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New RnB Music Blog

Son Kuma’s concept LP, Keep That Energy, revives long-play immersion through soulfully elemental RnB hip-hop alchemy

Few artists take the concept album as seriously as Son Kuma. With Keep That Energy, the Inglewood songwriter, producer, recording artist and Stanford Mathematical Physics graduate built a multidimensional narrative, using his background in physics to make every feat of RnB hip-hop elemental.

It is cinema that needs no screen. Once the opening single, Inertia, hits with its high-vibe, melodiously fresh catharsis, you are fully locked into the arc Son Kuma sets in motion. The tracklist pulls from physical concepts including inertia, force, distance, work, time, power, energy, weight, height, potential and matter, sequencing them into equations that give the album its cerebral architecture.

The way he interacts with the female vocalists, who bring dream-like soul to the LP, creates a thread of dialogue that tethers you into the stream of connection in a way that makes you feel like a participant instead of a witness. Across its warm RnB textures, rap clarity and reflective production, Keep That Energy asks where our effort belongs, before landing on love as the answer worth protecting.

Fans of Kendrick Lamar’s conceptual weight and Childish Gambino’s cinematic ambition should sink right into this rabbit hole of soul. The art of kicking back and just listening to an LP might be lost, but Son Kuma has what it takes to revive the meditative appreciation of long play.

Keep That Energy is now available on all major streaming platforms, including Spotify.

Review by Amelia Vandergast

Club-ready Afro-pop sensuality gets its UK RnB firebrand in Von’Jai’s ‘Mystique’

Von’Jai’s latest single, Mystique, is the ultimate femme-fatale RnB Afro-pop reckoning with a bassline plotting for your submission and surrender. The London-based artist is fully in command of the solo spotlight she stepped into with her debut single, No Angel, in 2024 after moving away from harmonising under stained glass in church and wowing X-Factor judges as part of a mixed group.

Mystique carries a club-lit heat that reaches beyond surface seduction. Mixed and mastered at Redroom Studios by Klaudia Keziah and Kyle Hollow, the single uses Jake Davis and PMD’s beat-and-vocal production to frame Von’Jai’s voice into siren-warm, self-possessed resonance that’s impossible to flatten into anyone’s lazy assumption. The track understands mystique as protection; something sacred, which is echoed for listeners who have spent too long being misread by people with no appetite for depth.

The Afropop rhythm gives the song its centre of rhythmic gravity while the harmonies tighten the velvet-soft pressure. You can hear why Janet Jackson, Ciara, Beyoncé, Rihanna and Teyana Taylor sit in her reference field, along with the glossy girl-group sweetness of 3LW and Tyla’s global Afro-pop ease, yet Von’Jai’s signature has its own threat level.

After Se Mio and Love Language, Mystique feels like the moment her dominion over UK RnB starts looking inevitable.

Mystique is now available on all major streaming platforms, including Spotify and YouTube.

Review by Amelia Vandergast

Giselle delivered accordance from the pervasive lack of accountability in her soul-swathed LP, JUST SAY SORRY

For everyone exhausted by the pervasive tendency to shift accountability into excuses, Giselle’s long-awaited album, JUST SAY SORRY, is the antidote to the angst of living in an era where everyone seems to be playing their own warped game. The Boston-born, Buffalo-raised, Los Angeles-based singer, songwriter and multi-instrumentalist carried years of performance into her LP rooted in self-forgiveness, release and reclaimed joy.

Kicking off strong with the title track, JUST SAY SORRY, which honeys the Y2K RnB-pop era with an ethereal glow, its easy to believe Giselle set a high bar for the LP, but with each single that follows, she allows those who seek sanctuary in soul to mine more aural gold; especially as the LP moves into COMPLICATED, one of the album’s strongest singles, which harmonises the epitome of the RnB-pop earworm.

Throughout the LP, Giselle moves through soulful guises, tying each single together through the sheer accordant bliss of her sonic signature. YOUNG drifts into new-wave dream-pop territory; listen once, and you will realise how hollowly manufactured most reverb-drenched releases are.

