life. The beat is so 80’s and this is so great to listen to. There is innocence here, the dancing and fun music resonates in a world that can be so cold.
‘Let the Music‘ from Berlin-based Patrizia is the type of song that makes you happy and smile. Simple pleasures that inspire and makes the day a bit more tolerable. This talented singer & actress has just kissed our ears with this gorgeous song.
Germany-based Sami Simon heals the airwaves with a real gem ‘Morning Sun‘.
Excellent singer-songwriter and multi-instrumentalist Sami Simon creates textured indie folk music with a fondness for lovely yet pained images and deeply personal lyrics. This is an artist that has a voice and sound that makes you a fan very quickly. This is real music that is so rare.
After releasing his debut-EP in 2019 via Amsterdam-based label Revanche Records, Sami left his home city, Berlin, moving to the sunny vineyards of South West Germany. Besides eagerly creating new self-produced songs, Sami Simon works as a music therapist and abstract painter.
With a melody that catches your heart right away, you then hear the crisp vocals of a man who has had a big realization. We are all still alive. Let’s make use of what we have before us no matter the circumstances. Let’s get together as one with that good energy and avoid the negative visuals from a crazy world.
Sami Simon’s ‘Morning Sun‘ is the best song I’ve heard so far in 2020. The peaceful creation from the soulful singer-songwriter is such a piece of art with so much bad news everywhere.
Stevie Bill is a new name is the music scene and she kicks down the door with the excellent ‘Hotel‘.
From Amsterdam to NYC, Stevie Bill’s journey eventually needed her own stories. That time is now and this is a singer with an elegant voice that is so silky and smooth, you could listen to Stevie sing all day and night. This girl can sing and brings her kind authenticity with her.
Born to an English mother and a Dutch father, she moved to buzzing Berlin after her 17th birthday and she soon found herself working in studio’s and writing songs for other artists. While in Berlin, Stevie applied to the prestigious Clive Davis Institute at NYU, New York. She was accepted and moved there in September, at age 19. In New York, Stevie has been working on her project 24/7, collaborating with the writers and producers she met in Amsterdam, Berlin and New York during the last couple of years. Stevie wants her music to be relatable to her peers, telling stories about ambition, self-doubt, friendships and living in a dorm room with strangers.
You feelings cool down and things end too quickly. A few hours before it was all sunsets and clean sheets. The night was young and the hotel was amazing. It was just you two, open windows, kissing but then you start to disagree on silly things. The love was strong and you were falling upwards in love but now its the the complete opposite. Falling downwards but then you realize you are just reminiscing. You are happy now and are with the love of your life, strolling on the beach and looking at the stars.
Stevie Bill is a fantastic singer and I love this debut track. From singing covers, she is showing the world her creativity and she takes full charge here. This is an artist who is getting to know herself and her music reflects her growing maturity.
Alt Rock band Sacred return for deep and meaningful track ”Berlin Wall”. They reminisce about how times were back in the day when the Berlin Wall fell back in 1989 and the whole incredible moment. This was a huge day in the world and very significant in Germany of course. The band speak about the feeling of the locals on that big day and how it changed everything emotionally.
The band have a really good style about them and certainly sound tight as an outfit. This is high tempo Alt Rock that certainly pushes the volume up here. I like the sound of Sacred and they have a huge amount of potential. With a style that is very popular in the US and globally, I see no reason as to why they can’t be a huge name and pick up some incredible festival slots.
With a powerful energy and cutting lyrics, ”Berlin Wall” is a huge song by Sacred that is on a high level and deserves more love.
Berlin-based artist Sidetrack Walker has released their most captivating soundscape to date. Expect the human psyche to stare back at you when you hit play on Will to Leave which is just one of the tracks found on their latest album The Art of Starvation.
The Neo-Classical melodies perfectly capture tense, fraught and honest emotion. Under Sidetrack Walker’s deft orchestration, the progressions spill more resonance than even the most meta of lyrics ever could.
