Browsing Tag

americana

Mikey Wayne – Coming Home: A Cuttingly Flawless Folk Confession

Mikey Wayne’s latest single, Coming Home, stands out as a remarkable addition to the folk genre, exuding a sincerity that captivates from the first chord. This single, a confluence of Nashville country and Wayne’s Southern Californian and Alabaman influences, offers an intimate glimpse into the soul of its creator.

The song’s strength lies in its raw honesty and the profound way Wayne owns his imperfections. He eloquently expresses the nuances of a relationship’s push and pull, encapsulating the struggle and beauty of growth within a partnership. Lyrics such as “If you’ll have me baby, I’m coming home” cuts like a knife of resonance while the gentle tenacity in the acoustic guitar strings amplifies the precision of the incision by echoing the universal yearning for acceptance and love. He may not have spoken for us all word for word, but we can all find a piece of ourselves within the single.

The official music video for Coming Home, which was recorded in Echo Mountain Studios, premiered on YouTube on January 26th.

Review by Amelia Vandergast

Meet the mess of mortality in Chris Cummings and the Way’s tenaciously tongue-in-cheek Americana rock instant classic,  I’m Still Alive

In an era when coming to grips with the meaning of life complicates your relationship with your mortality, Chris Cummings and the Way’s latest Americana-entwined 70s rock-tinged single, I’m Still Alive, has all the lyrical makings of a sanity-saving playlist staple.

Chris Cummings, an Easton native renowned for his collaborations with jazz legends and New York artists, embarked on a tenaciously tongue-in-cheek journey with his latest feat of roots-wrapped ingenuity. The prelude to his eponymous album resonates with the nostalgic glamour reminiscent of Father John Misty and Butch Walker while pontificating on the profound. The brash electric guitar chords, coupled with the shimmer of the organ and the subtle honkytonk nuances in the keys and guitar leads, create a soundscape that is both timeless and deeply evocative.

Even though the single touches on the notion that reasons for living and believing often lie beyond ourselves, Chris Cummings and the Way ensure the track never veers too far into the melancholic. It’s a gripping exposition of what it means to be human when we have no fucking idea what the meaning of life is. This existential contemplation is woven seamlessly into the fabric of the song, making it both a personal reflection and a universal query.

The upcoming album, accompanied by a documentary film, promises to be a convergence of Cummings’ Americana and rock n roll roots, offering relatable tunes for our twisted times. Featuring talents like Roger Girke and Shane Nicholas, it’s poised to be a significant addition to the Americana folk rock landscape.

I’m Still Alive is now available to stream on Spotify.

Review by Amelia Vandergast

The decades washed away in the latest synthesis of rockabilly and honkytonk country from Kristi Jean and Her Ne’er Do-Wells, ‘Long Haul Lady’

Kristi Jean and Her Ne’er Do-Wells struck a resonantly nostalgic chord with their latest track, ‘Long Haul Lady‘, a vibrant fusion of rockabilly and country that redefines the genre with a modern twist of female empowerment. From the opening verse, the song is a narratively rich journey, weaving a tapestry of vivid imagery set against the backdrop of jive-worthy rhythmic honkytonk finesse.

The upbeat, panoramic release showcases the band’s tight orchestration and Kristi Jean’s commanding vocal presence; The Stray Cat strut pales in comparison to the swagger of Long Haul Lady, a song that not only entertains but also breaks down gender stereotypes with its infectious charm. The feel-good grooves are potent; capable of erasing the past seven decades and bringing listeners into a realm where the old is new again.

The way Kristi Jean embodies the ultimate femme fatale in this song, seamlessly melding masculine strength with feminine beguile, creates an impossible-to-ignore statement of artistic integrity and stylistic flair. You’ll want her pouring through your speakers for days after you hit play.

Long Haul Lady will debut on January 5th; stream the single on SoundCloud.

Review by Amelia Vandergast

Alison Wahl & Brian Berggoetz reinvented the festive soundscape with “Christmas is the Right Time for Us”

Despite Christmas music often treading the well-worn path of jingle bells and festive clichés, Alison Wahl and Brian Berggoetz brought a refreshing gust of Americana folk rock into the Yuletide soundscape with their latest single, Christmas is the Right Time for Us.