With HEARTBEAT, yet another album standout, Giselle teases cinematic trip-hop intensity through her deliciously cathartic, always-poised grace. It has the bite of Bjork and the moodiness of Portishead, yet remains definitively Giselle, powered by standing ovation-worthy vocals and an accountability-first emotional spine.

After shows at Hotel Cafe, The Viper Room and Whisky a Go Go, and with a voice naturally primed towards sublimity, Giselle is an arcanely magnetic unreckonable force set to make a weightless ascent through the RnB hierarchy.

JUST SAY SORRY is now available on all major streaming platforms, including Spotify.

Review by Amelia Vandergast

Shadow-Glazed Seduction Cuts Through Cinematic Hip-Hop in Pink Jagg’s ‘Shotgun’

Pink Jagg went deeper into the archives of old-school sample culture for their hypnotically stylised hip-hop single, Shotgun. Built around the brotherly creative partnership of Austin and Jagger Spacy, the project lets Jagg take vocal lead while Austin shapes production that challenges rap’s usual contours with a shadow-glazed, cinematic appetite.

From the intro, Shotgun unravels like a scene from a seduction-swathed espionage film from the golden age of Hollywood, all smoky brass crying out into the atmosphere only a deliciously arranged production can deliver. There is a darkness to Shotgun, one that comes without novelty macabre theatrics; it feels closer to a mind more comfortable in shadow than light.

As the single progresses, it moves further away from old-school hip-hop completely, slipping into a contemporary frame as the cadence of the rap bars sharpens and desire reaches fever pitch. Pink Jagg’s charisma carries a shadowy sense of sex appeal, exhibiting Jagger as a hip-hop heartthrob with poet-at-heart bars that reward repeat listens.

The way the duo wrap soul, RnB, jazzy old-school hip-hop and contemporary rap around one silk-lined threat is enough to spark an unhealthy level of obsession. After DONTFEELBADFORME, Pt. 1 surpassed one million streams with its trip-hoppy leftfield attack on rap monotony, Shotgun is set to fire Pink Jagg onto an even more mainstream map.

Shotgun is now available on all major streaming platforms, including Spotify.

Review by Amelia Vandergast

Standing-ovation-worthy harmonies carry the faith-lit release of Cydni Brionne’s ‘bye bye!’

Cydni Brionne is the up-and-coming sensation giving Americana folk an RnB soul. With her latest single, bye bye!, a myriad of roots-reverent genres converge; honkytonk brushes against blues, funk meanders through old-school singer-songwriter soul, and through it all, Brionne’s vocals ensure no instrumental juxtaposition steals the spotlight from her standing-ovation-worthy, primed and powered harmonies which resound beyond the usual remit of soul.

The sense of creative freedom exhibited in the single, which celebrates the exhilaration of finally arriving at a long-awaited moment of definitive closure, only amplifies the empowered liberation; you can hear Brionne coming into her own through her stylistic choices and her conviction alike. bye bye! also carries the weight of anxiety, exhaustion and the need to break from a turbulent mind without pretending faith requires emotional perfection.

A classically trained singer, guitarist and faith-based indie artist, Brionne writes from lived experience for outcasts, truth seekers and spiritually wandering listeners who need more than neat reassurance. Her music has already reached Sofar Sounds, Breaking Sound and House of Blues stages, but bye bye! feels especially personal in its hand-through-the-storm immediacy.

Fans of Stevie Wonder’s soul-saturated generosity, Donny Hathaway’s heart-deep vocal gravity, Amy Winehouse’s smoky intimacy, Norah Jones’ softened ache and Samm Henshaw’s modern gospel-soul signature will hear the lineage in Brionne’s authentically electrifying performance.

bye bye! is now available on all major streaming platforms, including Spotify.

Review by Amelia Vandergast

Crystal Tamar’s ‘Whachoo Doin?!’ pushes project soul through Houston RnB adrenaline and Y2K pop hooks

Crystal Tamar revved up RnB to the nth degree in her audaciously fiery hit, Whachoo Doin?! The La Marque, Texas-born singer-songwriter, now thriving as a solo artist in Northern California, brings the kind of stage-forged confidence that makes sense from someone who once captained the Houston Texans cheerleaders before stepping into Sophia Fresh, T-Pain’s Atlantic Records girl group.

