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Sarah McCulloch painted a mountainous vignette with her honkytonk hit, Back In Them Hills

Posted on 25 March 2024

Sarah McCulloch’s single Back In Them Hills is a vivid portrayal of the landscape her soul calls home, offering listeners a sanctuary in its upbeat honkytonk rhythms. The track goes beyond a mere tribute to country folk’s roots; McCulloch becomes a conduit for the genre’s enduring spirit. Her vocal lines which spill over with soul are as panoramic as the landscapes she paints with her lyrics.

McCulloch, a renowned folk singer-songwriter and country artist from Florida, is known for her exceptional storytelling and poignant lyrics. Her ability to weave captivating stories through her music has earned her a loyal fan base and critical acclaim, with Americana-UK and Lonesome Highway praising her previous works for her modern yet traditional sound.

McCulloch’s upcoming full-length acoustic album, Driving Me Home, produced by Jim Bickerstaff and featuring Florida musicians like Raiford Starke and Jeanie Fitchen, is an inspiring collection of aural stories which reflect themes of triumph over adversity and the courage to embrace vulnerability. Born in Miami and raised near the Big Cypress Seminole Reservation, McCulloch’s music, recognised by the State of Florida’s Division of Arts and Culture, draws inspiration from her unique upbringing.

Back in Them Hills was officially released on March 22nd; stream the single on SoundCloud.

Review by Amelia Vandergast

Luke Meyn delivered an indie psych dream you’ll never want to wake up from with ‘When It’s Over’

Posted on 24 March 2024

Embark on an indie synth odyssey with the Brisbane, Australia-hailing artist Luke Meyn’s debut single, When It’s Over; finality has never sounded so sweet. Meyn covered the entire spectrum of emotion in this seminally blissful release which proves that endings don’t always need to necessitate bitterness.

The soundscape became the perfect vessel to carry the tenderly expressed emotional themes. The way the psychedelic layers rove through the scintillating cosmos of the production that bleeds all the intimacy of Grandaddy and Yo La Tengo while delivering the same transcendently kaleidoscopic colour of The Beatles and all of the arcane air of Mercury Rev ensures that When It’s Over sonically swallows you whole and transports you to another dimension.

With the promise that no two songs from Luke Meyn are the same, we’re equal parts gutted we can’t anticipate another single in the same vein as When It’s Over and stoked to hear what is to come from the artist who takes a spontaneous approach to song crafting by following his muse, wherever they may roam.

When It’s Over was officially released on March 16th; stream the single on Spotify.

Review by Amelia Vandergast

As Was sold indie alt-country sanctuary in his latest single, Borrowed, featuring Joshua McBride

Posted on 24 March 2024

Off the back of his successful sophomore LP, Open Container, the LA native singer-songwriter As Was (AKA Kosta Stanisavljevic) collaborated with Joshua McBride on his latest single, Borrowed, and exhibited his freshly honed alt-country meets indie sonic signature.

Following the gentle finger-picked notes of the guitar strings, ethereal with melancholy vocals drift into the simple yet stirringly profound production as the lyrics unravel as a narrative of ennui from someone who only finds comfort in isolation.

Haunting enough to rival Tom Odell and Elliott Smith, arcane enough in its alt-country atmosphere to stir in the same vein as Kurt Vile and San Ilios, As Was effortlessly succeeded in sonically visualising the aching emotions which inspired Borrowed, which explores the anxiety-fraught sensation of feeling like you’re living on borrowed time, relentlessly seeking reasons to keep hanging on.

Part of the affecting intimacy of As Was can be attributed to his stint away from listening to other artists as he was cutting his teeth as a singer-songwriter. He felt the influence of other artists diminished his own ability to achieve sincerity at a time when he truly tried to find himself. Now he’s a well-established artist, he continues to ground himself deeper in his distinction, and his discography is all the more deeply felt for it.

Borrowed was officially released on February 29th; stream the single on Spotify.

