Originally formed in the 80s and with multiple 7” records on the Punk Collector’s List, we’re stoked to have Rocketball 007’s latest single, I Can’t Look at You Enough, in our ears.
With a sound frequently assimilated yet rarely authenticated, the synth-driven, spacey-with-romanticism single would be right at home on the Wild at Heart soundtrack. Through the crooning into the reverb vocals and the scintillating retro analog synths, which stab right into the beating heart of the atmospheric release, it imparts ample neon synaesthesia. Any true 80s pop fans will want to jump on I Can’t Look at You Enough like cats on catnip. It isn’t every day that you get to revel in the real visceral deal.
I Can’t Look at You Enough is now on Spotify, and Rocketball 007’s entire discography is available to stream and purchase on Bandcamp.
Norwegian artist F/L/P couldn’t be more of a force to be reckoned with, especially on the basis of his latest single, Ride With Ya, which was written and recorded with the USA artist DAMOYEE over the course of the global lockdowns in bitter-sweet anticipation of the world reopening.
The bass-heavy 80s synth pop track will undoubtedly be a hit with fans of Tame Impala or anyone that can resonate with the overarching themes of isolation and separation. The single efficaciously encapsulates how those yearnings for reconnection can keep us going through the fervid passion in the prominently vivid vocals that dominate the lush sweeping synths that are definitively 80s. The sweetest spot hits with the unexpected but appreciated all the same guitar solo, which riffs even more emotion and gravitas into the synthpop earworm that proves romance isn’t dead, it has simply been isolated.
Ride With Ya is now available to stream on Spotify.
Picking up where George Michael left off, Alan Dreezer’s smooth 80s RnB pop hit, BUTTERFLY, is a sensuously aphrodisiacal proclamation of lust that takes no prisoners when pulling you into the intensity of the passion.
Between the layers of lush reverb, the funk-soaked basslines roll around the choppy guitars under Alan Dreezer’s vocal timbre that will teach you the meaning of affection as the soul effortlessly drips.
BUTTERFLY is the first single to hit the airwaves from the East Sussex electro-pop singer-songwriter’s third album, Nothing Changes if Nothing Changes. On the basis of the single alone, there will be no getting in the way of Alan Dreezer’s domination of the airwaves.
BUTTERFLY is due for official release on September 22nd. Check it out for yourselves on SoundCloud.
Lucy Chan shared a college fever dream in her latest soulfully cinematic pop track, Love Motion Picture, which runs with escapist references to 90s rom coms, hints of 80s synth pop and a modernist twist to the romanticism.
The 19-year-old singer-songwriter has been a hit with teen pop fans ever since her 2021 single, I Wonder, and her acclaim grows with every subsequent release. Taylor Swift would want to eat her heart out to the dreamy innocent melodicism of Love Motion Picture, We can’t wait to hear what the Australian artist resolvingly releases next.
Love Motion Picture is now available to stream via Spotify.
Here to make sure that 80s indie pop retains modernity is the Bristol, UK four-piece, Soup and Cigarettes, with their new album, UK DUTY PAID. The standout single, Flower Dress, makes a melodic indie ode to summer with its jangly kaleidoscopically colourful guitars, dreamy vocals, and sticky-sweet synths.
1987 had Sally Cinnamon; in 2022, we have Flower Dress, which effervesces around the lust for amorous life that magnifies in the heat of the summer. Fans of the 1975, PEACE and Jaws will also want to consider Soup and Cigarettes as a playlist staple band.
Check out UK DUTY PAID, which was officially released on August 19th here.
After garnering tens of thousands of streams with his feel-good grooves released since his 2019 debut, the euphorically provocative pop sensation, Dante Beverley has declared The Party Never Dies with his latest single.
The 80s-inspired rhythmic riot exhibits a brand-new sonic signature that you’re going to want scribbled across your playlists; it also sets the tone for his forthcoming EP, due for release in early 2023.
The 22-year-old Rotterdam-hailing singer-songwriter takes influence from the likes of Bruno Mars, The Weeknd and Michael Jackson; notably, his inclination to enliven through disco and funk textures led the way in The Party Never Dies. Oscar Wilde would be proud of his revival of 80s synthy hedonistic pop.
The Party Never Dies is now available to stream on Spotify.
Fleetwood Mac meets ABBA in the up-and-coming pop artist, Shanaya’s debut single, Dance the Night Away, which borrows a few of the iconic 80s tones before turning them into textures which form the artist’s sonic signature.
The orchestral sweeps, popping beats and Shanaya’s yearning for something more vocals pull you right into the essence of the single, which pays ode to those who are worth painting the town red with. A somewhat archetypal concept, yet, there’s a sense of mysticism to Shanaya, which won’t be getting old any time soon.
This upbeat originated debut is a sure sign of even bigger things to come from the rising artist.
Dance the Night Away is now available to stream on Spotify.
After releasing her 2020 debut EP, which instantly attracted attention from BBC Introducing, Laura Loh has continued to move into her profoundly empathetic pop own. The Hampshire, UK-based classically-trained vocalist and instrumentalist is fresh from the release of her self-recorded and produced latest single, Closer.
Closer contends with the very real issue of our innate human tendency to put ourselves through the wringer every time we have realised that we aren’t infallible. In a therapeutically intimate way, the alt-pop single lulls you into a state of self-compassion, guided by Loh’s glassy vocals, the ethereal organ layers and massive percussion that aurally shows you the beauty in resilience.
If only all sonic mental health advocacy had the same visceral pull of Closer, we’d be an infinitely more self-actualised society. The deeply entrenched empathy in the single is an evocative bruiser. We can’t wait to hear what follows from Loh’s freshly discovered production boldness.
In her own words, here is what Loh had to say about her latest single:
“Closer is a song about recovery and personal growth, inspired by my experience with mental health; it is a reminder that it is okay to fall and take your time picking yourself back up. We all tend to be too hard on ourselves; I hope this song can encourage people to celebrate the progress they make every day, no matter how small.”
There was no forgetting Jake Inzerra after his punchy indie-pop hit, No Lips; the singer-songwriter and producer is back on glam form in his latest single, Elevator.
Believe it or not, Inzerra’s Elevator is just as seductive as Aerosmith’s Love in an Elevator, which may have a fair amount to do with the raucous bite in his vocal timbre that sinks its teeth just as deep as Adam Levine’s.
I’ve long held the theory that all of the best artists carry androgyny into their music; Inzerra affirmed it with his infectiously hook-filled hit that soaks into your soul as much as your synapses.
Jake Inzerra’s latest single, Elevator, is due for official release on May 6th. You can check it out for yourselves via YouTube.
Nu-disco meets funk-pop in the latest single from the UK pop luminary, MACY. ‘Pink Bandana’pops the bubblegum pop bubble with the overdriven guitar riffs, funk-laced bass guitar and vocals that will leave any Marina and the Diamonds fan with the inclination to make the perennial pop earworm a playlist staple.
Pink Bandana, which was produced by Owain Felstead, runs you through the early stages of heartache, seen through a sticky-sweet prism of self-empowered optimism. The emboldening energy reads through the high vibe hook-filled instrumentals and MACY’s playfully fiery vocal charisma. Together, they’e a powerfully infectious combination.
Pink Bandana is now available to stream via Spotify.