By taking a maximalist approach to the production’s adrenaline, Whachoo Doin?! hits with unrestrained, high-octane energy. Tamar can hold her own when it comes to conventional harmonies and pouring soul on top of soul, but she comes into her own when she is holding together a track sprawling in several directions without letting the emotional thread snap.

When she is riding boom-bap waves, she brings Houston-inspired chopped-and-screwed swagger into sharp relief. When she leans into the hook, cinematic Y2K pop resonance cuts through the production with enough gloss to make the single feel addictive without sanding down its bite. It is project soul with its nails done and its guard up.

Her résumé, from work with Kanye West, CeeLo Green and T.I. to voicing Josephine Baker for the Smithsonian, already proves her range. Executive-produced by Kosine and Young Fyre, This Changes Everything places Whachoo Doin?! inside a wider statement of love, self-searching and vocal firepower.

Whachoo Doin?! is now available on all major streaming platforms, including Spotify.

Review by Amelia Vandergast

Marvin Dark smouldered his way into the dark soul RnB pantheon with his cosmically exotic release, BODY

Few contemporary RnB singles could be considered truly timeless, but Marvin Dark’s decadently trippy single, BODY, will refuse to lose its cosmically scintillating power as genre trends shift beyond what the icons and assimilators are pushing out of the pipeline. The Los Angeles-based independent RnB artist has put himself on the map with his emotionally driven records rooted in intimacy, confidence, vulnerability and honest storytelling, and BODY brings that ethos into a more nocturnal, club-lit frame.

It’s a heady mix of dark soul, interstellar ambience and artful recontouring of RnB flavours. In spite of the innovative complexity in the timbrally lush arrangement, Marvin Dark brings enough commercial potential to hypnotise DJs into spinning it on repeat. The production feels expensive without becoming sterile, letting the low-end roll with velvet pressure while his vocal presence slips through the electronic layers with sensual restraint.

The Afrobeat-tinged flavours bring a sense of warmth and soul, but there’s a stylistic twist within the synth architecture that gives the release the appeal of an underground kinetic floorfiller. BODY makes his growth feel tangible, sharpening the intimacy of his sound while pushing it towards a wider dancefloor. Marvin Dark understands that RnB can still feel intimate while moving bodies.

BODY is now available on all major streaming platforms, including Spotify.

Review by Amelia Vandergast

Connor Fischetti Interview: The Heart, Humour and Human Spark Behind the Band

Connor Fischetti makes music with the kind of warmth that reminds you why bands still matter. In this A&R Factory interview, he opens up about the value of real musicianship in an era increasingly shaped by shortcuts, how technology can support artists without replacing the human feeling behind a song, and how his self-titled album grew once it reached the hands of a full band. There is plenty of soul in the conversation too, from the awkward sweetness of early romance in Don’t Let Me to the influence of Jeff Buckley, Prince, Blur and Bruno Mars on his sound. Fischetti also talks about winning over East Lansing crowds, trusting yourself more than the internet, and making shows that give people a reason to step outside their own heads for a while.

Your band has positioned itself as a staunch rejection of AI music and soulless electro pop. What finally made you think, “Right, we need to put real musicianship back at the center of this”?

I think over the years, modern musicians have gotten better, faster, more precise, and it’s resulted in an era where musicians are inspired by programmed music and electronic pop. I think there’s something amazing about how we’re at the start of a new era, which is a large return to bands with musicians with distinct styles, playing simple parts, or very complicated ones, but as tightly as possible.

Where do you draw the line between technology serving musicians in the studio and technology replacing the human being behind the song?

I think that technology has always served a purpose in terms of creating new styles and modes of musical expression, but the main goal of any piece of technology used in musical production should be as a tool, not as a substitute for human expression. Otherwise it stops being art, at least in my opinion.

Your self-titled album became the foundation for the full band. How did those songs change once you placed them in the hands of musicians with their own personalities and ideas?

I have versions and recordings of the band playing live, and the fluidity of the structures, the improvisation on certain vamps, and the engagement and energy with the musicians can all be felt. I’d love to release those someday.

