Scottish post-grunge outfit, The Breathing Method, are set to release their vehemently distorted evolution of the 90s Seattle sound, Burden, which will throw you right back to the simpler times when Layne Staley reigned vocal supreme before pulling you into the angst of modernity with frenetic no-wavey guitars that make a juggernaut out of the release.
After the Mudhoney-Esque intro, The Breathing Method career into their own take on the post-grunge textures and don’t take their foot off the fuzz pedal until the outro of a primal scream, which compels you to envy the larynx they came from. Or maybe that’s just me.
Burden will officially release on June 17th; you can check it out for yourselves via Bandcamp.
‘Drowning’ is the latest melodic metal single from the arrestingly talented alternative artist, Angils, who puts their own sludgy signature spin on the genre – to an atmospherically enticing effect.
With nuances of grunge in the harmonised vocals before they break into visceral, guttural angst, the progressive nature of the consistently unpredictable track keeps you hooked from start to finish. From grungy reminiscences to Alice in Chains to angular instrumental interludes to straight-up Pantera-Esque aggression, Drowning definitively offers it all. If the metal scene continues to sleep on Angils, they may as well be in a cultural coma.
It isn’t every day that we discover an artist whose instrumental ability is on par with their immersive songwriting prowess. We can’t wait to hear what follows.
Drowning was officially released on December 30th; you can check it out for yourselves via YouTube.
Irish alt-rock artist, Sakara’s Son, gave their grungy alt-90s single, Crying Shame, a bluesy psychedelic garage rock kick and proved just how mind-melting Alice in Chains could have been if they were a little bolder with their distortion pedals.
After an early FNM-style intro, the swaying melodies give way to a sonic kaleidoscopic furore, forceful enough to leave the hair on the back of your neck give a standing ovation to Sakara’s Son.
There really is no overstating the level of energy and innovation contained in this scathingly veracious release, paired with the practically pornographic guitar solos, what more could you possibly ask for, other than the opportunity to experience that wall of noise live?
Alt-rock outfit, Shadow Box, made its debut in 2021 with their album, Flat Moon. The lead single, Without a Word, will quickly become a playlist staple for fans of Faith No More, Soundgarden and Alice in Chains. (I don’t make Mike Patton comparisons easily.) If someone told me that Without a Word was a lost relic from the alt-90s, I’d believe them; the panoramic anthem pulls you in with the intensity of the emotion poured over tight melodic instrumentals.
Shadow Box formed when Mike Roman (guitars, vocals, keyboards) and Mike Rajinone (guitars and vocals) fused their respective hard rock and folk-rock styles. Any difference between them quickly became aural chemistry. We can’t wait to hear what follows.
Prog rock meets grunge in South African artist Touch by Mirror’s single, Something New; it’s exactly what it says on the tin. So, if you have heard enough ripped-off Nirvana riffs to last a lifetime, you will definitely appreciate the alternative artist’s explorative instrumental inclination and complex time signatures.
If you could imagine what it would sound like if the styles of Porcupine Tree, Thrice and Alice in Chains merged, you will get a good idea of how Something New unravels. While, lyrically, Something New is the perfect track to vent your societal angst through; it unravels as a poignant snapshot of the tension that has turned social discourse into a cesspit of distraction and senseless misdirected anger.
After entering Cape Town’s alt-rock scene in 2020 with his debut EP, ‘Solitude’, Touch by Mirror is well on his way to bringing his soulful take on hardcore into the mainstream.
When, back in November, we reviewed Godzukey’s last single ‘Alibi’, we said that Portland, Oregon, might have just spawned a new baby monster. On the basis of ‘The Wrath To Come’, that monster’s now hitting the angry teenage years, slamming its bedroom door, and refusing to come out except for snacks and video games.
Written about deceitful friends and still peppered with beautifully tasteful harmonics and bluesy shredding from guitar noisenik Conrad Bylsma, ‘The Wrath To Come’ is a glorious, grungy, doomy, melodic, stomp through sludgy stoner-rock (that’s a thing) in an old-school lazy vocal and fuzzed-up guitars kind of way. There’s large elements of some absolute classics in here – Alice In Chains, Soundgarden, Mother Love Bone, with a definite nod to the Foos, Nirvana, and J Mascis/Dinosaur Jr. especially around the laconic vocal delivery and effects.
