Browsing Tag

Angel Olsen

The West Australian Alt-Country Singer-Songwriter, Siobhan Cotchin, Takes us to Tucson in Her Latest Ethereally Luminous Release

After garnering over 100k streams on Spotify with her 2020 single Do You Know What I Mean? Siobhan Cotchin has returned to the airwaves with her ethereally bluesy Americana single, Tucson. It will undoubtedly be a hit with fans of Big Thief, Angel Olsen and Bonny Light Horsemen.

The West Australian alt-country/rock singer-songwriter’s career has already taken off in Australia. Based on the luminous accordance of Tucson, paired with Cotchin’s determination to weave immersive introspective narratives, she has everything it takes to become an international country-rock icon. In a similar style to Kurt Vile, the award-winning artist caresses the roots of Americana while securing its place in the 21st-century. Her minimalist angular melodies fall into the cavernous production just as succinctly as the lyrics that allude to the subjective desolateness of Tucson.

Tuscon is now available to stream and purchase on all major platforms via this link.

Review by Amelia Vandergast

 

Alternative singer-songwriter Laura Lang shares artful introspection in her debut single, Lithium

Tennessee-based independent singer-songwriter and multi-instrumentalist, Laura Lang is fresh from the release of her debut single, Lithium. With a voice as arresting as Angel Olsen and Phoebe Bridgers and the artful baroque nuances, you can’t help getting caught up in the captivating chord structures paired with the pop-inspired melodies.

After a melancholy bleeding intro, Lithium shifts into a testament of Lang’s introspective intellect, creative imagination and ability to create an ethereally captivating soundscape from the unravelling of her emotions.

With her debut album, All Downhill from There, which promises to echo suffering, beauty and nature due for release in January 2022, saving space on your radar for Laura Lang will undoubtedly pay off. Her debut single, Lithium, is now available to stream on Spotify.

Review by Amelia Vandergast

Natalie Lane has released the bitter-sweet dark-pop ballad of the year with ‘Lonely’.

Californian singer-songwriter, Natalie Lane, has released her most captivating single to date with ‘Lonely’. The experimentally stormy production of the atmospheric downtempo ballad amplifies the intensity of the confessionally raw single to a visceral degree.

With a sonic style that sits in between Angel Olsen, St. Vincent and Billie Eilish combined with hints of bluesy Americana, Natalie Lane’s alchemic single hits like no other. It’s heart-wrenching tracks like this that take the stigma away from the admission of loneliness. Given that loneliness is a fundamental part of our human existence, we’re sure the weight in this track will resonate with anyone that takes a chance on it.

The official video for Lonely premiered on October 2nd; you can check it out for yourselves via YouTube.

Review by Amelia Vandergast

Fair Verona – Egomaniac: Film Noir Folk Pop

Egomaniac by Fair Verona

The atmospheric air in Fair Verona’s latest single, Egomaniac, comes with a tinge of archaicism yet the ethereally melodic soundscape finds itself in tune with the contemporary moody indie-pop sound.

The alternative duo comprises Mickey Vaughan (lead vocals, piano and guitar) and Maxwell Mandell (drums and production). Their profound collaborative chemistry resides in the way the instrumentals, vocals, and production share the same alchemically morose, haunting feel. Egomaniac is mellow and cutting all in equal measure. Fans of Sophe Luxe, Angel Olsen, and Phoebe Bridgers will want to make room on their radars for the Charlottesville, Virginia-residing duo with their vintagely modern sound.

The explicit version and the radio-friendly version of Egomaniac are both available to stream and purchase via Bandcamp.

Review by Amelia Vandergast

Vincent Sonder lights up our day with ‘Camel Lights’

In his day job, Vincent Sonder – the alter-ego of celebrated filmmaker Joe Connor – has worked with bands as diverse as The Rolling Stones, Sam Smith, Coldplay, Paul Weller, The Maccabees, and Placebo (among others), and that shoulder-rubbing pedigree has obviously stood him in good stead when it comes to his own creative flow. Recorded in 2017 but only now available across streaming services, ‘Vincent Sonder’ the album is a gorgeous, glorious affair, and ‘Camel Lights’ is a perfect introduction.

Beautiful, exquisite piano accompanies Sonder’s mellow storytelling vocal, the lyrical flow creating a perfect mood of contemplation and reverie, dreamlike and meditative, with a narrative feel that tells the story of ‘the memory of a man that I can’t find’. It’s bewitching, evocative, and anecdotal, made all the more memorable by the interplay with the second, female vocal intertwined between Sonder’s lead and those plaintive minor piano chords; you listen, and you can practically see cigarette smoke drifting from a discarded ashtray, monochrome, in the rain. It’s beautiful.

Follow Vincent Sonder on Instagram; hear ‘Camel Lights’, and the rest of the album, on Spotify.

Review by Alex Holmes

Clara Day has made her hauntingly hypnotic debut with ‘The Ritual’

https://claraday.bandcamp.com/?fbclid=IwAR0Y1uPgteh4QQ3rg5njzWJtND5tV-lxq1ovg-UNyJVPOc-QfxlyShf_L-U

Bristol-based singer-songwriter, Clara Day, made her debut with the stunning Psych Folk single, ‘The Ritual’, on December 17th, without a hint of hyperbole, it may be the most enthralling single released in 2020.

By taking inspiration from 70s folk horror films, Clara Day was able to bring hypnotically hexing energy to the ambient semi-orchestral single which oozes sensuality, beguile and tender intimacy, all in equal measure.

Any fans of Mazzy Star, Angel Olsen and Big Thief will find Clara Day’s haunting vocal timbre just as enchanting. Yet, with the celestial psychedelia which the singer-songwriter brings to her transfixing sound, there’s an extra layer of alchemy to sink your teeth into.

You can check out The Ritual for yourselves by heading over to Bandcamp now.

Review by Amelia Vandergast