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Blues Music Blog & Promotion

Lou Reed meets Tom Waits in the tender warmth of Lance La Breche’s latest seminal piano score, One Last Dance

Killing The Pistanthrophobe by Lance LaBreche

With vocal lines as arresting as the plaintive harmonies drenching Tom Wait’s Closing Time LP with soulfully spirited melancholy, the standout single, One Last Dance, from Lance La Breche’s upcoming album, Killing the Pisanthrophobe, is a piano-led score you’ll want to surrender to time after time.

The Lou Reed-esque keys also play a heavy hand in allowing you to succumb to the impassioned gravity within the single orchestrated by the Raleigh, NC residing self-taught singer-songwriter, who photographs architecture in the daylight and renders resolving melodies by the shroud of night.

The bluesy sepia-tinged tones and the endlessly compelling yearning for perfect nights to last forever won’t fail to fill you with the same tender warmth which flows through the score which abandons inhibition for vulnerability, to superlatively stunning effect.

Stream and purchase One Last Dance on Bandcamp, and keep Lance La Breche on your radar for the release of his forthcoming LP, which is set to drop on December 15.

Review by Amelia Vandergast

Drift away with the fiercely dreamy ardour within Mums Favourite’s latest single, Loveboat

https://drive.google.com/file/d/1HRGRsjJ-PFGiLuYZlktjnxIQyKkcLNbm/view?usp=sharing

Carrying the atmosphere and attitude of Honeyblood, The Breeders and Throwing Muses, the indie rock nostalgists Mums Favourite gave vintage bluesy soul an injection of punk visceralism with their latest single, Loveboat.

After lulling you into a false sense of dreamy and lofty ambient security, rancour starts to rile in the riotously clever production, which lyricist and lead vocalist Sasha Theunissen always keeps command of with her dynamically captivating vocal range.

After taking their sound which stands at the vanguard of alt-indie ingenuity around the world since their 2017 inception, the Adelaide-hailing quintet has established itself as an outfit for anyone who harnesses a proclivity for aural curveballs. Executing an archetypal track to this superlative level would be an achievement, but with the experimentalism it contains, it is clear to see that the trailblazing outfit has a career which reaches the pinnacle of promising.

Loveboat was officially released on November 8th; stream it on Spotify.

Review by Amelia Vandergast

From the cockpit to the mosh pit, the fighter-pilot rock duo Fox 2 played it hard, dirty, and bluesy in their debut LP, Sidewinder

Sidewinder by Fox 2

When the members of the fighter-pilot rock duo, Fox 2, aren’t in cockpits, they’re starting mosh pits with their dirty, hard, and bluesy hits. Last November, the dualistic powerhouse debuted its first LP, Sidewinder, and staked the claim of being one of the hottest rock acts in Portland, Oregon.

Delve into the title single and you’ll be hypnotised by the adrenalised swaggy blues guitar bends in the reverent rock n roll hit, which melds modernist production styles and percussive assertion in the same veins of Royal Blood with classic blues rock cuts to orchestrate an era-spanning testament to their talent, cross-over appeal, and authenticity.

Sidewinder will be a tough record to follow, but something tells us that Fox 2 has plenty more innovative firepower to ignite an onslaught of ensnaring hits; watch this space and feel the heat.

Sidewinder is available to stream and purchase via Bandcamp.

Review by Amelia Vandergast

Dave Wilbert was born to take the wheel and drive in his country-rock earworm, Tractors and Trucks

Springsteen was born to run, but Dave Wilbert was born to take the wheel and drive in his country-rock earworm Tractors and Trucks, which delves beyond the stereotypes and into the intricacies of the identities of people who spend their lives outside of the city smoke.

Tractors and Trucks rips up all the tropes and cliches of country and scatters them like confetti within the anthemically polished production which will lure you in with the bluesy pop grooves and ensure you’re suitably hooked by the slide guitars which follow the solos which exhibit Dave Wilbert’s command of a fretboard.

