Browsing Tag

Beat Maker

Annava & Calmea delivered a hypersonic K-Pop/Hip-Hop mash-up with their infectiously fresh single, PARALLEL WORLDパラレルワールド

For his latest single, PARALLEL WORLDパラレルワールド, the US record producer and DJ Annava fused his beats with the razor-sharp bars of rapper Calmea to orchestrate a hypersonic earworm drenched in infectiously fresh K-Pop flavour. The distinction within the production was all too fitting with the titular theme; within parallel worlds, few things are completely uniform; this is inventively visualised within the arrangement and the authenticity of the track.

With Annava’s discography delivering everything from happy hardcore to hyper pop, the unleashing of PARALLEL WORLDパラレルワールド was an unexpected move, but one which notably resonated with his growing fanbase who can’t tear themselves away from the energy he brings to every release. By blending exhilaration with melodic precision, the up-and-coming artist is making a name for himself on the airwaves and beyond.

PARALLEL WORLDパラレルワールド is now available to stream on Spotify.

Review by Amelia Vandergast

JAIZE became the voice of reason and rebellion in his standout rap track, FIRE.wav, ft Kwillo

JAIZE, hailing from ATX and one-half of the hip-hop duo Global Octopus, has delivered a potent and thought-provoking track with FIRE.wav from his eponymous EP. Featuring Kwillo, this single is a wavy meditation on the tumultuous times we find ourselves in, a reflection of the chaos and the quest for solace amidst it.

The track stands out for its unflinching stance on the humanitarian crisis in Palestine, a topic many artists shy away from. JAIZE, with his glitchy yet luxurious production, creates a soundscape that visualises the struggle to achieve mental equilibrium in times which normalise humanitarian crimes. His rap bars, delivered with a flawless and steady urgency, do more than just provoke thought; they ignite a fire within, challenging listeners to question and dismantle the oppressive constructs around us.

FIRE.wav is reminiscent of Kanye and Jay Z, yet JAIZE brings fresh conviction to the table while allowing his music to unravel as an authentic expression of himself.  This track is a bold statement, a testament to JAIZE’s ability to blend personal introspection with broader social commentary.

With his self-titled EP, JAIZE has not only created a compelling piece of music but has also positioned himself as a voice of reason and rebellion in an era saturated by superficial sonic themes. His hands-on approach to the EP, handling all the mixing and mastering for the first two tracks, and collaborating with Kwillo for the last three, showcases his dedication to his craft. He’s only going to get bigger from here.

Stream the JAIZE EP which dropped on December 15 on Spotify.

Review by Amelia Vandergast

Emanuel Arzumanyan freed his listeners from the comparison trap with his hip-hop track, Gotta Get Mine ft Mr Maph

For his latest single and most popular hit to date, Gotta Get Mine, the Antwerp, Belgium-based beat maker, hip-hop producer, guitarist, and audio engineer, Emanuel Arzumanyan, collaborated with the London-based trailblazer of a lyricist and vocalist Mr Maph to deliver a high-octane rap track that will leave you adrenalized with inspiration.

The reprise “gotta get mine, gotta get yours” over the cinematically Grammy-worthy hip-hop orchestration is an efficaciously succinct way to veer listeners away from envy and the comparison trap and towards determination that doesn’t revolve around anticipating and facilitating the downfall of others.

Gotta Get Mine evades all of the usual tropes to unravel as a hit that delivers introspective gold over each of the expertly crafted hooks that will remain sharp enough in your mind to necessitate making Gotta Get Mine a playlist staple.

Stream Gotta Get Mine on Spotify and follow Emanuel Arzumanyan on Instagram.

Review by Amelia Vandergast

Dooplex proves that patience is a virtue with his exploratively eclectic electronica release, It Will Click

When he’s not composing film scores for shorts and feature films, the independent eclectic electronica artist and producer Dooplex is lacing the airwaves with Cubase 12-crafted soundscapes. His latest single, It Will Click, delivers the instrumental affirmation that happiness isn’t something to be chased; it comes to those who know that patience is a virtue.

