Browsing Tag

80s Darkwave

Yarsha has made his quirky darkwave electro debut, Do you wanna dance

https://open.spotify.com/track/0cc7i3ojtavuAUlqes7BDt?si=b86e08159aa64459

The darkwave synth-pop genre saw a surge of quirky innovation after the release of the debut single, Do you wanna dance, from the Italian self-proclaimed nerdy spiritual data scientist, Yarsha.

Starting with a similar stylistically moody edge as Depeche Mode and New Order, you’re drawn in by the familiarity. Once you are safely nestled into the synth-carved soundscape, that’s when the indulgent obscurities start to manifest in the distorted vocal layers and caustic effects which amass around the 80s synths. By that point, you’re suitably hooked in the paradox of so much personality breathing through an electronica soundscape, which progressively flirts with the more mechanical proclivities of industrial. It’s enough to make Covenant sound lobotomised.

To answer the question proposed by the title, as long as this track is playing, it is a resounding yes for me. We can’t wait to hear what the rest of the upcoming debut album contains.

Do you wanna dance is now available to stream on Spotify.

Review by Amelia Vandergast

Oliver Marson reached the epitome of aural satire with his darkwave post-punk music video, Manipulator.

Taking the most frustrating threads of our social fabric and weaving a hypnotically euphonic darkwave post-punk earworm with them is no easy feat; by bringing his best Patrick Bateman energy to his sinisterly shot video for Manipulator, London’s Oliver Marson succeeded. The late-stage capitalist state of 2022 couldn’t ask for a better aural satirist.

Though visually, he makes a convincing sociopath that thrives on the stupidity of the prolifically dull minds and their emotion-driven tendencies. There’s no hiding his affable soul that always contrasts his dark textures and themes in his consistently addictive and eccentric tracks.

While the angular guitars reminded me why I fell in love with Interpol (Turn on the Bright Lights, obviously), the Editors-ESQUE anthemically crooned post-punk vocals drive up the hooky energy around the drone of the 80s vintage synths and the beats that are always snapping the lyrical heels of lines such as “there’s nothing left besides what you hate”.

It’s almost been three years since Oliver Marson appeared on our radar with the ultimate hedonist’s love song, Cocaine Romance. We never know what to expect, aside from resistance to conformity and unapologetic theatrical flair. As ever, we can’t wait to hear what follows.

The official music video for Manipulator premiered on March 29th. It is now available to stream on YouTube or add to your Spotify playlists.

Review by Amelia Vandergast