But what blew me away the most about Will to Leave was the sheer distinction. Sidetrack Walker’s tendency to pull from a myriad of genres such as Neo-Classical, Dark Folk and Prog Rock allowed their sound to spill an alchemic amount of atmospheric intensity.
You can stream and download Sidetrack Walker’s single Will to Leave along with the rest of their album which was released on April 24th for yourselves via Bandcamp.
Even before you read anything about the wonderfully titled Vlad In Tears you could have a decent stab at the fact that they hail from Europe, German even and you might even be confident enough to suggest Berlin. And you would be right. There is something in their sound which seems to scream “Old World” and those dark corners which sit perpetually across some of its oldest cities.
If the bands name seem to suggest something aimed at the black clad, wannabe pagans who still have visions of relocating to Sunnydale and hanging around with Buffy and the gang, I am most happy to report that Vlad In Tears rise far above such first impressions. Give the music a spin and you find yourself in a dark and emotive alt-rock soundscape. Even the term gothic, as a genre at least, is slightly amiss here, for it neither fits in with the old-school post-punk movement or the metal sub-genre it has since become. If it is gothic at all it is more in the literary sense, painting dark mystique, broken romanticism and haunted emotions across its musical canvas.
Rap music is built around big beats and bombast, vibrant sounds and lyrical onslaughts, right? Well, not always. With No Chain Uncle True shows us an alternative path one that is more about space and minimalism than the full on musical salvo’s that we have come to expect. Starting with lilting, almost music box piano tunes and haunting synth washes, even when the song kicks in properly it only adds skittering staccato beats and the rapped lyrics and little else.
It is the space that makes things more powerful, the focus is always on the lyrics and not on the usual studio gimmicks and technical trickery that many artists resort to. Where this fits in to the scheme of things is anyones guess but someone has to be the first to blaze a trail through new territory and that may well be Uncle True’s legacy. When ambient rap or whatever future journalist end up calling it is the fashion of the future, Uncle True will be the cult figure that every one will claim they heard first.
Earlier this year Dawn (Dawn Music from Berlin) hit us with a 7 minute track that will make you revaluate every electronica track you’ve ever listened to. His ground-breaking track ‘Abyss’ reaches into your subconscious without your permission, and takes you on a transgressive road of empyreal chaos with its complex experimental and analogue sound.
The German’s certainly do have the rest of the world beat when it comes to any form of electronic music, Dawn from Berlin is no exception. He’s been creating, producing & remixing music since 2000 and has become a household name in Germany for his progressive style, dabbling with techno, electro & experimental. He’s also known for his mixing talent and has in the past worked with; Depeche Mode, Nine Inch Nails, New Order, Mutemath and many others.
Abyss is futuristic yet reminiscent of the traditional electro style. There’s almost a ‘War of The Worlds’ sound lingering throughout the progression of the track. It’s upbeat sounds are teased with trepidation in the perpetual drone that’s present throughout the track, as it ebbs and flows with flawless breakdowns to leave you at the edge of your seat. As you’d expect with a longer track, it hits you like a tonne of bricks, the music is orchestrated with so much vivacity that it’s impossible not to become immersed.
When you have your roots in two of the coolest cities on the planet, namely Berlin and San Francisco, it follows that something musically interesting is on the cards, just by virtue of having soaked up a certain creative vibe which hangs in the air of such cities. Golden Heart is a wonderful mix of slick 80’s pop and a modern hazy indie sound which seems to channel those past musical glories.
It is built on a wave of beautiful understatement and elegant strings, funky beats and gorgeously ethereal vocals which seem often to be happy just to punctuate the music rather than dominate it. If music ever summed up the places it inhabits then White Night are the perfect example, the classical grandeur of the old world meeting the exploratory nature of the new, the tight, electro-pop of the German musical story meeting the looser spirit of the American west coast. But this isn’t music which in anyway sounds retro because of its influences, if anything it is more forward thinking than any of its contemporaries and that is the perfect evolution for pop music.