Eighteen-year-old Oklahoma-hailing country singer-songwriter Gabrielle Gore already has 14-years of performative experience behind her, when it came to writing her latest single, My Mustang, she was primed to serve an infectiously euphoric slice of Americana.
With bluegrass folk meeting crawling rockabilly rhythms, and a few pop elements thrown in for good measure, My Mustang crosses genres while staying true to each style borrowed from. The distinction doesn’t end with the instrumentals either; the rich and resonant vocal projection brings a vibrant energy to the up-tempo track that will transport you to the heart of Nashville before the chorus hits.
Philly-hailing singer-songwriter Jules Marie has garnered plenty of hype since releasing her debut single in 2020. After the release of her latest single, Bulletproof, it is hard to see how anything could get in the way of her trajectory to the top. Her accessible girl next door vibes mixed with her infectiously empowered attitude in Bulletproof was discernibly a recipe for success. Not only is she an artist that you can be in awe of, but she is also an artist that you can relate to.
Instrumentally, Bulletproof is a smooth and stylish feat of indie pop, while Jules Marie pulls nuances of RnB into the mix in true 90s and 00s pop style. Any fans of Nelly Furtado, Alicia Keys, Kelly Clarkson and Natasha Bedingfield will definitely want to pay attention to the artist that has already racked up 100k streams on Spotify alone.
Bulletproof is now available to stream via Spotify.
Fans of Neutral Milk Hotel, the Microphones, Elliott Smith and Sufjan Stevens will want to hear Wisconsin singer-songwriter Ricky Hoffman play the ‘Black Cat Blues’.
The expressively ardent Midwest folk single wouldn’t be out of place amongst other iconic cat-inspired tracks; it carries the same endearing panache as Stray Cats’ Stray Cat Strut, Squeeze’s Cool for Cats, and, of course, Love Cats by The Cure. Through the snappy percussion, accordant rings of the acoustic guitar, and the woody bends of the bass, Hoffman created the perfect platform for his unpolished and organic blues-folk vocals that will stay with you long after Black Cat Blues has faded to a close.
Black Cat Blues is now available to stream via Bandcamp.
With the dark sensuality of a She Wants Revenge single, theatrically macabre lyrics, and cinematic film noir feel, Chris Sunfield’s latest single, Predator is an intoxicating mash of baroque folk, pop, jazz, electronica and hip hop.
Just when you’re starting to think that you’ve got the soundscape figured out, Predator throws fierily slick rap verses from Ya Favorite Lightskin into the mix that will be a hit with any fans of Banks and Steelz. With avant-garde instrumentals contorting free from constraint under the bars, Predator absorbs you just as much as you absorb the soundscape.
Predator is one of those tragically rare singles that you could listen to a thousand times and still feel assured that you would take something new from the next listen. The artistry on exhibition here is practically unparalleled. We can’t wait to hear what Chris Sunfield unleashes next.
The official music video to Predator premiered on May 28th; you can check it out for yourselves by heading to YouTube.
If memories of music festivals feel like a lifetime ago, Darrian Gerard’s latest pop-punk single, Festival, will bring them flooding right back as if they were yesterday. Darrian Gerard’s vocals carry the same girl next door vibe as the likes of Taylor Swift and all of the outlier attitude of pop-punk princesses such as Avril Lavigne, expectedly, that’s an instantly infectious and accessible mix.
The Canadian singer-songwriter and multi-instrumentalist also takes influence from Alanis Morissette and Angels and Airwaves, giving her sound a refreshingly dynamic sound that breaks the perfect pop mould with the effect-laden, punchy indie guitars and wholesomely rebellious attitude.
Festival released on June 4th; you can check it out for yourselves via SoundCloud.
Why listen to Alex Jones ranting about UFOs when you could listen to Mike and the Psychedelic Humans’ debut single, UFO, which brings small-town rural vibes to international airwaves and celebrates the quintessential nature of them?
UFO is a psych-rock soiree that takes you deep into the heart of the old-school Louisiana funk sound while tapping into the soul of raw Chicago blues. It’s a psychedelic trip that any city slicker will want to take. With vocal reminiscence to Frank Zappa, UFO is all too efficacious at abducting your consciousness and filling it with kaleidoscopic colour. Naturally, we can’t wait to hear what comes next from Mike and the Psychedelic Humans.
Any fans of Mazzy Star will want to tune into Mal Hombre’s latest single, When It Rains, featuring vocals from Coco SaFir. The soft blues slides and bends in the intro give way to a creeping soundscape that will allow you to imagine what the soundtrack would sound like if Tarantino and Lynch Co-Produced a film.
Coco SaFir’s vocals perfectly complement Mal Hombre’s fragile yet resoundingly cinematic instrumental style as it flows through a myriad of stylistic twists and turns. With the soft saxophones as the track gears up for a psychedelic outro, you won’t need to smoke to get high with this 70s-inspired stoner rock track that also introduces elements of folk, jazz and synthpop.
When It Rains is one of those tragically rare singles that compels you to crank up the volume until you can’t quite tell if you’re absorbing the single or it is absorbing you. It’s quite literally a breathtaking single that we couldn’t speak more highly of.
Under the influence of 70s folk and grunge, up and coming artist Walker Tex has made major waves since he started introducing his original material to the airwaves in 2020.
His latest release, and his most popular single to date, Make Me Smile (Come Up and See Me), carries all of the soul of a track by Dylan or Cat Stevens and all of the sonic appeal as My Bloody Valentine and Slowdive.
The singer-songwriter carries the same hypnotic magnetism of Cohen with his whiskey-soaked vocals; when blended with alt-90s-inspired tones, Make Me Smile is simultaneously a shot of nostalgia and an introduction to the future of alt-indie folk.
Make Me Smile is now available to stream via Spotify.
South London’s soul outfit, Miss Garbo, released their latest single, Every Other Week, on May 21st; the founding members, Louise O’Hara and Andy Chapman have exactly what it takes to become the Sonny & Cher of this generation.
The easy guitar melodies coalesce with the ardent harmonic ebbs and flow from O’Hara’s endlessly mesmerising vocals as they stay true to the storytelling style of folk while incorporating elements of soul-pop.
Every Other Week is dedicated to anyone who has been in a complex romantic situation. Given that Monogamy isn’t a one size fits all kind of affair anymore, it is incredibly refreshing to hear this social paradigm shift reflected honestly in one of the most relatable love songs that you’ll hear this year.
Every Other Week is available to stream and download on all major platforms via this link.
‘Movin On Blues’ is the latest scuzzed-up blues-rock single released by the archaically-inspired artist Cam Schnell who pulls inspiration from different genres and decades to create contemporary hits that make our modern existence one a little less disconnected.
With Movin’ On Blues, you get the ultimate redemption story told through whiskey-soaked vocals that groove along with the rockabilly walking rhythms and hints of 70s psych-rock. The single offers the anthemic furore that you’d expect from any self-respecting rock n roll artist in 2021. If you find space on your playlists for the Black Keys and the Jim Jones Revue with their revivalist sounds, you’ll also want to make room for Cam Schnell’s retro magnetism.
Movin’ On Blues is now available to stream via Spotify.