Browsing Tag

Analog Synths

Plaedoha flirts with future pasts in the euphoric escapism of the synth score, Opening Sky

Plaedoha slathered their standout instrumental single Opening Sky in retrofuturist euphoria, inducing a heady dose of nostalgia through twilight-beckoning synths that strobe and stab their way into your rhythmic pulses and pleasure senses.

There are swathes of scintillation writhing within the mellifluous production, but Plaedoha never lets the sci-fi aesthetics overpower the mix. The synths don’t serve as a novelty throwback; they’re tools of immersion, pulling you into a starlit atmosphere where the past and the future hold hands across an 80s-lit dreamscape. The production is drenched in cinematic serenity, yet a steady current of momentum flows beneath, giving the piece a sense of purpose without needing to shout about it. It never tries too hard to dazzle, it simply envelops.

Opening Sky plays out like an invitation to drift beyond what your senses can grasp. There’s restraint in the sparkle, control in the cosmic alchemy, and enough mood architecture to trigger personal projection. The track lays out the blueprint for escape, then disappears into its own synthesised sunset.

Based in the world of electronic composition and analogue ingenuity, Plaedoha’s aesthetic touches on sci-fi without slipping into caricature. It’s as much about tone and mood as it is about melody and structure. Opening Sky is the ultimate spectral portal for anyone who has ever chased the ecstasy of soundwaves that shimmer like chrome.

Opening Sky is now available on all major streaming platforms, including YouTube.

Review by Amelia Vandergast

Synth yourself to sleep with Curtis Melton’s Firefly Lullaby

The endlessly accoladed American composer, conductor and music educator Curtis Melton dusted off his analogue synths to orchestrate the ultimate instrumental soundtrack to synth yourself to sleep.

Firefly Lullaby is a definitively 80s ambient score with majestic overtones that invite you into a scintillating fantasia of pop and romanticism-soaked synthwave; insomnia doesn’t stand a chance against the glistening motifs and crescendos that are endlessly efficacious in their ability to allow your subconscious to take the lead.

His sonic scores are achievements standing alone. In addition to them, in 2015, he was nominated for “Best Original Score” at the Idyllwild International Film Festival, in the same year, he won “Best Original Song” at the Las Vegas 48 Hour Film Festival. He was named a finalist in the Ravel Association International Soundtrack Competition in Italy in 2016, and was named a semi-finalist in The American Prize Composer Competition in 2018 for his original works “The Genesis Effect” and “Forever Through The Fire”.

Firefly Lullaby hit the airwaves on May 1; hear it on YouTube.

Review by Amelia Vandergast

Victor Bomi unveiled a spectre of synaesthesia in his latest cinematic synth single, Above and Below

Above and Below is the latest temperately scintillating feat of alt-electronica from the producer Victor Bomi, best known for his collaborations with Universal, Sony and Virgin Records. Now working on his solo work, he’s allowing his autonomy to make strides in his music which is a spectre of synaesthesia.

The supple synth melodies kaleidoscopically create bursts of euphonic energy against the robust rhythms, despite the minimalism. It isn’t every day that you aurally amble across an artist who brings out the softer side of electronica; the Italy, Russia and France descending artist clearly knows how to breed intimacy within his productions that manifest through his love of cinema and synths.

Above and Below was officially released on September 21st; add it to your Spotify playlists.

Review by Amelia Vandergast

Ivar Kangur – Crossing Oceans: an 80s soundtrack to synaesthesia

In one of the most cinematic synthpop scores you could ever hope to immerse yourself within, Crossing Oceans, taken from Ivan Kangur’s 2022 album, Anno Domini, is an 80s soundtrack to synaesthesia.

After taking up classical piano at the age of 14 at the Royal Conservatory of music and working his way through his grades, he discovered his passion for composition, which ultimately saw him joining a new wave band in the 80s and film scoring. His third album, Anno Domini, is a continuation of his love of pop and sonic cinematics; from the first hammer of the analog synth, Crossing Oceans, keeps true to its titular nomination; the strident progressions break borders in the universality of their appeal. Delve right in; the water is lovely.

Crossing Oceans is now available to stream on Spotify.

Review by Amelia Vandergast