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Bear Witness

Bear Witness ticked the underbelly of madness with their addictively grooved alt-rock hit, INSANE

The Brighton-based brother duo, Bear Witness, tickled the soft underbelly of madness in their latest addictively grooved alt-rock hit, INSANE, which unravels as an arm wrestle between the strength of the hooks and riffs.

The hooks may have a slight advantage through their ability to pull you right into the riled core of the exhilarating feat of soul, but the tensile technicality of the supernovically overdriven guitars still plays an absorbing part in this candidly un-candied window into entropy.

The electronic synthetics of the track may allow INSANE to flirt with the post-rock genre, but rock fans will never have been seduced in this vein before. It’s a mainline of pure resonance that affirms Bear Witness is one to watch.

INSANE hit the airwaves on March 31; hear it on Spotify.

Review by Amelia Vandergast

The UK’s most promising electronic post-rock pioneers, Bear Witness, have released their temperamentally visceral stormer, Thorn in My Side

Bear Witness

If you ever found yourself with a soft spot for Celldweller, Highly Suspect or InMe, the Brighton-based Electronic Alt-Rock duo, Bear Witness have exactly what it takes to rekindle your affinity for viscerally raw turbulent tracks. Their latest single, Thorn in My Side, is practically post-rock pornography.

Around the overdriven scuzzy guitar riffs, there’s enough of a melody to leave you hooked in the temperamental rhythms, and perceptibly, Bear Witness know just how to use spatial effect and build tension throughout their sonic stormer.

Unsurprisingly, we aren’t the only ones hooked on Bear Witness’ refreshing candour and blisteringly off-kilter signature sound. They’ve already been lauded by the BBC, played to crowds at The Camden Assembly, and are currently semi-finalists in the Isle of Wight Festival’s New Blood competition.

Thorn in My Side will officially release on April 15th. You can check it out for yourselves by heading over to Bandcamp.

Review by Amelia Vandergast