‘Lavender Tea’ is the latest indie synth-pop nostalgia hit from the experimental Bay Area solo artist New Sense (Ethan Brown). The funk-soaked ode to the 80s takes influence from icons, Earth Wind and Fire, Tame Impala and Still Woozy; New Sense also wears his MJ influences on his sonic sleeve in the high-energy track that is infectious from the first hit.
There is plenty of authenticity in Lavender Tea to quench your thirst for fresh funk; we can’t wait to hear what New Sense serves next.
Lavender Tea is now available to stream on YouTube.
It was impossible to forget San Gabriel after hearing the luscious guitar tones in his debut single, Another One. Based on his third single, Tape Machine, it’s safe to say that he’s found his signature sound by mixing shimmering shoegaze guitars with 80s dance-pop beats that bring the energy while his angular guitar notes add absorbing layers to his instantly enamouring aural eclecticism.
Listening to Tape Machine instantly becomes a subjective experience as you’re enraptured by the sheer innovation and the magnetically warm vocal timbre that practically bathes you in soul. Despite the striking authenticity in his sound, it’s all too easy to succumb to efficacious hooks in the high vibe poppy hit that masterfully stands leagues apart from other indie newcomers in 2021. If you’re as tired as I am of indie assimilators, you won’t regret hitting play.
Tape Machine is now available to stream on Spotify.
London-based singer-songwriter, Lilo, is set to release her 80s synthpop anthem, Everything I Ever Dreamed Of, which brings hyper pop energy, sweet ABBA-Esque piano chords and artful vocal timbre that allows you to imagine how Florence and the Machine would have turned out as an 80s synth-pop outfit.
Under the lush layers of reverb, the dancey beats boast a hypnotic texture, making Everything I Ever Dreamed of the perfect multi-functional indie pop playlist staple.
I’ve heard my fair share of contemporary twists on the 80s sound in the last year; it is safe to say that none left me as enlivened by the ingenuity as Everything I Ever Dreamed of which is due for official release on October 22nd, 2021.
If you can’t get enough hits of nostalgia recently, hit play on The Graes 80s pop-rock banger, Figure it Out. If Boyz II Men made their debut in the contemporary indie-pop era, we’re fairly convinced their tracks would unravel as eclectically and harmonically as Figure it Out.
With sticky-sweet lyrics such as “I know we’ve got issues, but I like them too”, The husband and wife folk-pop duo brought realism into the romantic narrative without ever bursting the affectionate bubble. At this point, we shouldn’t need to tell you that the single comes charged with commercial and earworm potential. If any song is going to convince you to accept your other half’s idiosyncrasies, it’s this infectiously honest release.
Figure it Out officially released on 22nd October 2021; you can check it out for yourselves by heading over to SoundCloud.
Glasgow-based alt-rock artist Jack Wakeman & The Dreamstriders are set to release their 80s-inspired track, Visions, which starts with growling post-punk basslines around glassy synths before evolving into a sonic mash-up of psych, synth pop and indie.
The kooky, hooky choruses pull you into an atmospheric soundscape that practically imparts neon strip light synaesthesia as the up-vibe grooves bring the energy and Wakeman’s vocals spill Bowie-level magnetism.
On the basis of Visions, Wakeman was discernibly influenced by the iconic Manchester sound after he relocated from Doncaster and worked as a bassist for members of New Order and the Fall. In 2020, he relocated to Glasgow and started to assemble an outfit that allowed collaborative chemistry to spill to the tune of his signature ‘apocalyptic optimism’.
Visions will be available to stream from August 27th; you can check it out for yourselves on SoundCloud.
Texas-hailing artist Melo Bermon has released his latest electropop hit, REPLACEABLE, which puts to bed the gaslit myth that manipulators are irreplicable. Regardless of their grandiosity, they’re ten a penny. If you need any further convincing, hit play.
