Browsing Tag

80’s Pop

Ines Belayouni delivered a hit of pure wanton decadence with ‘Attention’

In her two-year stint away from the airwaves after dropping her debut single, The Way You Make Me Feel, in 2021, Ines Belayouni has been hard at work honing her sound into one that stirs the soul, mesmerises rhythmic pulses and epitomises the phenomenon of the perennial pop earworm.

With her latest single, Attention, the Tunisian LA-residing singer who has been ingrained in the arts from a young age and has dominated the live circuit in jazz and pop circles, unveiled a fusionist masterpiece which transcends genres and era hallmarks to deliver a hit of pure wanton decadence.

Even though we can all relate to the innate desire for attention, it took a brave artist with a sublimely soulful vocal register to turn the trait into a sonic experience of pure empowered seduction. Ines Belayouni invigorated the smooth 80s RnB pop motifs that proliferate the synthetics of the track to an addictively infectious degree. It is only a matter of time before she moves from criminally underrated to critically acclaimed. Be part of her ascent from the underground.

Attention is now available to stream on Spotify.

Review by Amelia Vandergast

Alen Chicco’s RnB Pop hit is anything but just ‘Another Love Song’

If you know exactly how it feels to be caught out as one of love’s fools, the resonance you’ll revel in when the soulfully hair-raising chorus in Alen Chicco’s latest RnB pop single, Another Love Song hits will cut straight to the core.

The definitively 80s synth lines leave the hit awash with lush reverb as Chicco’s dynamic vocal timbre evolves around the tension-fraught build-ups and classic pop crescendos constructed by the funk-laden basslines and atmospheric drum fills.

With some of the juiciest vocal hooks we’ve heard this year, which prove the singer-songwriter’s capacity to incorporate all of the hallmarks of a perennial pop earworm while never compromising on the viscerally raw emotion, the industry should be eating out of the palm of his deft hands and pop fanatic sycophants should be breaking down his door.

Check out the official music video for Another Love Song by heading over to YouTube.

Review by Amelia Vandergast

Embark on an ochre aural adventure with Ross Cantrell’s single, Peach Skies, ft Sam Thompson

After graduating from Bath Spa University with a First-Class Honours Degree in Music and releasing a superlative string of successful singles, the saxophonist and composer, Ross Cantrell has invited his fans to embark on an ochre aural adventure by unveiling his debut album, Golden Hour.

While each of the seven singles serves up a melodic remedy that will indulge your senses in catharsis, the standout jazz-fusion single, Peach Skies, featuring Sam Thompson is the perfect introduction to Cantrell’s arresting ability to bring presence of mind to his listeners.

From an intro of reverberant drenched in 80s nostalgia synths, the downtempo amalgam of smooth jazz and electronic pop gets to work embedding under your skin, implanting ease with each mellifluous progression that exhibits Ross Cantrell’s natural talents when it comes to subduing you into a sonic world of sheer sonic serenity.

The halcyon days may be over in our society, but endless swathes of tranquillity await anyone willing to hit play.

Stream Peach Skies and the LP in full by heading over to Spotify.

Review by Amelia Vandergast

Ell South hit the ground ‘Running’ with her sophomore 80s synth-carved pop single

For her latest single, Running, the endlessly accoladed singer-songwriter Ell South fused ethereal artfulness and synth-carved 80s nostalgia to invite her audience into an aural chamber of honesty, vulnerability, and clarity.

Anyone who has ever known how brutal a battle of wills can be when you are going up against your own mind will see themselves reflected in a crystal-clear mirror when they allow the all-consuming vocal harmonies to take control of their psyche.

The stabbing synth lines with 80s-esque massive percussion and driving basslines give the track the same sense of resilience that radiates from the lyricism, while the lashings of reverb in the poetically illuminating atmosphere will sell sanctuary to the soul – especially the ones weary with ennui.

A certain degree of the authenticity within Ell South’s sound stems from her Welsh and Slovenian roots. She saw music as a right of passage after coming of age in a musical family and clearly came into her own while leaning on an eclectic array of influences.

Since making her debut, her music has featured on BBC Radio Wales, and her debut single launch was performed to a capacity crowd. She’s perceptively on the rise, but something tells us that won’t stop her from reaching out to her fans to lift them when they’re down.

Running hit the airwaves on the 25th of July; you can hear it by heading over to Spotify.

Review by Amelia Vandergast

Azure Kai strikes again with her illustriously authentic single, The Cakepop Song

Azure Kai cranked up the creativity in her latest imaginatively narrative release, The Cakepop Song; if anyone deserves to be revered as the Frank Zappa of this era, it is her with her quaintly endearing vignettes and visionary melodies.

80s-esque soul resounds in the atmosphere of the off-the-cuff alt-pop track that portrays the maladies of a middle school student being snubbed by his crush around the soaring Prince-reminiscent guitar solos and the crescendos that are just as consuming as the ones orchestrated by Queen.

Finding the perfect balance between theatrics and contemporary pop panache, Azure Kai effortlessly succeeded in spinning yet another superlatively synthesised tale that reaches the pinnacle of escapism music. We can’t wait to hear what follows as the Monmouth University student progresses through what is set to be an illustriously authentic career.

The Cakepop Song is now available to stream on Spotify.

Review by Amelia Vandergast

Ell South hit the ground ‘Running’ with her sophomore 80s synth-carved pop single

For her latest single, Running, the endlessly accoladed singer-songwriter Ell South fused ethereal artfulness and synth-carved 80s nostalgia to invite her audience into an aural chamber of honesty, vulnerability, and clarity.

