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Music Blog for Indie Pop Fans

Reality is fiction in Rooftop Screamers cosmic pop odyssey, Another Life, featuring Tim Smith

After celebrating critical acclaim in his power-pop band, Throwback Suburbia, the Portland-based drummer and songwriter Mike Collins created his studio project, Rooftop Screamers to showcase his original tracks and create an opportunity to work with local and world-renowned vocalists, musicians, and producers.

Swapping guitar solos for the far more euphonic timbres of synth lines, he orchestrated an interstellar sonic fantasy in his latest single, Another Life, featuring Tim Smith, but those power pop proclivities still worked their way into the sticky-sweet synthesis that will enamour any fans of Butch Walker and Father John Misty.

It is all too easy to affix an ELO reference onto any track that could be branded as a cosmic pop odyssey, but the fusion of Beatle-esque pop, classical arrangements, and futuristic iconography necessitated the reminiscence reference regardless.

Something tells me that Another Life will be an earworm that doesn’t quit until you have pandered to it repeatedly.

Stream Another Life on Spotify now.

Review by Amelia Vandergast

Linn Willner stood at the vanguard of emotionally intelligent pop with ‘Dancing on Roses’

For her latest single, Dancing on Roses, the indie pop enchantress, Linn Willner, melodically pulled on the parallels between blossoming naturalism and the early days of relationships, where we can’t see the thorns for the petals.

The orchestral strings in the indie chamber pop score carved a cinematically immersive atmosphere that evokes notions of romanticism while spurring the listener to remove their rose-tinted glasses and view the full kaleidoscope of betrayal-laden complexity when exploring love and human connection. Life will always find a way to strip away your naivety; it is better to pull back the layers with piano pop expositions on the highs and lows of relationships, which portray vulnerability as a strength.

The 22-year-old Swedish singer-songwriter became an icon of our enlightened times with Dancing on Roses. Beyond her beguilingly evocative vocal lines and command over minor piano keys, she’s at the vanguard of emotionally intelligent pop.

Dancing on Roses will debut on the 26th of September; stream it on Spotify.

Review by Amelia Vandergast

Angel Quintas – Feel at Home: Cosmically Cosy Indie Pop Worth Staying In For

If the Beatles entered their kitchen sink era while picking up a few Ziggy Stardust proclivities, their kaleidoscopically soul-affirming singles would be as cosmically cosy as the latest single, Feel at Home, by the Floridian adult contemporary singer-songwriter, Angel Quintas.

Rather than assimilating 60s and 70s icons, the self-taught musician and producer abstracted influence from their tonal palettes and weaved them into a tapestry stitched with more contemporary alt-indie production techniques to deliver a nostalgic sanctuary with modernist décor.

While it is all too easy to bemoan the lazy days that put few demands on your time, especially with the age of the influencer making you feel guilty for not living the lifestyle of the rich and famous every day despite being neither, Feel at Home, colourfully illustrates that few things can match home comforts while delivering musical theatre akin to the sonic performances of Father John Misty who always goes the extra euphonic mile to leave you fully consumed.

Feel At Home hit the airwaves just in time for Autumn on September 15th stream it on Spotify.

Review by Amelia Vandergast

Kayla Friend quelled the melancholy in her breakup track, Over, with enchanting ethearealism

Before putting down roots in Texas, the California-born, NY-raised singer-songwriter Kayla Friend forged a successful career in theatre before branching out as an independent artist following the pandemic; her experience as a music theatre composer lent itself effortlessly well to her sound. Her enchanting melodies and vivacious vocal harmonies create an otherworldly cinematic atmosphere you can easily lose yourself in before you find yourself in the all too resonant lyricism.

Her latest single, Over, follows the plaintively painful experience of separation; with the blossoming orchestral swells in the indie-pop score, the single is underpinned by a sense of rebirth to quell the melancholy in the perfectly emotionally rounded single. With the guitars that seem to pirouette around her celestial soprano vocal lines, Kayla Friend created one of the most stunning singles we’ve heard in 2023. It’s only a matter of time before she’s snapped up by a major label.

Over will be released on September 22nd; hear it on SoundCloud.

Review by Amelia Vandergast

Mark Ben Wilson is searching on the other side in his compassionately warm folk-pop single, Horizons

Some tracks allow you to fall in love with a three-minute experience; others allow you to develop a deep kinship with the artist through their inviting warmth. After listening to Mark Ben Wilson’s single, Horizons, it is safe to say that he puts his listeners in the latter camp with the evocative resonance in his guitar work that is only matched by the compassionate honey that drips from his vocal lines.

His humble yet highly assured approach to passionately pure acoustic folk-pop is intoxicating from the first melodic breath; as Horizons continues to unravel, you’re taken along for the emotive ride as he searches for meaning on the other side of the kind of storm that leaves you alone holding up an umbrella. It’s a stunning vignette that will easily enamour any fans of Ben Howard, John Butler and Fink.