With a similar electrifying sonic palette to the Weeknd, Bermon’s synthy vindicating hit was made to break free too. REPLACEABLE throws back to the 80s while keeping in line with the contemporary indie synth-pop trend; with his sticky-sweet vocal sensibilities, Bermon has exactly what it takes to overtake the Midnight in the charts.
REPLACEABLE is due for release on July 23rd; you can check it out for yourselves via SoundCloud.
Caribbean-born, US-based pop artist Rodney Pemberton has unleashed his debut synthpop single, Rendezvous (Reboot); the tropic and passionate release runs in the same vein as no other.
Most pop artists unashamedly wear their inspiration on their sleeves only for it to become the entire essence of the sound; Rodney Pemberton certainly can’t be accused of the same. The independent artist has had a lifelong affinity for music, but it is only when lockdown hit that he turned his attention to making his official debut.
The feel-good pop hit comes with Abba-style infectious high vibes paired with dancey synths that strike on the darker side of the tonal palette to create plenty of atmosphere in the promising debut,
Rendezvous (Reboot) is now available to stream on Spotify.
RnB meets 80s Pop in Canadian-born artist Antonio Didiano’s latest single, I Want You Baby, which pays ode to the lyrical, vocal and production styles of Antonio Didiano’s biggest influence, George Michael.
The sonic reminiscences may be plentiful in the synth-driven track but Antonio Didiano still manages to put his signature sound into the mix with the entrancing deep house beats that groove along with the infectiously amorous melodies. As much as we appreciated the serious talent on display in I Want You, Baby, we would still like to hear Didiano finding a more even balance between his own sound and his icon’s.
I Want You Baby is due for release on May 28th; you can check it out for yourselves by heading over to Antonio Didiano’s official website.
Plenty of pop artists explore the interstellar with their sound, but with Jake Inzerra’s grooving single, Rocket, you’ll feel the ascension as your dopamine levels get a top-up and the 80s-influenced infectious melodies choruses take hold and bring the energy.
The Connecticut-born singer-songwriter and producer takes inspiration from pop icons from across the ages, and it shows through the timeless euphoric vibes in Rocket. But there’s plenty more to Inzerra’s connectable presence on the airwaves than his influences; he turned to music and dance after receiving homophobic abuse in his narrow-minded hometown before moving to NYC and finding the freedom to be inspired by 80s-style androgynous male glamour and harness his own creativity.
As a firm believer that androgyny is the future, there’s nothing more satisfying than encountering an artist bold enough to defy convention and be unapologetically, authentically sensational. Inzerra’s music is an irresistible invitation to live your own life, not a life of downtrodden assimilation that the illiberal prescribe.
Rocket released on April 23rd; you can check it out for yourselves by heading over to YouTube.
70’s Motown, funk, soul, and tinges of early 80’s pop-rock combine on ‘I Did My Best’, the second single from Pat Girondi & The Orphan’s Dream’s fifth album ‘Orphan’s Return’. There’s obvious links to Chic, The Temptations, KC and the Sunshine Band, or the Gap Band, but there’s also that oh-so-cool-again 80’s groove – Scritti Politti, Blow Monkeys, or Curiosity Killed The Cat – that makes it sound totally on point and up-to-date.
Pat Girondi is originally from the South Side of Chicago, and – aside from being an Italian-American singer-songwriter – is also the founder of a Gene Therapy company; the five albums recorded so far by the Orphan’s Dream focus around – as the name suggests – orphan diseases, and around Pat’s fight to cure Thalassemia and Sickle Cell Disease. In ‘I Did My Best’, Girondi tells the story of injustice within the healthcare system, and of over-prescribing and mis-representing patient’s best interests. It’s also a killer little soul/funk/pop tune in its own right, and while the subject matter is serious that doesn’t stop ‘I Did My Best’ being utter fun.
You can hear ‘I Did My Best’, and the rest of the ‘Orphan’s Return’ album, on Spotify. Check out Pat Girondi & The Orphan’s Dream here.