Review by Amelia Vandergast

The Show Goes On in Jesse Agan’s Broadway-Esque Pop-Rock Debut, Home

Posted on 24 March 2024

Jesse Agan’s debut single, Home, arrests with the same intensity of a Broadway tune, all of the lyrical affection of naturalism you would expect from a Vermont native, and guitar riffs that cut through the timelines to take you back to the rock-licked eras of the 60s, 70s and 80s.

The sense of soul in the release is effortless to surrender to, exhibiting a sure sign of Agan’s charisma and command; you instantly feel safe in his aural presence, knowing that whichever avenue his progressive revelation of a debut single leads you down, you’ll be enveloped in the sanctifying alchemy of the retro arrangements filtered through modern production. Ironically, with Home, he delivered all the sanctuary of home, whatever that means for you.

Agan’s ethos of creating hook-centric and vocally forward releases after finding a scintillatingly stirring and passionate formula for his releases is sure to see him go far in the music industry that is crying out for authentic talent and artists unafraid to take audaciously vulnerable leaps with their music.

Home was officially released on March 14th; stream the single on Spotify.

Review by Amelia Vandergast

DNA unveiled the UK RnB debut you don’t want to miss with the dualistically stylistic hit, Love or Let Go

Posted on 23 March 2024

Whether you keep hanging on to a relationship that is showing no lifelines or are too hesitant to let down your barriers, DNA’s alt-indie RnB hit, Love or Let Go, will give you all the permission you need to move forward with no inhibition.

Between the grooves of the Latin guitars and the jarringly immersive electronic aesthetic that rocks turbulence behind the solid backbeat, DNA constructed the perfect platform to sonically visualise the emotional themes of Love or Let Go and carry the weight of his hot and heavy vocal lines.

With his vocal dynamism that shifts effortlessly from Hozier-esque timbres to light pop harmonies to electronically distorted dominance, the UK-based up-and-coming talent ensured that he was more than a new entry in the UK RnB scene; he exhibited himself as an RnB heavyweight right out of the gate. We can’t wait to hear what follows.

Love or Let Go will hit all major streaming platforms on March 22; hear it on SoundCloud first.

Review by Amelia Vandergast

Messy Mike – Things Are Crazy: An Alt-Indie Remedy to the Malady of Modernity.

Posted on 21 March 2024

Messy Mike used the cinematic sheen of neo-doo-wop to add transcendent melodic ascendence to his vintage-toned alt-indie rock allegory of how darkness permeates the psyches of us all – regardless of how hard we endeavour to push away the shadows of ennui.

Things Are Crazy goes beyond unravelling as a sonic sign of the times, the kaleidoscopically colourful release that will be a hit with any fans of The Strokes goes one strident step further to deliver vindication and salvation in the same rhythmic breath.

Regardless of how much we know that this dystopia dogs us all, that doesn’t get in the way of bringing our sanity into question; if you can relate, Things Are Crazy will give you all the answers you’re looking for; sift through the layered instrumentals, gentle acoustics and sweeping organs and hone in on the soulfully caressing vocal lines for a remedy to the malady of modernity.

Stream Things Are Crazy on Spotify now.

Review by Amelia Vandergast

Go down the rabbit hole with TaQuan MonChez’s ode to 80s soul, Wonderland

Posted on 20 March 2024

Start your 80s RnB love story by slipping into TaQuan MonChez’s latest single, ‘Wonderland’, which pours the essence of gospel into the heart of RnB. After honing his skills in a 20-year tenure as a church musician and a self-taught pianist, Wonderland showcases TaQuan’s journey and his ability to construct auditory embraces, capable of enveloping listeners in lush, hazy tones.

The ode to an ethereal kind of love, one that allows the material world to dissolve into insignificance, ensures this emotional theme resounds through each element – especially through his velvety magnetic vocals as they effortlessly ascend into a higher vocal register.

The guitar lines in ‘Wonderland’ are also a standout feature, dancing through the track with a pop and groove that’s infectious, intricate, and definitively 80s. These melodies underpin TaQuan’s vocal prowess, creating a layered and immersive soundscape.

Moreover, ‘Wonderland’ is a showcase of TaQuan MonChez’s exceptional songwriting ability. Each musical element is meticulously woven to create a tapestry that visually and sonically represents the sanctity of transcendent love. The song is a testament to TaQuan’s belief in music that resonates with integrity and decency.

