After becoming unequivocally obsessed with the seminal single, By the Side of the Road, by Deadbeat Superheroes, we were stoked to be given another opportunity to trip out with the redux remix of the single, featuring HORNETS!
Julie Sun Lee’s PJ Harvey-esque deliciously distorted vocals are the piece de resistance within the Lynchian soundscape which shimmers with trepidation, scintillation, and a potent dose of unearthly beguile. It’s trip-hop striking enough to make your heart skip a beat as your rhythmic pulses move in line with the glitchy syncopated beats that stab through the texturally sublime oscillation.
If you’re looking for more ethereal escapism from the Canadian five-piece outfit, you won’t have long to wait; their Edmonton (Redux) EP is lingering in the pipelines awaiting its release on November 1. We’ve been promised that each track stands on its own; given the success of the original EP, we’re thoroughly inclined to believe the icons of Avant Garde electronica.
By the Side of the Road (redux), ft HORNETS! dropped on October 23rd; stream it on Spotify.
Lose yourself in the fantastical atmosphere of Lakitah’s latest single, The Fall, featuring EvenstAr; the baroquely histrionic brand of trip-hop melodically works to create a mise en scene of isolation and introspection.
The international collaboration project, led by vocalist and guitarist Dominika Zdrodowski, started as a lockdown-born endeavour, but as the struggle for hope is still as endemic as it was when we were commanded to keep distance between each other, and just as insular in our alienation, the project still thrives. You only need to slip into the artful opulence of the Fall to affirm that for yourselves.
The featuring artist EvenstAr takes influence from trip-hop acts, such as Portishead and Massive Attack; put against the monocultural-mould smashing beguile laid out by Lakitah, The Fall is an Avant-Garde emblem you will want to treasure for as long as you want to keep hold of your sanity.
NYC alt-pop originator V3x puts the experimentalism of Grimes and FKA Twigs to shame in her standout future-embracing trip-hop-y single, D34D. Making no bones about attacking mistreatment through ferocious innocence, the luminary independent artist came into her vindicating own through this 8-bit-adjacent earworm.
With “sometimes I think I might be dead, given the way you treat me” as an opening lyric, the instrumentally sunny single, which spills the tropic heat through the scorching synth timbres and brings in the indie intimacy via the guitars, empathy is non-optional.
We’ve all been there, handing our vulnerability over to people that were always going to manipulate it. In 2:30 minutes, V3x proves how sweet it can be to reclaim that susceptibility instead of stripping it from our psyche.
Check out the seminal single, D34D, from V3x via Spotify.
If you prefer your trip-hop on the more temperately exotic side, The Time Meddler’s latest orchestration, Folks Want Blood, will happily assist in your sun-bleached transcendence.
The cinematic Timothy and the Apocalypse Remix tears away from the electronica mould, before boldly roaming into avant-garde textures, kaleidoscopic tones and a sense of intrinsic soul that brings you right into the tranquil heart of the mix.
You scarcely need the producer’s bio to tell you that he’s been making beats since the 90s. It is written within the mellifluous leftfield gravitas that throws right back to that era.
The Timothy and the Apocalypse Remix of Folks Want Blood is now available to stream via Spotify. Hit play; the cathartic payoff is instantaneous.
Timothy and the Apocalypse’s latest single, The Ethereal Event, is a delicious cocktail of spacey synths, epic sci-fi-enabled transcendence, trip-hop breakbeats, and artful gravitas.
Despite the lush textures and endlessly ascending chord progressions, there are the Australian artist and producer’s signature dystopic motifs that bring gravity into this elevated, genre-hopping release. And notably, we’re not the only ones fixated on the artist’s sound. With thousands of monthly Spotify listeners, it is clear that Timothy and the Apocalypse carries the catharsis and escapism that is in high demand in his production style. We’re stoked to hear him back on trippy and Avant-Garde form after he infatuated us with his Lynchian feat of electronica, The Mindful Cherub.
You can experience The Ethereal Event for yourselves by heading over to Spotify.
If you take your electronica harsh, dirty and cinematic, Reactive Armor’s big beat soundscore, ModelA has all the makings of a playlist staple. The European underground electronica outfit consists of the classically trained synth player, drummer, and mixer, Tamas Valkar, and Andras Czimmermann on sax, woodwind and EWI. Together, they orchestrate blockbuster-worthy mechanical trip-hop that isn’t short of panoramic or visceral feeling.
It’s only a matter of time before Reactive Armor loses their underground status or breaks into the film score industry. Their dystopic sound isn’t just massive; it’s devilishly clever and easily on the same level as the artists on the Sucker Punch OST.
The official video for ModelA’s seminal track is available to stream on YouTube.