Don’t Let Me captures the cringe of early romance with incredible honesty. Did one painfully awkward memory inspire it, and did any lyric feel especially exposing to write?

It felt like it was written from a combination of experiences, where early flirting and intrigue put you in such a place of vulnerability. In my way, it felt like I was reflecting back on my first few years in college.

Your live set places Jeff Buckley, Prince, Blur and Bruno Mars beside your original material. What do those cover choices reveal about your musical DNA?

I mean, there’s clearly a soulful connection and link between all of them. These are artists that have always been known for being great frontmen, innovators, and prolific writers, players, and instrumentalists. I take cues from all of them in different ways, a lot having to do with sound selection, mixing and production choices, and vocal and songwriting inspirations.

You built a strong reputation around East Lansing through musicianship and soul-driven sound. What have those local audiences taught you about winning over a room?

This has taught me that people love an elaborate and entertaining show designed to capture their attention and distract them from their lives for an hour or more!

Your album tackles situationships, sex, depression, and emotional turmoil with a cheeky Timberlake-esque wink. If you could make one impression on people dealing with the mess of contemporary reality, what would it be?

That people need to trust themselves more than the internet when making decisions in their lives, because even when they make the wrong choices, at least they’re actually learning the lessons. You also do a much better job at learning what it is you’re seeking from friendships, relationships, casual partners, etc.

Thanks for giving me these fun questions!

–

Stream latest singles on Spotify & connect with the artist on Instagram. 

Interview by Amelia Vandergast

R&B Remembered the Blues: Darién Castro Put Vintage Soul Back on the Turntable with ‘Out of Control’

The glamour of old Hollywood shimmers through the neo-pop stroke of soul, Out of Control, by New England singer-songwriter Darién Castro, who holds the grace and poise of a Parisian chanteuse in the same proverbial hand as her radio-ready, swoon-worthy sensibility. Yet it feels blasphemous to play Out of Control on anything but a vintage turntable; even without static catching on the needle, warmth permeates the single made for anyone who orchestrates a private mythology in their bedroom with the door closed.

Castro finds the middle ground between reverie and the stridency of a starlet coming into her own once every prying eye falls away. The way her vocal phrasing carries composure through each emotional tremor allows desire to breathe through the intensity of her vocal melodies. The production gives her voice room to luxuriate, surrounding it with polished pop clarity while keeping the soul foundations tactile enough to almost touch.

Out of Control reminds us where R&B started and restores the blues to the genre’s bloodstream. The blues guitar solo absolutely seals the genre reverent deal, arriving with enough emotional eloquence to make a single bent note feel scandalous. Castro began performing in New Hampshire theatre companies and later worked across film and stage production, experience that explains the cinematic assurance within her performance.

Out of Control is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Pressure into Power: An Interview with One of This Generation’s Most Resiliently Fierce Firebrands, Ashley Savage

The Indiana artist Ashley Savage carries grief and defiance into every corner of her music and has transformed her surname into a personal doctrine for surviving everything designed to break her. Her defining single, I Am Savage, grew from the loss of her father and stepfather, cementing an artistic identity where confidence gains its weight through vulnerability. In this interview, Savage explains why emotion takes priority over genre and how her single, Pressure, reaching number one strengthened her belief in an independent future. She also discusses Gary’s musical legacy, her hands-on role in shaping each visual release and the collaborators capable of serving her long-term ambitions. This is an artist writing her own blueprint with the pressure still visible beneath the ink.

I Am Savage is a powerful statement of identity. When did you first feel that “Savage” had become more than a name and started representing a whole creative mindset?

I Am Savage was born from everything I’ve overcome over the past few years. To me, “Savage” isn’t about being aggressive—it’s about rising above everything that tells you that you can’t. It’s about refusing to let pain, loss, or adversity define your future.

After losing both my father and my stepfather, I Am Savage stopped being just my last name and became my truth. It became the foundation of finding myself through everything I had endured. Even while carrying that pain, I refused to stop moving forward. I earned a 3.9 GPA in college while continuing to build my future, proving to myself that hardship doesn’t have to determine your outcome. For me, being Savage means choosing resilience over defeat, perseverance over excuses, and becoming the person you were meant to be despite everything you’ve faced. That’s the mindset behind my music, my artistry, and the life I’m building.