Wonderland was officially released on February 16; stream the single on YouTube.

Review by Amelia Vandergast

Top supermodel Alana Monteiro brought style to the airwaves with her RnB meets dream-pop hit, Miss No More

Posted on 20 March 2024

Fuse wavy indie dream pop with swathes of contemporary appeal and Lynchian sonic cinematography, bed the synthesis into RnB roots, and you will be left with a hypnotic elixir which pours as deliciously as Alana Monteiro’s single, Miss No More.

The single unravels through the juxtaposition of lyrical vulnerability and the strident reclamation of power following a disempowering relationship that turned sour. The timbres in the track may run smooth, but there’s no putting out the fire Alana Monteiro started with her velvety luxe vocal lines that harness all the rage that is left in the ashes of a relationship that will never allow you to live up to your worth.

It’s a stunning release from the multi-faceted powerhouse of talent; when Alana Monteiro isn’t in the studio, she’s making waves in the fashion industry as a top supermodel who has made her way into the ranks of the top 100 black female models and acting in Emmy-award-winning films. Miss No More is definitive proof that her beauty is more than skin deep; it oozes from her soul into the lush production.

Stream the official lyric video for Miss No More which is slick with Burn Book-esque aesthetics and premiered on March 13 on YouTube.

Review by Amelia Vandergast

Lynden. – Change: A Melodic Indie Folk Pop Embrace of Vulnerability and Hope

Posted on 17 March 2024

Evoking resonance by versing on our tendency to chase distraction to outrun negative pervasive thoughts and feelings of loneliness, Lynden.’s latest single, Change, melodically thrives on an emotive confluence of indie, pop, and folk and renders your heartstrings raw through the candour.

The deep emotional themes which traverse the trappings of anxiety and depression go beyond touching on the darkness that finds a way of leaving a shadow over all of our lives. Lynden. used the opportunity to advocate for the vulnerability of honesty and to extend hope to people who need to hear that world views are malleable. In short, If this world is just illusion, choose one that fulfils you.

Starting with simple acoustic guitar chords and evolving into an intimately all-encompassing production which echoes the appeal of Violent Femmes and The Maccabees’ more melancholic work, the Burnley-based singer-songwriter and multi-instrumentalist orchestrated a soundscape which sonically visualises the tenderness of the lyrical narrative, while injecting enough rhythmic zeal to give Change an all-too efficacious uplifting energy.

After receiving critical acclaim and over 24k streams for his last single, You, Lynden. is leaving his affectingly intimate mark on the indie landscape; we can’t think of a more worthy breakthrough artist in 2024.

Change was officially released on March 15. Stream the single on all major platforms via this link.

Review by Amelia Vandergast

Nick Cave Meets the National in Harry White’s Latest Feat of Melancholic Liberation, A Way to Go

Posted on 17 March 2024

Harry White’s single, A Way to Go, extracted from his seminal LP Elvera, released on February 23rd, is a profound exploration of introspective lyricism and eclectic soundscapes.

The London-based artist embarked on a new musical chapter with his third album. A Way To Go, in particular, stands out as a vivid illustration of White’s artistic evolution. The influence of Nick Cave permeates through the keys and the gravelly drama of the vocal lines, while the introspective and intimate lyrics carry the magnetic flair of Leonard Cohen.

White’s venture into a more eclectic sound palette is evident in the fusion of electronic effects and the inclusion of a scratchily turbulent backbeat, hinting at The National’s influence. This backdrop is more than just a sonic layer; it’s a canvas for White’s philosophy that the world’s end is inevitable, regardless of individual actions. This theme, rather than being oppressive, is presented with a liberating twist, making A Way to Go a paradoxically uplifting anthem of melancholy.

The track is a compelling blend of styles, reminiscent of the transcendent zeal of ELO, yet amplified with a gothic romanticism unique to White. As the singer-songwriter gears up for live performances, A Way to Go solidifies his position as a seminal artist on the London circuit.

Stream A Way to Go on Spotify now.

Review by Amelia Vandergast