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Americana Music Blog

America has been serving up slices of Americana since the mid-19th-century. The genre is an all-encompassing term for a variety of music styles that found their roots in America, including blues, bluegrass, country, and roots-rock. More often than not, Americana is a fusion of one or more forms of roots music, and it is commonly synonymous with folk-based country and singer-songwriter music.

Some of the most iconic Americana artists include Johnny Cash, Bruce Springsteen, Willie Nelson, Lucinda Williams and Steve Earl. Steve Earl remains popular to this day; his 2021 album, J.T., was listed as one of the best Americana albums of the year. Other artists that featured alongside Earl on the albums of the year list included Brandi Carlile, John Hiatt, Jack Ingram and Strand of Oaks.

Prior to 2010, Americana was considered a niche genre, yet in a transition that no one anticipated, Americana moved into the mainstream. The artists responsible for pulling the genre into the limelight included The Lumineers, the Avett Brothers, and of course, Mumford & Sons. Despite being a British band, Mumford & Sons became one of the best-selling Americana artists in recent years. They made history when they became the first British band since Coldplay to make it big in the US and sell more than a million albums. Yet, Mumford & Sons held their hands up to admit that without The Lumineers, their success wouldn’t have been possible.

In the late 90s, the Americana Music Association was established in Nashville; and they still have their finger on the pulse to this day. In 2021, they named Black Pumas as the group of the year, Brandi Carlile as the artist of the year and Charley Crockett as the emerging artist of the year. It’s not surprising to see Black Pumas named as one of the Americana artists of the year; the Austin-based act has amassed over 100 million streams with their most popular soul psych song, Colors. They also picked up three Grammy nominations in 2020.

Americana received another uptick in interest with the release of the blockbuster film, A Star is Born, which followed a roots music raconteur (Bradley Cooper) on his quest for fame. Bradley Cooper’s character may have been fictional, but plenty of Americana history and culture was poured into the critically acclaimed film that became an overnight sensation; both Lukas Nelson and Brandi Carlile appeared in the film. It seems that as long as there are artists committed to planting roots of Americana into their music, it will never go out of trend.

Outpost Drive sang a bitter-sweet folk lullaby with their debut single, Go Back to Sleep

If you can relate to the melancholy of your dreams being more serene than your waking reality, prepare to be bruised by the emotional weight that will bear down on you when you hit play on the bitter-sweet folky acoustic pop lullaby, Go Back to Sleep, by the harmonically synergetic duo, Outpost Drive.

Between the aching of yearning and the gratitude of revisiting memories, Go Back to Sleep immediately cuts to the core of emotional juxtapositions when you are brought to tears recollecting the person who always knew how to make you turn a smile but only exists in dream. The lyric, “I’m lonely as I am free”, alluding to how life is just a dichotomy of Pepsi and Coke suffering, is especially potent as it cuts through the euphonically timeless orchestration, which proves how arcane instrumental minimalism can be when it is executed with superlative melodic command.

Willow Robinson and Mary Bragg Robinson, hailing from the English countryside and the American South, respectively marry the styles of British folk with Americana to deliver a sound that is as inventive as it is authentically all-consuming. The debut is a testament to the ability of love to transcend borders after the couple endured a year-long hiatus due to immigration hurdles. We can’t wait to hear what the ultimate folk power couple have in store for their sophomore release.

Go Back to Sleep was officially released on November 10th; stream it on Spotify or purchase the track on Apple Music.

Review by Amelia Vandergast

Stone Senate delivered a spectral confession of aching emotion with their latest single, Ghost

Stone Senate’s new single Ghost resonates with a poignant blend of lyrical indie rock and Americana, capturing the essence of feeling invisible and failing to keep pace in an ever-changing world. It is a powerful testament to the band’s unique ability to evolve above their influences, transcending all expectations, on this occasion, in a spectrally scintillating style.

The essence of Ghost lies in its mellifluously captivating progressions, which will haunt you as you relate to them on an intrinsically deep level. Clint Woolsey’s smouldering, soulful vocals serve as the emotional core, delivering sonorously affecting lines that resonate with anyone grappling with feelings of obscurity and the fleeting nature of cherished memories.

The true magic of Ghost, however, is in how it balances emotional weight with a lack of self-pity. It’s a confession of aching emotion, offering comfort to those who see their own reflections in this superlative rock track. The soaring guitar solo, meticulously executed by James Beau Edwards and Ted Hennington, invites listeners into a moment of profound contemplation, seamlessly blending with the tight, bonded rhythm section of Paul Zettler on bass and David “DZ” Zettler on drums.

Stone Senate, having been compared to legends like Lynyrd Skynyrd and The Allman Brothers Band, is not content to rest on the laurels of their influences. Instead, they push boundaries, creating a sound that is distinctly and modernistically their own.

Ghost is now available to stream on all major platforms via this link.

Review by Amelia Vandergast

Blake Baker is captivating in his wistfully listless single, Mind the Gap

The up-and-coming genre-fluid singer-songwriter Blake Baker became the ultimate raconteur of relatable melancholy while simultaneously delivering sonic sanctuary with his latest acoustic single, Mind the Gap.

