JW Paris, the UK-based three-piece that is quickly becoming revered for its pornographic guitars and biting Britpop swagger, have unleashed their stickiest alt-90s earworm to date with Electric Candle Light.
The Crampsy garagey prelude paves the way for surf rock meets no-wave indie hooks that won’t fail to reel you into the volatility of the sonic triumph. It easily matches the energy of Blur’s Song 2. Yet, notably, JW Paris is a caustic cut above the rest with their jarringly arrestive synth lines and subversive lyrics that acknowledges the rose-tinted glasses that nostalgia always filters through.
The single was recorded and produced at Buffalo Studios by JB Pilon and mastered by John Davis (Blue, IDLES, Foals, Primal Scream, U2). With that in mind, it never really had a chance of falling flat. Since making their debut, they’ve been a constant feature on BBC Radio 1, BBC 6 Music, Absolute Radio X, and Radio X. They’ve also shared stages with The Amazons, Skinner Brothers, Yonaka and Avalanche Party.
Electric Candle Light will officially release on March 25th. You can check it out for yourselves by heading over to Spotify.
Keep up to date with new releases and tours via Facebook, Instagram, and Twitter. Following the release of Electric Candle Light, they’re set to hit the road again with Dead Freights.
The Elegant Chasers brought their grungy panache back to the airwaves with the release of their sophomore single, Sunshine Mourning. We’d scarcely lost the earworm that was implanted through their debut single, Lets Ride, but we found ourselves gripped by Sunshine Mourning in a completely different capacity.
This time, the post-punk tinged track is as caustic as one of Sonic Youth’s most discordant releases in the verses and hooky enough in the choruses to give that stadium-filling effect that resonates as volatile gravitas once you get caught up within it.
The one-man powerhouse is taking full advantage of his independent artist freedom. Instead of attempting to appease moguls by pandering to the mediocrity in their tastes, he opted for an off-kilter track that splices together Nirvana-reminiscent drums, cleverly distorted vocals (we are talking Mike Patton level clever here) and guitars that are pliant enough to make your head spin. It is the epitome of an alt 90s aural riot. We can’t wait to hear what follows in his debut album.
Sunshine Mourning will officially release on February 11th. You can check it out for yourselves via SoundCloud and Bandcamp.
Swedish power pop artist Hazy Weekends have made their debut with their stormer of an alt-indie pop, EP, Hurricane. With guitars that cut with the same angular precision of My Bloody Valentine’s introducing the lead title track, the usual cynicism you usually feel when hitting play on a new artist instantly slips away.
As the power-pop single progresses, the duo starts to come into their own through absolvingly vibrant instrumental melodies paired with the indie rock vocals that pay ode to the 90s Britpop era while the artist claims the sonic tones unequivocally as their own.
If you already have the Charlatans, The Stone Roses, The Manic Street Preachers or Inspiral Carpets on your playlists, Hazy Weekends will fit right in alongside them.
‘Fighting The Man’ is the first track from Simon Husbands’ new debut album ‘POP’ – after “45 years of working with other artists”. As a taster for what’s to come it’s really rather good.
A classic ‘three-and-a-half minute’ pop song, all classic indie-rock in a supercharged 90’s Britpop/punk kind of way – Ash, maybe, Cast, or the Bluetones – with some classic rock flourishes to Husband’s Les Paul-swathed guitar playing, but there’s a definite Nick Cope of the much-missed Candyskins (and now the excellent CBeebies Nick Cope Popcast) to the vocals here, too.
‘POP’ the album is released on December 4th, but you can hear ‘Fighting The Man’ on Simon Husband’s website – and it’s a perfect taster for what’s to come.
With Daniel Kessler (Interpol) style angular guitar progressions under layers of effects, hauntingly sweet vocals with reminiscences to the Yeah Yeah Yeahs, fuzzy basslines, and punchy percussion Small Planets’ single “Breathe” won’t fail to win over any Alt Indie or Post Punk fans.
Small Planets took inspiration from the likes of Slowdive and poured it into their recently released self-titled debut album. But you can expect much, much more than an assimilated sound. There’s a rarely found vitality, openness, and boldness to Breathe which gives you the compulsion to adopt the hookish empowering lyrics as mantras. It’s been a while since an up and coming artist appeared on our radars with a sleek modernised take on Post Punk, but it was certainly worth the wait.
You can check out Small Planets’ single Breathe along with their debut self-titled album for yourselves by heading over to Spotify.
Up and coming Indie artist Haven has demonstrated their powers of aural transfixion with their debut single “Somewhere Brighter”.
With the Jangle Pop guitar progressions, a Post-Punk tone creeping in through the basslines, and Haven’s instantly magnetic vocals, debut singles don’t come much more exciting than this.
Around the Pop sensibilities of the soundscape, there is also layers of soft Alt 90s Grunge sound combined with melodies which aren’t too dissimilar from bands as Blink 182. There may be a slightly Lo-Fi feel to Somewhere Brighter, but this only amplifies the emotivity in the seamlessly progressive single.
The single kicks off with soft vocals around hazy, sunny layers of reverb spilling from the guitars before building into a captivating feat of pioneering Indie which is all too tempting to play on repeat.
You can check out Haven’s debut single Somewhere Brighter for yourselves by heading over to Spotify now.