Anyone who has ever known how brutal a battle of wills can be when you are going up against your own mind will see themselves reflected in a crystal-clear mirror when they allow the all-consuming vocal harmonies to take control of their psyche.

The stabbing synth lines with 80s-esque massive percussion and driving basslines give the track the same sense of resilience that radiates from the lyricism, while the lashings of reverb in the poetically illuminating atmosphere will sell sanctuary to the soul – especially the ones weary with ennui.

A certain degree of the authenticity within Ell South’s sound stems from her Welsh and Slovenian roots. She saw music as a right of passage after coming of age in a musical family and clearly came into her own while leaning on an eclectic array of influences.

Since making her debut, her music has featured on BBC Radio Wales, and her debut single launch was performed to a capacity crowd. She’s perceptively on the rise, but something tells us that won’t stop her from reaching out to her fans to lift them when they’re down.

Running hit the airwaves on the 25th of July; you can hear it by heading over to Spotify.

Review by Amelia Vandergast

Misty Drinx went back to the golden era of pop via his debut space odyssey, Oh I Love That Song!

Knowing that there is no better feeling than falling head over ears for an infectiously funk-laden pop hit, the up-and-coming artist Misty Drinx brought about a brand-new era of electro-soul with the release of his debut single, Oh I Love That Song!

Going back to the golden era of pop via a space odyssey, the single sweeps you up in a nostalgic 80s atmosphere, constructed by the oscillating synth lines, polyphonic keys and swathes of reverb that aid the transcendent euphoria of Oh I Love That Song!

Lyrically, the single may pay an ode to the feeling of hearing a song and wishing you wrote it, but the sentiment will undoubtedly be the same from the moment you greet the melodious earworm. We’re already stoked to hear the sophomore hit from Drinx now he’s found his euphonic calling.

Check out the debut single from Misty Drinx on Spotify.

Keep up to date with future releases via Instagram.

Review by Amelia Vandergast

Realer started the simulation with his bass-driven retro wave hit, Turn Me On Again

Turn Me on Again by Realer

The Scottish bassist turned one-man powerhouse Realer started the 80s synth pop simulation in his latest single, Turn Me on Again, which cuts right to the core of our contemporary proclivity to lose ourselves in the dopamine of our favoured procrastination-inspiring time vacuums.

Ingeniously, the reprise of Turn Me on Again can be taken as plugging into the digital domains that are becoming all-consuming, and with the funky 80s pop synthetics at play, it can similarly be deciphered as a cry into the void for a shot of visceralism derived from the real world. It is so easy to tell people to go out and touch grass, but when everyone is too addicted to their phones to venture out and experience verdant pleasures, it’s easier said than done to find connection away from the fake fray of online mediocrity.

Bass solos may not get the rep they deserve in the mainstream consensus, but if anyone has what it takes to advocate for them, it is Realer, with his trailblazing technical rhythms, which disrupt the sticky sweet synths, and are enough to make the most euphoric hits from the Human League sound positively melancholic.

Turn Me on Again is now available to stream and purchase on Bandcamp.

Review by Amelia Vandergast

Nightcars are dancing by themselves in their indie-soul-pop-rock amalgam, On My Own

Nightcars

With swathes of sugar on the vocal lines as they soulfully cut across the angularly sharp guitars and scintillating synths, the latest single, On My Own, from the Venezuelan powerhouse, Nightcars, is a reinvention of 80s nostalgia you will undoubtedly want to savour.

Adding to the amalgamated mix of indie, soul, pop, and rock are the deep funk-carved groove pockets that give the addictively affectionate release a distinctive dimension, setting Nightcars easily apart from the indie landfill fray.

On My Own is Grammy-worthy for the lyric, “should I pop another pill or is this how I should feel”. In such an evocatively succinct capacity, Nightcars encapsulated how we over-medicate human emotion to stop ourselves from feeling anything at all. If you needed any inspiration to rawdog your heartbreak, there it is.

It comes as no surprise that the band’s former releases have enabled them to build an international fanbase. Away from the conflict and turmoil in Venezuela, Nightcars now safely reside in Madrid, where they are working on their upcoming third EP, Extended Play Vol. 3, which is set to release later this year.

On My Own will officially release on June 9th. Check it out on Spotify and the artist’s official website.

Review by Amelia Vandergast

Forget your ex, fixate on Good Time Locomotive’s debut new wave pop-rock hit, Lines of Symmetry

The London-hailing prodigal sons of jangly new wave pop-rock, Good Time Locomotive, put the silver lining on your last sanity stripper of a relationship with their debut single, Lines of Symmetry, which allowed them to more than stay true to their moniker.

If you thought that Stranger Things delivered a potent shot of 80s nostalgia, you’ll be wishing your hair was bigger from the first time the crooned-over chorus hits in Lines of Symmetry. This wholly relatable dance-worthy hit is the nearest thing to closure that most disenfranchised hopeless romantics out there will get; consider the absolute earworm of a melody as bonus material.

Good Time Locomotive may be a fresh-faced outfit, but it comprises a collective of seasoned musicians who have enough musical chops between them to officially dub themselves as a powerhouse. We can’t wait to roll with the emotional punches in their forthcoming EP, due for release this summer.

Lines of Symmetry will officially release on May 13; hear it on SoundCloud.

Review by Amelia Vandergast