‘The Wrath To Come’ is the 8th track from Godzukey’s demo mini-album ‘Lake Mammalian’, and a precursor to their debut online gig ‘Bridge City Sessions: Godzukey’, which can be viewed via YouTube and Facebook on March 2nd this year.
After their debut album, ‘Pancea’, amassed over 1.1 million streams and the standout single hit the iTunes UK Top 100 Rock chart at #36, Wisconsin-hailing alt-rock artist, The Star Prairie Project, unleashed their equally as compelling sophomore album ‘Surreal’.
The standout single, The Crying, demonstrates the evocative potential which Rock has always possessed but few have managed to achieve. With a sense of grief running deep in the veins of the classic rock-inspired single, it is safe to presume that plenty of people will find resonance when they hit play, given the 2020 we’ve collectively endured.
With the soul of a rock ballad and the monumental impact of a rock anthem, The Star Prairie Project allows you to enjoy the best of both worlds while introducing you to a brand-new realm of emotionally explosive rock.
The maturity and nuance delivered by The Star Prairie Project with The Crying definitely isn’t something which we encounter frequently. If they’re not on your radar, we’d recommend making room.
The Crying is available to stream now via Spotify.
Coming in like Bleach-era Nirvana rides the new single from LA’s Vantablak. When you know that Vantablak was formally known as That Infernal Machine, that gives a little insight to what’s on offer here – that Nirvana Bleach or Sliver sound, a dash of Superfuzz Bigmuff-ish Mudhoney, with lashings of Layne Staley and Chris Cornell thrown into the vocals for good measure. ‘Anxiety Now!!!’ is unashamedly hard and heavy, all angry fuzzed-up guitars and Grohl-style drum stabs, rumbling bass and reverb-soaked, alternately growled and screamed vocals.
It’s unapologetic, unreserved, and unrefined in an entirely good way, all millennial angst and snotty anger over a very well put-together track, polished in a Jack Endino/Steve Albini kind of way, and all the better for it. Vantablak are comfortable to wear their influences on their sleeves, and that’s no bad thing; alongside the obvious Sub Pop grunge references, there’s a definite Alice In Chains or Stone Temple Pilots vibe at times, alongside a mash of Zeppelin, Velvet Revolver, Royal Blood, and some fairly forthright early Foo Fighters. It’s a track which is flagrantly greater than the sum of its parts and makes you want to reach for the oversized hole-riddled sweater, offset-bodied guitar, and as many fuzz pedals as you can get your hands on.
Any fans of early Faith No More and Alice in Chains are definitely going to want to indulge in the Funk-soak raucously eclectic Rock hit “Who I Want to Be” by up and coming solo artist Pierce Point.
There may be plenty of aural nostalgia woven into the track, but Pierce Point possesses enough distinction and flair to revive those dusty Grunge Rock tones and remind you why you fell in love with them in the first place. There’s something all too indulgent about the driving wah-soaked guitar solos sliding against the caustic slaps of the bass which utterly consumes your consciousness.
Pierce Point is definitely one to watch, you might want to warm up a comfortable spot on your radar for their smooth soulful sound.
Who I Want to Be is just one of the tracks off the artist’s Charged Atmosphere EP. For more info, head over to the artist’s Facebook page or website.
Post Punk isn’t Post Punk unless the sound completely shatters your soul, the wild screeching of the guitar that features in this track submerges you into the murky resonant depths of this track.
Creating the perfect Post Punk track is no easy venture to set out upon, yet Harrisburg, US based musician Manian Van Hacker has created a tentatively tasteful mixed that captivates you from the second the muted guitars kick in which lead you into the sweetest symphony that has been put out in 2017.
Real Love is the ultimate anti-love song that is a necessity to any playlist, with vocals that match the quiescent magnetism of Alice in Chains singer Layne Stanley it’s hard not to be subdued into his contemptuous melody.
For any fans of My Bloody Valentine, Slowdive, Editors and Interpol, you’re going to want to check out the immersive debut track from Manian Van Hacker.
The new EP ‘Pilot Error’ is due for release on January 19th, 2018, until then, check out the sensational new single from Manian Van Hacker via SoundCloud: