When, back in November, we reviewed Godzukey’s last single ‘Alibi’, we said that Portland, Oregon, might have just spawned a new baby monster. On the basis of ‘The Wrath To Come’, that monster’s now hitting the angry teenage years, slamming its bedroom door, and refusing to come out except for snacks and video games.
Written about deceitful friends and still peppered with beautifully tasteful harmonics and bluesy shredding from guitar noisenik Conrad Bylsma, ‘The Wrath To Come’ is a glorious, grungy, doomy, melodic, stomp through sludgy stoner-rock (that’s a thing) in an old-school lazy vocal and fuzzed-up guitars kind of way. There’s large elements of some absolute classics in here – Alice In Chains, Soundgarden, Mother Love Bone, with a definite nod to the Foos, Nirvana, and J Mascis/Dinosaur Jr. especially around the laconic vocal delivery and effects.
‘The Wrath To Come’ is the 8th track from Godzukey’s demo mini-album ‘Lake Mammalian’, and a precursor to their debut online gig ‘Bridge City Sessions: Godzukey’, which can be viewed via YouTube and Facebook on March 2nd this year.
Singer, songwriter and multi-instrumentalist JRtheBand dropped the video to their single Stray Dog on July 30th. If you’ve forgotten how it feels to experience a fresh new take on Alt-Rock which speaks to your soul, hit play.
Starting off with a ring of discordant distortion, the soundscape quickly shifts into a melodically transfixing feat of American Rock with slight nuances of the Alt 90s sound. Reminiscences in the vocals to Kurt Cobain’s in Plateau was definitely there, but the bluesy country twang on the slightly noisy grungy vibe gave the evolution of Alt-Rock a brand-new trajectory. The artist’s endearing vibe which could be comparable to Matthew Caws (Nada Surf) was the icing on the aural cake.
You can check out the official video to Stray Dog for yourselves by heading over to YouTube.
Exeter-based Alt Rock newcomers The Wordsmen have made their debut with the alchemically volatile single Spilt and brought a playfully abrasive edge back to Indie Alt Rock.
Spilt kicks off with hazy choral tones before the sardonically visceral vocals kick in. From there on out, you’re left to follow The Wordsmens’ tremulous pace which makes predictability an impossibility from the first hit. But considering that Spilt is an earworm which practically begs for repeat attention, you’ll be well acquainted with the energetic hit in no time.
It may be a little harder than usual to muster enthusiasm for debut singles from up and coming bands, but if you’ve got a shred of enthusiasm in you, invest it by hitting play on Spilt. You’ll be generously rewarded by their energetic infusion of Indie, Punk and Garage Rock.
I shouldn’t even need to tell you to get this band on your radar.
You can check out the debut release from The Wordsmen for yourselves via Spotify.