Brian Berggoetz, a self-taught guitarist and a songwriter with a flair for reinventing classics, infuses his unique style into this holiday offering. His experience, ranging from performing at SXSW Festival to sharing stages with notable artists, shines through in the song’s intricate guitar work. The absence of traditional motifs and melancholy of aural nostalgia in favour of Americana folk elements is a bold choice, which infuses the song with an uplifting and authentic feel.

Alison Wahl’s vocal harmonies intertwine perfectly with Brian’s, creating a tapestry of sound that is both warm and inviting. The standout lyric, “When love is just enough, Christmas is the right time for us”, encapsulates the essence of the song – a celebration of love and togetherness that transcends materialism. This lyric, in its simplicity, captures the heart of the holiday spirit, reminding listeners that affection and emotional connection are priceless gifts.

The production of the song is a delicate balance of subtlety and strength, allowing the dual harmonies to take centre stage in a track that doesn’t just aim to be another Christmas hit but strives to leave a lasting impression on its listeners.

Christmas is the Right Time for Us was officially released on December 11; stream it on Spotify.

Review by Amelia Vandergast

Outpost Drive sang a bitter-sweet folk lullaby with their debut single, Go Back to Sleep

If you can relate to the melancholy of your dreams being more serene than your waking reality, prepare to be bruised by the emotional weight that will bear down on you when you hit play on the bitter-sweet folky acoustic pop lullaby, Go Back to Sleep, by the harmonically synergetic duo, Outpost Drive.

Between the aching of yearning and the gratitude of revisiting memories, Go Back to Sleep immediately cuts to the core of emotional juxtapositions when you are brought to tears recollecting the person who always knew how to make you turn a smile but only exists in dream. The lyric, “I’m lonely as I am free”, alluding to how life is just a dichotomy of Pepsi and Coke suffering, is especially potent as it cuts through the euphonically timeless orchestration, which proves how arcane instrumental minimalism can be when it is executed with superlative melodic command.

Willow Robinson and Mary Bragg Robinson, hailing from the English countryside and the American South, respectively marry the styles of British folk with Americana to deliver a sound that is as inventive as it is authentically all-consuming. The debut is a testament to the ability of love to transcend borders after the couple endured a year-long hiatus due to immigration hurdles. We can’t wait to hear what the ultimate folk power couple have in store for their sophomore release.

Go Back to Sleep was officially released on November 10th; stream it on Spotify or purchase the track on Apple Music.

Review by Amelia Vandergast

Beggars Canyon serenaded the reaper with their Americana Folk musing on the human condition, Silver Lining

With the macabre murder folk proclivities of Amigo the Devil and the soul-affirming warmth of Tejon Street Corner Thieves, the Portland, Oregon-hailing band of Americana raconteurs, Beggars Canyon, breathed life into the existential reality of the human condition with their latest single, Silver Lining.

By staring mortality in the face and serenading the reaper with their arcanely uplifting vocal harmonies and authentic Americana Folk arrangement of folky strings, banjos, and guitars that insinuate that the devil made a pitstop in Portland before he went down to Georgia, Beggars Canyon extracted the pensive sting from the human experience with their endearing approach to song crafting which has allowed them to build a cult-like following and amass 13,000 monthly Spotify listeners.

Silver Lining was an all-too promising precursor to Beggars Canyon’s sophomore LP, Vol. II, which was released via Flail Records and is now available to stream and purchase.

Stream Silver Lining on Spotify and become part of the Beggars Canyon community via Facebook or Instagram.

Review by Amelia Vandergast

Karyn Ann released the most affecting Americana single of the year with her latest single, 8 Hours

8 Hours by Karyn Ann

Instead of reinventing the wheel, Karyn Ann spun it in a brand-new direction with her latest timelessly enrapturing single, 8 Hours; a hauntingly beautiful ballad that captures the essence of Southern gothic magnetism, wrapped in a production that’s swallowed by arcane reverb.

The song is a masterful blend of timeless melodies and a stylistic distortion on the guitars that gracefully wrap around the vocal lines. These elements collectively weave a sonically cavernous landscape that seductively entices listeners into the depths of melancholy that the song explores.

The release, which is sure to resonate with fans of artists as diverse as Chelsea Wolfe to Brandi Carlile, elucidates the disassociation of losing your grip with the latter half of the space-time continuum, a theme that is both esoteric and deeply human.