Your sound pulls from hip-hop confidence, R&B soul, trap energy, funk movement and cinematic production without sitting neatly in one box. Was that refusal to fit into one lane something you had to fight for, or did it come naturally from the way you hear music?

It came naturally because I’ve never experienced music as separate genres. I hear emotion first, and then I build the sound around that emotion. If a record needs the confidence of hip-hop, the soul of R&B, the bounce of funk, the energy of trap, and the scale of cinematic production, then that’s exactly what I’m going to create. I’ve never wanted to fit into a box because I believe some of the most memorable artists are the ones who create something that doesn’t already exist. My goal has always been to build a sound that’s recognizable as Ashley Savage the moment you hear it

There is a huge sense of self-belief in your music, but there is also vulnerability underneath the flex. How important is it for you to show power and pressure in the same breath?

It’s extremely important because I don’t believe confidence means pretending you’ve never struggled. Real confidence comes from surviving the moments that tried to break you.

My music celebrates strength, but it also acknowledges the pressure that comes with chasing your dreams, overcoming loss, and believing in yourself when nobody else does. I want people to hear my music and realize that it’s okay to feel pressure. What matters is that you keep moving anyway.

You have built a growing catalogue with tracks like Pressure, Commandments, Digital Touch, War and I Am Savage. When you look back at those releases, which song feels like the moment where your artistic identity started to lock into place?

Every release has been a chapter in my journey, but I Am Savage is the record that truly defines who I am. It isn’t just another song—it’s my identity. It’s the first time I felt like the music, the message, and the artist all aligned into one vision.

The earlier records helped me grow as a songwriter and performer, but I Am Savage feels like the beginning of the artist I’ve always been working toward becoming. My debut Album will truly reflect the identity that I have become.

Pressurereaching No. 1 on the New Lease Music Charts for two consecutive weeks must have been a serious marker of momentum. How did that recognition change the way you saw what was possible as an independent artist?

It reminded me that independent artists can build real momentum without waiting for permission. Reaching No. 1 wasn’t just exciting—it was confirmation that people were connecting with my music and that consistency pays off.

That experience gave me even more confidence to keep investing in myself, trust my instincts, and continue building my career one release at a time. It reinforced that success isn’t about overnight moments; it’s about showing up, improving, and staying committed to your vision.

Coming from Gary, Indiana, a city with a huge musical legacy, do you feel that history behind you when you create, or are you more focused on building something that speaks entirely to this generation?

Growing up in Gary definitely reminds me that greatness can come from anywhere. It’s inspiring to know that a city with such a rich musical history continues to produce artists who dream big.

At the same time, I’m focused on creating something that’s uniquely mine. I want to honor where I come from while contributing something new that speaks to today’s generation. My goal isn’t to follow someone else’s blueprint, I am thriving and pushing to create one that future artists can also be inspired by.

Your vision clearly goes beyond releasing songs, with visuals, storytelling, brand identity and digital connection all feeding into the bigger picture. How hands-on are you with the visual world around Ashley Savage?

I’m very hands-on because I believe every detail matters. From creative direction and branding to visuals and storytelling, I like to be involved in shaping the experience people have with my music.

I don’t see visuals as promotion—I see them as another form of storytelling. Every release is an opportunity to build a world around the music so people don’t just hear it, they experience it. That’s something I’m passionate about and will continue to expand as my career grows.

You have had encouraging feedback from people in the industry, including Ricardo Durán and the Producer “Eric Prater” CEO k-Swiss. At this stage, what kind of collaborators or opportunities actually make sense for the artist you are becoming?

I’m looking for collaborators who believe in originality and long-term vision. Whether it’s producers, creatives, brands, or industry professionals, I want to work with people who aren’t afraid to build something different instead of chasing trends.

As an independent artist, I’ve learned that the right opportunity isn’t necessarily the biggest opportunity—it’s the one where everyone believes in the vision and is committed to creating something meaningful together. I’m excited to collaborate with people who value authenticity, creativity, and pushing music forward.

Stream Ashley Savage on Spotify & connect with the artist via Instagram. 

Interview by Amelia Vandergast