Browsing Tag

ambient industrial

Lucretia Death forged her industrial vampcore metal signature in blood in LIKE BATHORY

As scintillatingly seductive as Angelspit and Zombie Girl and with all the attitude as My Ruin, Lucretia Death’s latest single, LIKE BATHORY is a dark electro hit that you won’t dare to forget.

As murderous as God is a Girl with a Butcher Knife, LIKE BATHORY pays homage to a Hungarian serial killer Countess who shed the blood of up to 650 victims before history enveloped her with vampiric lore. The hypnotically caustic downtempo industrial beats effortlessly gel with her scathing declarations of monstrous affinity and narrations of evil by the hand of one of history’s most bloodthirsty.

The Phoenix, Arizona-residing solo artist brings the night to life through her sonic signature of industrial vampcore metal. This project began in April 2022, after the artist darkened the airwaves in various solo and collaborative conquests. Her most notable performances include performing at the Denver Vampire Ball and several other Vampire/BDSM events in Denver, Colorado.

LIKE BATHORY will be available to stream from January 27th via SoundCloud.

Follow Lucretia Death for updates and live performances via Facebook, Twitter, Instagram and TikTok.

Review by Amelia Vandergast

Bahbiss Cobb celebrates feminine power and autonomy in his latest alt-electronica mix, Squabble with Oats

Bahbiss Cobb (AKA Eric Curry) dedicated his latest spill of ambient electronica, Squabble with Oats, to women around the world as a recognition for all that they are and all that their autonomy creates when they dance to the beat of their own drum.

The syncopated percussion and vortexes of swirling electronica transfuse in the soundscape to create a hypnotic ambient effect in the extended mix which lands on the visceral side of mesmerism. Genre-wise, no EDM branch was out of reach, but the industrial rhythms are the most strident ingredient in the release that is emboldening and invigorating in equal measure.

Stream Squabble with Oats on YouTube.

Review by Amelia Vandergast

TheMindSettlers set the ambient pace in their latest oceanic alt-electro single, TakeyourTime

For their latest alt-ambient single, TakeyourTime, the Montreal experimental electronic duo, TheMindSettlers borrowed the rhythmic pulses of the ocean to remind their ever-growing fanbase that pace is the trick and to provide an opportunity to dip into a pool of lush azure chords.

The Aphex Twin influence is just about legible in the natural pace of the single, which is tinged by the duo’s respective affinities for the rave scene and Skinny Puppy-era industrial music. The instrumentals may be minimal, but TakeyourTime is still a force of meditative nature to be reckoned with. It stands as a testament to TheMindSettlers’ ability to deliver everything their moniker promises.

With more releases in the pipeline, TheMindSettlers are worth a spot on your radar and your ambient playlists.

In the duo’s own words, here is what they had to say about their latest production:

The idea came when we went around the city of Montreal and found some surfers close to Lachine Canal. The base chords remind the flow of the water, and we added a water noise sample in the background to accentuate that feeling.

TakeyourTime is now available to stream on Spotify and SoundCloud.

Follow TheMindSettlers on Facebook.

Review by Amelia Vandergast

Static Null looked into the void with his industrially ambient latest release, Blister

Static Null

The Lynchian oscillating effects and reminiscence to Big Black Delta make Static Null’s latest single, Blister, an instant feat of atmospherically dystopic beguile.

Instead of just lacing light with dark, Static Null fused warm reverb with cuttingly cold tones and opened the narrative between man and machine. Dark ambience may have been hitting the airwaves by the smorgasbord in 2022, but Static Null is a caustic cut above the rest.

His work subversively implants what it means to be human in soundscapes inspired by his idyllic Swedish hometown while mourning the loss of our humanity with a faint yet infectious sense of optimism. We can’t wait to hear what follows. Seemingly, neither can his 9k monthly Spotify streamers. He’s undoubtedly one to watch.

Blister is now available to stream on Spotify.

Review by Amelia Vandergast

The Drood bring the ritualistic catharsis in ‘It Must Needs Wither’.

The Drood

The essence of The Drood’s latest single, It Must Needs Wither is a captured ritual. An invitation to cherish the memories of the many lives lost in the years leading up to this Shakespearean release that took inspiration from the tragic play Othello.

For their ritualistically cathartic release, the Denver, Colorado-based electronic duo, used post-rock, Eastern psych and industrial for their dreamy textures. For the vocals, they opted for an ethereal quiescent timbre to rival the harmonic ambience in the dreamiest Beach House and Slowdive releases.

The haunting explorative progressions carry cynical lament while light transcendent textures bring comfort to the affirmation that for all of our artifices, we’re still the same primal creatures. Primal creatures plagued by the vulnerability of mortality and the psychological afflictions that drive us to acts of madness that are all too easily romanticised in our minds.

It Must Needs Wither will officially release on January 25th, 2022. You can check it out for yourselves via Spotify.

Review by Amelia Vandergast

Jeff Goldsmith – ambient, narrative sounds with ‘Waiting Window’

Jeff Goldsmith is a composer, sound engineer, and producer based out of Minneapolis; ‘Waiting Window’ the first track from his forthcoming album ‘May You Find The Light Before The Devil Knows He’s Right’ – composed and recorded during the Covid-19 pandemic – is a dark, brooding, piece, semi-neo-classical, semi-industrial, and mainly instrumental. All based around field recordings and live samples from Minneapolis, it’s a mix of the avant-garde, elements of alt-rock mixing with a repeating piano motif, sampled ambient noises, and speech, all building slowly throughout the five-and-a-half minutes of the track. At times sounding like Phillip Glass or Mike Oldfield, others with dashes of the softer parts of Nine Inch Nails or Ministry, switching still to the Orb or Ozric Tentacles. It’s an entrancing, evocative mix of alternative, dark ambient, and auditory narrative soundscape.

You can catch the video for ‘Waiting Window’ on YouTube; find out more about Jeff Goldsmith and his work here.

Review by Alex Holmes