The profound and beautifully crafted introspective piece resonates with the soulful narrative strength of classic folk songwriting; Baker’s skill in blending this traditional foundation with an Americana blues essence results in a song that is both timeless and refreshingly original.

Lyrically, Mind the Gap paints a vivid, cinematic portrait of a protagonist who feels overlooked and invisible amidst the bustling society around him. This theme of alienation and longing for connection speaks directly to anyone who has struggled to find their place in the world. Baker’s ability to capture this sentiment in his eloquently compassionate lyricism is beyond compare as the track anchors around his rich, sonorous voice which can carry the low timbres as well as the highs he maintains resonant depth.

Mind the Gap is now available to stream on Spotify.

Review by Amelia Vandergast

Beggars Canyon serenaded the reaper with their Americana Folk musing on the human condition, Silver Lining

With the macabre murder folk proclivities of Amigo the Devil and the soul-affirming warmth of Tejon Street Corner Thieves, the Portland, Oregon-hailing band of Americana raconteurs, Beggars Canyon, breathed life into the existential reality of the human condition with their latest single, Silver Lining.

By staring mortality in the face and serenading the reaper with their arcanely uplifting vocal harmonies and authentic Americana Folk arrangement of folky strings, banjos, and guitars that insinuate that the devil made a pitstop in Portland before he went down to Georgia, Beggars Canyon extracted the pensive sting from the human experience with their endearing approach to song crafting which has allowed them to build a cult-like following and amass 13,000 monthly Spotify listeners.

Silver Lining was an all-too promising precursor to Beggars Canyon’s sophomore LP, Vol. II, which was released via Flail Records and is now available to stream and purchase.

Stream Silver Lining on Spotify and become part of the Beggars Canyon community via Facebook or Instagram.

Review by Amelia Vandergast

Explore the world on Iago Banet’s fretboard in his seminal composition, Iago’s Guitar

Iago Banet orchestrated the antithesis of While My Guitar Gently Weeps with the vivacious vibrance in ‘Iago’s Guitar’, taken from his critically acclaimed album, TRES. The musical piece is a journey through Banet’s extraordinary skill, creativity, and mind-bending rhythmic command which remains captivatingly authentic as a constant. Each strum and pluck of the acoustic guitar strings resonates with intention and artistry.

There’s a cheeky, spirited nature to Banet’s acoustic composition skills that subvert all expectations. Rather than solely melody-making, he’s weaving stories which allow you to travel around the world on his fretboard which explores a smorgasbord of cultural styles. Iago’s Guitar is just one of the testaments to Banet’s ability to blend gypsy jazz, blues, Americana, country, Dixieland, swing, pop, and folk into a harmonious and exhilarating experience.

Described by BBC Radio 3’s Sean Rafferty as “a master of the guitar” and as ‘nothing short of phenomenal’ by R’n’R Magazine, Banet’s talent is undeniable. His third album, TRES, has been a sensation, with multiple sell-out shows and sensational receptions across the UK. Iago Banet’s journey, from discovering a classical guitar as a teenager to becoming ‘The Galician King of Acoustic Guitar’, is not just a story of musical proficiency but also of passion and dedication. We can’t wait to see what accolades await him in his destined to be illustrious career.

Stream TRES in full via Spotify.

Review by Amelia Vandergast

Third Coyote poured an indie country elixir for the soul with ‘Heartland’

Third Coyote’s latest defiance of the aural ordinary, Heartland, is a testament to the timelessly alluring talents of singer-songwriter Laura Williams and her band. The experimental release refuses to pledge allegiance to any singular genre; instead, it presents a fusion of soulful melodies, bluesy depth, and rock vigour.

It’s a musical elixir that invites listeners to take a shot of pure aural escapism, promising an intoxicating journey through sound; the production allows every undertone to shine without overpowering any of the other elements in the nostalgic smorgasbord of sonic style.

The soulful underpinnings are reminiscent of an intimate blues club, while the rock components add a robust, heart-pumping energy, creating a fresh and familiar echo of the 70s and 90s. The Bay Area-rooted band’s ability to transcend genre and era is evident in every scintillating note. With Heartland, they beckon to those who seek to discover the uncharted territories of sound and emotion; pack light and prepare to take the indie country rock trip of a lifetime.

Heartland hit the airwaves on November 18; stream it on Spotify.

Review by Amelia Vandergast

Karyn Ann released the most affecting Americana single of the year with her latest single, 8 Hours

8 Hours by Karyn Ann

Instead of reinventing the wheel, Karyn Ann spun it in a brand-new direction with her latest timelessly enrapturing single, 8 Hours; a hauntingly beautiful ballad that captures the essence of Southern gothic magnetism, wrapped in a production that’s swallowed by arcane reverb.

The song is a masterful blend of timeless melodies and a stylistic distortion on the guitars that gracefully wrap around the vocal lines. These elements collectively weave a sonically cavernous landscape that seductively entices listeners into the depths of melancholy that the song explores.

