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Bass House

Sonic Alchemy: An Interview with KASIA on Weaving Spirituality into Music

In this enlightening interview with A&R Factory, artist KASIA opened up about her latest single, “Heartstrings,” and its deep-rooted connection to her spiritual journey in music. She reveals how her songs, emerging from personal struggles, have become a sanctuary for healing, with a special focus on the transformative power of specific musical frequencies.

The interview promises an intimate glimpse into her artistic evolution and the profound impact of her music on both personal growth and the collective human experience.

KASIA, welcome to A&R Factory! Can you share the story behind your latest single and music video, “Heartstrings”; where did the inspiration come from? 

“The inspiration behind my latest single and music video, “Heartstrings,” comes from personal experiences, as most of my songs do. The lyrics were born out of a pretty bad relationship, where I found myself struggling with difficult emotions. Throughout my life, music has served as my safe place, providing a certain protection from harsh realities. In many ways, music has been my reality, offering a means of expression and understanding in the face of adversity.”

How has music helped to shape your healing journey? And how important is it for you to light the path towards empowerment for your listeners? 

“Music has played a huge role in my healing journey, serving as a powerful form of catharsis and expression. It’s difficult to fully articulate the transformative effect that music has had on me. There’s a certain magic that occurs when you listen to music in specific frequencies. While most modern music is tuned to 440 Hz, which can sometimes evoke a sense of melancholy, I’ve found that music tuned to 432 Hz resonates more harmoniously with the energy of the Earth. Many older pieces of music were tuned to this frequency, and I tend to use it for my own work, including tuning my healing instruments to 432 Hz.

The impact of music extends beyond mere sound waves; it can deeply affect us on physical, emotional, and spiritual levels. For me, creating and listening to music in these frequencies has been a source of profound healing and growth. As an artist, I feel a responsibility to not only share my personal journey through lyrics and music but also to be vulnerable and real with people – hopefully to the effect of empowering my listeners.”

Your goal is to create a spiritual and energising journey through your music. How do you incorporate this intention into your creative process?

“Creating a spiritual and energizing journey through my music is paramount to me. I focus on making empowering lyrics that resonate with listeners on a deeper level. I integrate the ethereal tones of sound bowls into my electronic productions using Ableton. My creative process is deeply intertwined with meditation and spending time in nature, where I find wisdom and inspiration. Through the practice of gnosis, a process of inner exploration and connection with our higher selves and nature, I tap into somewhat hidden creative expression. I want to authentically express myself while offering something meaningful to others on their individual paths. I believe that music serves as a conduit to higher states of consciousness and my goal is to channel that energy and share it with my audience.”

How did you come about developing your unique blend of house, bass house and pop? Were there any particular influences which shaped it? 

“My musical journey has been a fusion of diverse influences. Growing up, I was drawn to pop icons like The Spice Girls and Britney Spears, followed by a deep dive into hip-hop with artists such as Biggie, Tupac, WestSide Connection, Naz, and J Cole during my high school years. As I matured, I became more drawn towards house music. It was during this phase that I connected with the producer of Fan Death, SZAM, who invited me to step in as the lead singer, replacing Dandi Wind. Fan Death’s synth-pop style marked a pivotal moment in my musical evolution.

The more I got to know Vancouver’s music scene, I discovered a blend of techno and house influences. Although I wasn’t initially drawn to techno, I found my niche in Bass House, a genre that merges elements of house, pop, and rap. My journey is driven by a genuine love for music and a desire to create something uniquely mine. Recently, I’ve been particularly drawn to the lyrical style of Caroline Polachek.”

How indicative is “Heartstrings” of what is to come from your debut album? Which other themes does your LP explore? 

“While “Heartstrings” serves as a starting point, it’s just a glimpse of what’s to come with my debut album. I see it as an opportunity to test the waters, to gauge reactions to both my music and the visuals I create. Part of me is inclined to wait until there’s a readiness from the audience, while another part recognizes that significant change often arises from bold actions, regardless of initial readiness. As Theodore Roosevelt aptly said, ‘It’s not the critic who counts.’ So, while “Heartstrings” sets the tone, my debut album will delve deeper into a range of themes, exploring aspects of personal growth, resilience, and the human/spiritual experience.”