The Fairview, Tennessee-residing artist was born and raised in rural Indiana, where he practised the hard-working virtues extolled in this infectiously feel-good hit, which will undoubtedly give those living the rural life a potent shot of pride.

Tractors and Trucks was officially released on October 6th; add it to your country-rock playlists by heading over to Spotify.

Review by Amelia Vandergast

Drink the sonic Kool-Aid in Max Diaz’s twangy alt-punk Tour De Force, COWBOY CULT

The cowboy-hating Texan Max Diaz brought his seminal single, COWBOY CULT, to life via swathes of sardonic vitriol, potent enough to make every punky take on garage rock by Fidlar sound like a love letter to the universe.

While the instrumentals weave their way through bluesy entanglements, Diaz uses every lyrical line to roll with the punches in his heavyweight canter; even if you’ve never pulled on a pair of cowboy boots in your life, you will feel every drop of vindicating venom projected by the artist’s devil may care disdain towards his fellow Texans.

You’d think all of the controversy of his Machiavellian attacks on the people surrounding him who are hellbent on seeing the regression of social progress would leave him unpopular, but the streaming stats don’t lie. After racking up millions of streams on several of his tracks, he’s the pissed-off prince that wasn’t promised but rose through the ashes of redneck numbskullery regardless. We fucking adore him.

COWBOY CULT was released with the rest of the artist’s sophomore LP, METANOIA on October 13th; do yourselves a favour and stream the entire Tour De Force in full via Spotify.

Review by Amelia Vandergast

Rick Shaffer gave psych the blues in his latest garage rock hit, Bogalusa

Rick Shaffer gave psych the blues in his latest LP, Sleeping Dog, featuring the standout single, Bogalusa, which allows garage rock and 60s RnB to converge to create drippings of nostalgia; fans of The Stooges will want to savour every distorted with vintage glamour drop.

12 solo albums into his illustrious career, and it is clear to see that the guitarist and songwriter is far from fresh out of ideas. The Teenage Kicks-reminiscent raucous power pop panache lends itself effortlessly well to the grooves and hooks which make Bogalusa such a scintillatingly electric ride through the golden eras of music.

Wild and hypnotic in equal measure, the guitar hook and riff-rife euphonic escapade is as close as you can get to sonic pornography.

Bogalusa was officially released on September 23; stream it on Spotify.

Review by Amelia Vandergast

Josh Rosenblum Band rhythmically prised listeners from the purgatory of self-scrutiny with ‘Wandering Heart’

Though he has enjoyed spates of success, amassed a loyal fanbase, and become a trailblazing troubadour across the Central Coast, the Cali-hailing singer-songwriter & multi-instrumentalist Josh Rosenblum remains one of the most criminally underrated artists of our time.

His latest album, Love Letter, is yet another testament to his honed ability to echo the old soul of pop, rock, and blues in a way that greets you with familiarity and accommodates you with melodiously reimagined cross-generational sensibilities to prove that there’s no such thing as a sonic bygone era. The door is always left open by artists masterful enough to reignite the same spark ignited by artists whose entry into the hall of fame will never be ephemeral.

His ability to rip a blues riff like it’s nobody’s business is one thing. His talent in delivering consolation through his song crafting, which makes the human experience an infinitely less alienating one, is another entirely.

Take the standout single Wandering Heart as the prime example. By encompassing our universal tendency to self-scrutinise until we’re torn up inside and delivering eloquently rhythmic redemption along with the affirmation we all owe ourselves forgiveness, the sanctity which resounds in the rich harmonic vocal timbre meeting the percussive fingerpicked guitar notes is almost ironically unholy.

With lyricism that gets more profound with every repeat listen for the way the metaphors recontextualise the preceding lines to prise more poetry out of the confessionalism and melodies that never lose their timeless beguile, the single deserves to be equally as revered as the hits in John Mayer and Gary Clark Jr’s discography.