Horizons will release along with Wilson’s LP, Roots & Wings on September 22nd. Stream it on SoundCloud.

Review by Amelia Vandergast

Jessamine Barham melodised marionette melancholy in her compelling vignette, Puppet Girl

Every time the dark indie folk singer-songwriter Jessamine Barham turns her creativity to the composition of a new baroquely imaginative piano score, complete immersion in her archaic vignettes is non-optional.

In her seminal avant-garde single, Puppet Girl, the San Diego-hailing artist melodied marionette melancholy by inviting you into a world of powerlessness, subjugation, and betrayal.

Taking the single at face value, you will enjoy a jaunty Evelyn Evelyn-esque cabaret tune; look a little deeper at what is written between the lines, and you will lock into an exposition on the limitations life can find a way of imposing on us. No matter how free we think we are, we all come with strings attached, making Puppet Girl a resonantly dark reflection of reality.

Puppet Girl is now available to stream on YouTube.

Review by Amelia Vandergast

The masters of funked indie rock melodicism Kinda Joke questioned ‘Where Is Home’ in the shimmering nostalgia of their latest single.

Kinda Joke brought a touch of playful panache and lashings of shimmering 80s nostalgia to their standout indie funk pop single, Where Is Home, taken from their debut LP, Cat Alarm.

If you can envisage the middle ground between Reverend and the Makers and the Midnight, you’ll get an idea of what awaits from the masters of indie rock melodicism and funky rhythms. With an atmosphere that enraptures from the first groove pocket-carving bassline and enough hooks to necessitate the hook, line and sinker metaphor, Kinda Joke’s ear candy couldn’t be more radio-ready.

Where Is Home is the sixth single to be released by the international trio; the German, Italian and Spanish flags all fly under the banner of the outfit which originally formed in Munich, where they discovered after jamming with each other that their sessions were somewhat reminiscent of an intoxicated Phil Collins-Coldplay-Dave Grohl amalgam.

Where Is Home is due for official release on September 15; stream it on Spotify.

Review by Amelia Vandergast

MØNA ripped up fabled tropes in her seminal art-pop hit, fairy tale

MØNA opened a portal to a fantastical realm with the otherworldly synth textures in her latest art-pop hit, fairy tale. Around the domineering oscillations of the basslines, theatrical motifs add a histrionically haunted air to the up-tempo release that challenges stereotypical tropes while narrating a complete story, with the singer-songwriter playing the villain protagonist.

After fairy tales become such a principal fixture of childhood and leave us with lofty ideals of how adulthood will unfold, it is hardly a surprise so many of us naively come of age, realise that sometimes the wolf will get us, and discover that white knights are often as nefarious as what they claim they will save us from. Encompassing all this and more, MØNA’s latest single rips up the fabled tropes in artfully beguiling style. We can’t wait to hear what the icon of Avant-Garde pulls out of the bag next.

fairy tale was officially released on August 18; stream it on Spotify.

Review by Amelia Vandergast

Jay Hofman unveiled an enrapturing self-deprecating indie electro-pop earworm with I Can’t Sing

Thankfully, the title of Jay Hofman’s latest single, I Can’t Sing, isn’t a disclaimer for the dire vocal performance that will defile your ears as soon as you hit play. Instead, the self-deprecatingly sweet funked-up indie electro-pop hit shares a dilemma that every non-muso diehard romantic will have been stung by, the compulsion to write and sing a love song despite a discernible lack of musical talent.

Maybe ironically, maybe entirely purposefully, the Polish singer-songwriter who is currently residing in the UK crafted the kind of love song that everyone who is lucky enough to be head over heels will want to put on a playlist for the objects of their desire. By switching between rap-style spoken word verses and auto-tuned harmonies in the chorus, even if there was weight to the claim that Hofman can’t sing, it would never have soured the soundscape that is as electrifying as a Daft Punk hit.

I Can’t Sing debuted on September 8th; fall in love with it via Spotify.

Review by Amelia Vandergast

All isn’t fair in love and war in millar’s indie alt-electro-pop single, hunting ground

By drawing parallels between blood sports and romanticism in her indie alt-electro-pop single, hunting ground, the up-and-coming London-based singer-songwriter, millar, delivered a striking exposition of how nothing is fair in love and war when unsuspecting diehard romantics are forced to play by the rules of mind games.

As the atmospheric space progressively shifts from light to dark in the same vein as The Neighbourhood, Cigarettes After Sex and Perfume Genius around the strikingly angular indie guitar work which bears reminiscences to Slowdive and the driving backbeat that gives the single a punchily vindicating energy, hunting ground, is one of the most stunning UK indie tracks to spill up from the underground in 2023.

We can’t wait to hear where millar’s candour and inexplicable talents in euphonically visualising melancholy take her next.

hunting ground was officially released on September 1st; stream it now on Spotify.

Review by Amelia Vandergast