Did your transition from being a lead singer in a synth-pop band to becoming a music producer influence your current style? 

“The transition from being the lead singer of a synth-pop band to stepping into the role of a music producer has profoundly shaped my artistic trajectory. Fan Death was my first experience writing and recording professional music. I learnt what a DAW was and how to use it! Fan Death truly served as a pivotal chapter in my musical evolution.

Despite the stylistic differences between synth-pop and my current direction, I owe a great deal to SZAM, the creator and producer of Fan Death. The band imparted invaluable knowledge and skills. Looking back, Fan Death was ahead of its time, and I often reflect on the synchronicities and patterns that have guided my journey towards future endeavors.”

You’ve had your fair share of high-profile live performances; do you prefer writing music or performing and seeing first-hand the effects of your music on your fans? 

“Thank you for the question! It’s a tough call because I genuinely love both aspects. On one hand, there’s nothing quite like the energy of performing live and connecting with fans face-to-face. Witnessing firsthand the impact my music has on them is truly special. But then, there’s also something incredibly fulfilling about being in my element – in the studio, wearing my glasses and hoodie, lost in the creative process of making music. I find joy in every aspect of my artistry, including dreaming up music videos and bringing my vision to life through visuals.”

As a delegate of The Canadian Academy of Recording Arts and Sciences, what insights have you gained about the music industry?

“Just being around other artists pursuing similar goals is such an amazing experience. The most profound insight I’ve gained revolves around the power of community within the music industry. Coming from a small town where artistic pursuits were rare, I often felt isolated in my passion for music. However, being surrounded by other artists who share similar aspirations has been so refreshing. The opportunity to connect with full-time artists who understand the language of creativity has been incredibly inspiring. It’s a reminder that I’m not alone in this journey and that there’s this supportive community, rallying behind each other’s artistic pursuits.”

Stream KASIA’s latest music video on YouTube now.

Interview by Amelia Vandergast

Zazen gave FAULHABER’s ‘Go Ahead Now’ a bass-drenched future house feel with his remix.

https://soundcloud.com/iamzazen/go-ahead-now-feat-faulhaber-zazen-remix

Washington DC hailing artist and producer Zazen made the basslines even deeper in his remix of the world-renowned Dutch DJ and EDM producer FAULHABER’s seminal single, Go Ahead Now. The original was a fine feat of Euro-dance; under Zazen’s production, the track became infinitely more captivating with the ominous layers of reverb over dark tones and the breaks that became infinitely more extreme.

Since 2012, the independent artist, Zazen, has become renowned for his dynamic style that fuses future house with hard kicks and clean bass lines. For anyone who likes their EDM on the filthier side, you’ll find plenty of playlist stapes in his collection of original tracks and remixes.

You can stream Zazen’s remix of Go Ahead Now via SoundCloud.

Review by Amelia Vandergast

HeartFace wants a taste in his hardstyle techno-pop track, Lick It.

Hedonistic tracks are often hit or miss, but HeartFace is right on the money with his infectiously salacious hardstyle techno-pop track, Lick It, which lyrically gives WAP a run for its money. Fans of LMFAO, Showtek, Pitbull and Dickheadz will want to refresh their playlists with the X-rated danceable drop. When Lick it drops in clubs, inhibition will soon fall away from the dancefloor.

Lick It takes a very different tone to HeartFace’s previous releases, but we’re stoked to see him back on the airwaves after a two-year stint. We can’t wait to hear what follows after he has set the bar so anthemically high.

Get a taste for yourselves by heading over to Spotify.

Review by Amelia Vandergast

RudeBrutal – Sun & Bass: Indie-Dance Tech-House

Enliven your Drum n Bass playlists with RudeBrutal’s ensnaring new track, Sun & Bass, which was inspired by a sunset over the Danube river.