The release, which is sure to resonate with fans of artists as diverse as Chelsea Wolfe to Brandi Carlile, elucidates the disassociation of losing your grip with the latter half of the space-time continuum, a theme that is both esoteric and deeply human.

The emotive lyricism of 8 Hours showcases Ann’s raw vulnerability, a trait that has seen the American songwriter praised and performing at notable festivals and venues. The narrative behind 8 Hours is as darkly compelling as its composition, delving into the hours that went missing when Ann awoke in a stranger’s van, with only a dim recollection of the preceding events. This raw and exposed nerve of a song not only reveals Ann’s prowess as a singer-songwriter but also demonstrates her ability to turn personal tribulation into profound artistic expression. She’s a phenomenon in her own right.

Stream or purchase 8 hours on Bandcamp.

Review by Amelia Vandergast

Love Bug Junkie delivered an alchemic masterclass in vintage tonality with ‘Voodoo Woman’

Voodoo Woman, the latest single by North Carolina’s own Love Bug Junkie, is a bluesy rock revelation steeped in the allure of authentic Americana. As the track opens, listeners are immediately transported to a dimly lit juke joint, where the air is thick with the scent of smouldering incense and the promise of enchantment. The band, known for their emotionally charged and robust sound, has managed to bottle the alchemy of a voodoo priestess’ charm and pour it generously into their music.

The song is a masterclass in vintage tonality, with guitar riffs that cry out with the wisdom of the old spirits and a rhythm section that thumps in time with the heartbeat of the bayou. Love Bug Junkie’s vocal prowess is on full display, finding a haunting middle ground between the Prince of Darkness, Ozzy Osbourne, and the soul-penetrating timbre of Chris Cornell. It’s this unique blend that also conjures vibes reminiscent of My Morning Jacket during their It Still Moves era, yet the band infuses their own distinct essence into the mix.

Voodoo Woman is a sensory experience which taps into a raw, almost primal energy that is both captivating and inspiring. Their performance, whether live or recorded, showcases a love for music that transcends genre and era. With their eyes set on leaving an indelible mark on the music industry, Voodoo Woman serves as a powerful statement of intent from Love Bug Junkie. This band unites their audience in the shared space of rhythm and blues, with the promise of uniting people through the undeniable power of rock music.

Stream Voodoo Woman on Spotify.

Review by Amelia Vandergast

Ross Flora grappled with the melancholy of unfulfilled potential in ‘As the Crow Flies’

Ross Flora

Ross Flora’s EP, As the Crow Flies, is a poignant and reflective journey through the heart of country folk. Hailing from the Blue Ridge Mountains of Virginia, Flora’s upbringing in a milieu rich with R&B and Bluegrass influences is palpably reflected in the acoustically adorned, stripped-back title single. His gruff, resonant timbres weave through the wistful yearning harmonies, creating a tapestry of sound that resonates deeply with anyone who has ever grappled with the melancholy of unfulfilled potential.

The lyrical tempo of As the Crow Flies is akin to a melodied spoken word sermon, imbued with regretful poetry. Flora’s background as an English major shines through in his lyrical craftsmanship, as he skilfully interweaves themes reminiscent of literary greats like Dickinson, Thoreau, and Whitman. The result is a narrative that is both deeply personal and universally relatable; Someone hand him a Grammy for the line “I’d be half the man I’d ought to be less than half the time”.

Ross Flora’s journey from the family farm to Nashville, performing over 4,000 shows and collaborating with acts like “Johnny T” Band and “Smoke n’ Guns,” has clearly honed his ability to capture the essence of southern rock and outlaw country. If you want to hear a heart poured out in melody, hit play on As the Crow Flies.

Stream the As the Crow Flies EP, which debuted on October 27 on Spotify.

Review by Amelia Vandergast

Gain the permission to live autonomously free with The Close’s 90s pop-rock single, Living It Right

With a nostalgically 90s pop-rock edge which cuts as deep as the hits from Jewel, Sheryl Crow, and Alanis Morrisette, The Close came close to perfect with the standout single, Living It Right, from their debut album, Orbit.

The debut LP pushed the introspective genre-bending outfit’s monthly listeners up to impressive heights. Now, over 36k listeners are repetitively tuning into their intricately airy melodies which transcend expectation and effortlessly share effervescent transcendence.

You’ll be torn between attempting to match the flawlessly magnetic timbres in the vocal delivery as they verse the virtues of living autonomously free and leaning into the mellifluous interplay of the ethereal synergy within the instrumental arrangements and harmonies.

Aside from the very obvious superlative song crafting which sets The Close apart, the outfit also finds distinction by employing each member as a lyricist, musician and lead vocalist, resulting in a dynamic discography, which dabbles in everything from Americana to contemporary folk to country. A commercial pop sensibility is one of the few constants within their euphonically unshackling collection of lyrically intimate releases.

Living It Right was officially released on October 27; stream it on Spotify with the rest of the Orbit LP.

Review by Amelia Vandergast