In a time when pressure is building around everyone to be the perfect model citizen, Josh Rosenblum debuted an arrestive vignette attesting to the infallibility of us all. Even if you screamed your virtues from the rooftops, it wouldn’t come close to the arrestive credibleness of Wandering Heart.

If you need a pick-me-up following that profound aural experience, tune into the intoxicating zeal of Crazy as Me, which celebrates the celestial experience of falling in love with someone who doesn’t make you want to conceal your idiosyncrasies. The organ-decorated, riff-soaked blues-pop-rock synthesis is a riot of exhilaratingly sweetened romanticism. The euphoria of uninhibited connection and belonging lingers in every sequence of syncopation, crescendo, and soaring vocal note to almost take you as high as the plateau of unconditional love itself.

Stream the latest LP from Josh Rosenblum via Spotify.

Review by Amelia Vandergast

The LA singer-songwriter Eric Baugh has made his acoustic folk-rock debut with his compulsion-questioning single, Silent Spring

Eric Baugh strummed the decades and all the contemporary distractions which came as a courtesy of them in his debut single, Silent Spring. The bluesy lead notes against the quiescent calm of the acoustic folk-rock chords beneath his beckoning vocal lines will strike all the right notes with fans of Cat Stevens and Paul Simon.

The LA-based singer-songwriter made as much of a case for the beauty in simplicity in his guitar work as his lyrics which bring to question the way we live as though there’s no alternative. Consumerism and greed were never part of the human psyche’s blueprint; as eloquently illustrated by Baugh, we’ve been conditioned into commercialist conformity, and it is never too late to start again.

It may take more than one stunning song fuelled with small-town iconography and bearing R.E.M. reminiscences to derail our descent into further despondency with the world around us, but Baugh’s contribution is sure to compel his listeners into questioning their compulsions.

Silent Spring reached all major platforms on September 15; stream it via this link.

Review by Amelia Vandergast

The indie raconteur Zarko let it flow in his acoustic expedition to ‘River Town’

If you still revere Closing Time by Tom Waits as one of the best albums of all time, you’ll find the latest single, River Town, from the Serbian indie folk raconteur Zarko just as resolving in its acoustic rapture.

The instrumentals may be minimal, but that didn’t get in the way of the up-and-coming singer-songwriter when he put his masterful mind to painting a panoramic picture of barflies in a town which used to conjure brighter emotions. I’m sure we can all relate to the alienating sense of dejection that ebbs away at our ability to feel anything but numb. With River Town on the airwaves, the sensation feels infinitely less lonely.

On the basis of River Town alone, Zarko should be celebrating the same success as Amigo the Devil with his delectable brand of folk blues. For your own sake, pay the hit song a visit.

River Town was officially released on September 2nd; stream it on Spotify.

Review by Amelia Vandergast

Marygolds transcended space and time with the blues in their indie Americana single, Time Machine

The Louisville, Kentucky-hailing indie Americana outfit, Marygolds, made light melodic work of stripping away the past few decades and bringing a bygone era back to life in the standout single, Time Machine, from their eponymous 2023 EP.

Everything rests mellifluously easy on the timbre of the vintage bluesy guitar chords, which shimmer with early ’60s nostalgia as they drive the evocative instrumental arrangement under the gospel-esque vocals which reach the epitome of old-school soul. With the intimacy infused into the massive roots-wrapped production that could rival Father John Misty’s masterful work, Time Machine is so much more than an ode to the past; it’s a ticket back to soulfully sepia-tinged sanctity of it.

Perhaps even more remarkably, even though Marygolds left no clues to their 21st-century habitation behind in the cinematic gravitas of their work, their reverence for roots music didn’t come close to resounding as archaic. The outfit comprised of progenitors of modern blues is definitely one to watch.

Time Machine is now available to stream on Spotify.

Review by Amelia Vandergast