Very few things can top the vibrant and fiery beauty of a sunset, but RudeBrutal manages to eclipse it with his bass-drenched beats and shimmering synths that lay in a bed of pulsating deep tech breakbeat rhythms.

During his long and colourful career in the music industry, RudeBrutal has been an on-air-DJ, sound editor and recording engineer. He has composed and produced for musicals, other artists and theatre. In 2000, he took a short break from the aural world to hone in on his video production skills. In 2014, he returned to the music industry with his unique indie-dance tech-house sound that we can’t wait to hear more of.

Sun & Bass is now available to stream on SoundCloud. Or you can check out the official video on YouTube.

Review by Amelia Vandergast

shoegazer brings in the future of bass house with his latest single, ‘Modest Revolt’.

shoegazer

Tokyo-based music producer shoegazer’s eclectic style fuses ethereal ambience and unbridled energy with aggressively caustic textures to deliver a multifaceted sound that is only synonymous with his moniker.

His latest release, Modest Revolt, is a progressively electrifying hit that doesn’t discriminate on the genres under the EDM umbrella it draws from. With euphoric bass house-style drops and glitchy increments of dub house, Modest Revolt is an aural force to be reckoned with.

Many artists may have started to take the multi-genre approach, but very few can seamlessly meld the contrasting textures and make a hit that would make a dancefloor writhe like shoegazer can.

Modest Revolt is due for release on July 16th; check out shoegazer on Soundcloud.

Review by Amelia Vandergast

Tropic house fuses with blues in Lekna’s latest single, ‘Want It’, featuring Liel Bar-Z.

London-based EDM producer and guitarist, Lekna’s latest single, ‘Want It’, may unravel as a definitive tropical house mix, but pay close attention to the shimmering melodies, and you will find that the notes pull themselves up from the roots of blues.

Liel Bar-Z’s mesmerising vocals don’t dominate the mix, instead, the harmonic effect-laden vocal notes seem to seamlessly breathe around the ardent and arrestive beats that will make sure that your rhythmic pulses are interconnected with the bassline far before the drops start to open up aural rabbit holes beneath you.

With plenty more mixes locked and loaded, and plans to release an EP in 2022, Lekna deserves a spot on your radar.

Want It will be available to stream from June 4th. You’ll be able to check it out for yourselves by heading over to Soundcloud.

Review by Amelia Vandergast

PvssyCat – The Pvssycat Project: Ingeniously Crafted EDM Hip Hop Insanity

If you like to know where tracks are going to take you from the first time of listening, PvssyCat’s debut album “The PvssyCat Project” definitely isn’t for you. Alternatively, if you love nothing more than ingeniously crafted aural insanity, prepare to be blown away.

The majority of music which we hear usually merges at least two genres together. But you’ve never heard experimentalism quite like this before. Context-less vocal samples weave their way into the mix as the futuristic EDM Hip Hop instrumentals carve plenty of their own insanity.

There’s no way of knowing where the mercilessly fast-paced bass-soaked tracks will take you next. But if one thing is strikingly clear, it’s that this up and coming artist is worth having on your radar. Especially if you’re as keen as us to stick your teeth into truly distinctive tracks.

You can check out PvssyCat’s debut album for yourselves by heading over to Spotify now.

Review by Amelia Vandergast

G-Candy Releases Their Second Progressive Bass-Drenched EDM Mix “Welcome”

Up and coming artist G-Candy has recently dropped their latest instrumental EDM mix “Welcome” if you’re looking for sharp hooks and soul-shattering basslines, look no further.

Even though the instrumental mix contains some unholily filthy bass-drenched drops, there’s also plenty of smooth and transient breaks in between which make the drops even more caustically captivating. Each new progression in Welcome serves to bring you closer into the blistering, reverberating rhythm. It wouldn’t be a stretch to call Welcome an ingenious hit. There’s no denying that Welcome is an incredibly danceable mix when the rhythm is in full flow. It’s going to pretty exciting to see where G-Candy takes their deep bass-driven House sound next.

You can check out G-Candy’s second single Welcome for yourselves by heading over to Spotify now.

Review by Amelia Vandergast