The emotive lyricism of 8 Hours showcases Ann’s raw vulnerability, a trait that has seen the American songwriter praised and performing at notable festivals and venues. The narrative behind 8 Hours is as darkly compelling as its composition, delving into the hours that went missing when Ann awoke in a stranger’s van, with only a dim recollection of the preceding events. This raw and exposed nerve of a song not only reveals Ann’s prowess as a singer-songwriter but also demonstrates her ability to turn personal tribulation into profound artistic expression. She’s a phenomenon in her own right.

Stream or purchase 8 hours on Bandcamp.

Review by Amelia Vandergast

Love Bug Junkie delivered an alchemic masterclass in vintage tonality with ‘Voodoo Woman’

Voodoo Woman, the latest single by North Carolina’s own Love Bug Junkie, is a bluesy rock revelation steeped in the allure of authentic Americana. As the track opens, listeners are immediately transported to a dimly lit juke joint, where the air is thick with the scent of smouldering incense and the promise of enchantment. The band, known for their emotionally charged and robust sound, has managed to bottle the alchemy of a voodoo priestess’ charm and pour it generously into their music.

The song is a masterclass in vintage tonality, with guitar riffs that cry out with the wisdom of the old spirits and a rhythm section that thumps in time with the heartbeat of the bayou. Love Bug Junkie’s vocal prowess is on full display, finding a haunting middle ground between the Prince of Darkness, Ozzy Osbourne, and the soul-penetrating timbre of Chris Cornell. It’s this unique blend that also conjures vibes reminiscent of My Morning Jacket during their It Still Moves era, yet the band infuses their own distinct essence into the mix.

Voodoo Woman is a sensory experience which taps into a raw, almost primal energy that is both captivating and inspiring. Their performance, whether live or recorded, showcases a love for music that transcends genre and era. With their eyes set on leaving an indelible mark on the music industry, Voodoo Woman serves as a powerful statement of intent from Love Bug Junkie. This band unites their audience in the shared space of rhythm and blues, with the promise of uniting people through the undeniable power of rock music.

Stream Voodoo Woman on Spotify.

Review by Amelia Vandergast

Ross Flora grappled with the melancholy of unfulfilled potential in ‘As the Crow Flies’

Ross Flora

Ross Flora’s EP, As the Crow Flies, is a poignant and reflective journey through the heart of country folk. Hailing from the Blue Ridge Mountains of Virginia, Flora’s upbringing in a milieu rich with R&B and Bluegrass influences is palpably reflected in the acoustically adorned, stripped-back title single. His gruff, resonant timbres weave through the wistful yearning harmonies, creating a tapestry of sound that resonates deeply with anyone who has ever grappled with the melancholy of unfulfilled potential.

The lyrical tempo of As the Crow Flies is akin to a melodied spoken word sermon, imbued with regretful poetry. Flora’s background as an English major shines through in his lyrical craftsmanship, as he skilfully interweaves themes reminiscent of literary greats like Dickinson, Thoreau, and Whitman. The result is a narrative that is both deeply personal and universally relatable; Someone hand him a Grammy for the line “I’d be half the man I’d ought to be less than half the time”.

Ross Flora’s journey from the family farm to Nashville, performing over 4,000 shows and collaborating with acts like “Johnny T” Band and “Smoke n’ Guns,” has clearly honed his ability to capture the essence of southern rock and outlaw country. If you want to hear a heart poured out in melody, hit play on As the Crow Flies.

Stream the As the Crow Flies EP, which debuted on October 27 on Spotify.

Review by Amelia Vandergast

Settle in for a ‘Long Hard Winter’ with Ben Brooks’ Americana Folk single, ft EG Vines

If you can already feel Seasonal Affective Disorder kicking in, sink into the latest single, Long Hard Winter, by the Americana folk raconteur Ben Brooks.

Created in collaboration with EG Vines, the meta single cleverly runs in the parallels between the winter phases of our lifetimes and the bitterly cold season which leaves serotonin in short supply; both of which leave us yearning for the spring and summer of youth and the warmth that allows the trees to blossom.

With a sonic style as arrestingly affecting as Bob Dylan and Neil Young, Ben Brooks, who has recently found his voice and inspiration again post-Covid, is perceptibly back in his stride. This bitter-sweet earworm will undoubtedly become a great source of comfort for many as the leaf litter thickens and days darken. Even though it was written during the hardest winter during the pandemic, it’s a smorgasbord of sun-toned soul.

Stream Long Hard Winter on all major platforms via this link.

Review by Amelia Vandergast