Browsing Tag

Alternative Singer Songwriter

Dolly Mavies Reopened the Inquiry into Free Will with the Dreamy Indie Introspection of ‘Truman’

Oxfordshire-based independent singer-songwriter Dolly Mavies reopened the philosophical inquiry into free will with her latest single, Truman. Drawing on the existential unease woven through The Truman Show, the track widens that lens to confront the modern drift away from meaning and connection, where real life slips through the cracks while digital distractions fragment our attention.

Mavies explores how the superficiality of digital escapism has come to dominate the cultural atmosphere around us, yet within Truman, she positions herself as the antidote. Her songwriting guides listeners inward, navigating the corridors of their own thoughts with gentle insistence. Each verse nudges reflection into motion, encouraging listeners to sit with the questions rather than scroll past them.

The richness within the soft, dreamy indie ambience forms a striking counterpoint to the emptiness of the world the song critiques. Motifs bloom beneath her voice with patient grace, creating an atmosphere where introspection feels almost inevitable. Above that arrangement, her lullaby-esque harmonies drift through the air, carried by a naturally consoling timbre that settles like dusk across the composition, resulting in near-spiritual clarity; aurally, you couldn’t get much closer to heaven.

Mavies distinguishes herself by writing from lived contemplation rather than distant commentary or attempting to hit contemporary trigger points. Raised in rural Oxfordshire, she channels the emotional gravity of everyday life, politics, late-night questions, and personal unrest into expansive indie soundscapes that answer questions you haven’t found ways to voice yet. 

 Her debut album in 2023 introduced that thoughtful voice, and a run of major festival appearances, including Glastonbury and Wychwood. Truman distils that questioning spirit into one of her most affecting releases yet, inviting listeners to reconsider whether modern life reflects genuine freedom or something more carefully scripted and algorithmic. 

Truman is now available on all major streaming platforms, including Spotify.

Review by Amelia Vandergast

Miss Terious exhibited the power and pain of alter-egos in ‘Misty’

Miss Terious’ latest single, Misty, bridges the gap between the tender indie pop magnetism of boygenius, the artful expression of Kate Bush, and the gothic sombre glamour reminiscent of Evanescence. This coalescence is perfectly interwoven in the arcane atmosphere of the indie piano pop ballad, where the sparse instrumentals allow Miss Terious’ emotionally heightened vocals to spectrally overpower the production.

Each verse tightens the heartstrings as you become consumed by the raw emotion conveyed through the confession of how pseudonyms can deliver confidence while concealing the person behind the greatness. The deeply felt pain of being wanted through association rather than true connection resonates throughout Misty; anyone who has experienced this pain will find the ultimate consolation within the candour.

Miss Terious is a British-born alternative musician from the West Midlands, known for her originated mix of electronic and classical instruments. Since debuting with her EP Bleeding Green in 2020, she has tackled topics such as abuse, mental health, and her separation from the ballet industry. In 2022, she was honoured as BBC Introducing’s Artist of the Month for Coventry and Warwickshire and performed at the Backyard Festival in Leamington Spa. Her contribution to the music scene earned her the Local Hero Award for AIM Awards 2022.

After hearing Misty, there isn’t an industry accolade we wouldn’t see her as fit for.

Misty was officially released on July 19; stream the single on Spotify now.

Review by Amelia Vandergast

Annabel Brett makes sure we get the message in her alt-soul pop single, Voicemails

With the vocal poise of a 1950’s bluesy soulstress and the cutting indie folk pop edge of artists such as Mitski and Phoebe Bridgers, Annabel Brett is breath-taking in her dreamy pop single, Voicemails.

The vocal distinction gives few clues to the 23-year-old independent artist’s influences, and it’s a very similar story with the light, minimalist and acoustics. The two-minute tender track eclipses everything lo-fi should be; Voicemails resounds like you’ve just caught a Truman Capote character in an intimate melancholic moment.

Check out Annabel Brett’s latest single, Voicemails on Spotify.

Review by Amelia Vandergast