What starts as an ambient tentative meander breaks into a breakbeat exploration, guided by tropic percussion that is sure to leave serotonin firing between your synapses. The short and sweet release follows his hit remix of Stay Alive, which amassed Dooplex 230,000 streams on SoundCloud alone. On the basis of It Will Click alone, future viral fame is undoubtedly in the artist’s future again.

It Will Click is now available to stream on SoundCloud.

Review by Amelia Vandergast

Crillfingers brings in the future of Hip Hop with “Redemption”

https://soundcloud.com/crillfingers/crillfingers-redemption

If you’re looking for redemption in the form of a wit-soaked atmospheric feat of Alt Hip Hop, hit play on the latest colossal drop from the trailblazing artist Crillfingers.

If you thought Saul Williams could achieve an enticingly ominous tone, you may just feel chills creeping across you as you follow the fast-paced progressions in Redemption which comes with complete with an entrancingly tribalistic feel.

When most Rap artist claim that their sound is the future, they’re usually wrong. But God damn, it’s hard to argue with Crillfingers after they dropped Redemption in Sept 2020. Get them on your radar.

You can check out Redemption for yourselves by heading over to SoundCloud now.

Review by Amelia Vandergast

Sai inspires optimism with their standout downtempo Hip Hop track “Blessings in Time”

https://music.apple.com/us/album/blessings-in-time/1520355592?i=1520355594

2020 has sucked in pretty much every capacity aside from the new music is being born from these perplexing and anger-inducing times. Breaking Hip Hop artist Sai dropped their new album on XVII on July 10th and poured some much-needed soul onto the airwaves.

Each of the tracks on the release possesses the ability to leave you feeling uplifted, but you’ll practically reach a new plateau when you hit play on Blessings in Time. The Jazz-laden downtempo feat of RnB-infused Hip Hop feels more insightful and inspirational with every listen. And that’s not the only reason while you’ll want to give Blessings in Time plenty of repeat attention.

The authentic, accessible and expressive mix is exactly the kind of music we need on the airwaves today. It’s raw, it’s honest, it’s humble, but most importantly, it has the potential to organically offer good vibes.

You can check out Sai’s single Blessings in Time via Apple Music now.

Review by Amelia Vandergast

BiggslimeMO has given the evolution of Hip Hop a brand-new direction with “On the Way”

https://soundcloud.com/bigslimemo/biggslimemo-on-the-way

Floridian Rap artist BiggslimeMO has dropped one of the freshest new evolutions in Hip Hop we’ve heard so far this year. On the Way may just have the power to unite fans of the Old School with Trap kids.

With their most arrestive track released to date, you’ve got the fresh, snappy, high-vibe instrumentals paired with clean, steady and notably ingenious Rap bars. Yet, the first thing that will hit you when you hit play on the smooth and polished mix is the vibe which BiggslimeMO effortlessly offers. They’ve dialled back the swagger to serve up a lyrically raw and laidback feat of Hip Hop which feels more candid and intimate with every listen.

You can check out BiggslimeMO’s latest single for yourselves by heading over to Spotify now.

Review by Amelia Vandergast

Haji Outlaw brings out a song to bounce to with ‘Tits No Bible’

Haji Outlaw returns with a song like no other I’ve ever heard on ‘Tits No Bible‘.

Haji Outlaw is a beat maker, comedian and also an established writer. His artistry has contributed to The Eric Andre Show along with other television networks.

The soulful Haji has a deep voice that bellows through the speakers on this one. The 1 minute 49 minute song holds in the air and you get sidetracked as memories of a party start to hold. The mood is full of candles and dim lit to encapsulate the fire of the night. This feels like a song made in the 50’s and is full of appreciation for the ladies.

Haji Outlaw’s ‘Tits No Bible‘ is an ode to the underground soul artist that make music that they love and don’t make music for radio. He is an outlaw of the music scene and this is fine by him.

Stream here on Spotify.

Head to Insta to find out more.

Reviewed by Llewelyn Screen