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PTtheGospelSpitter signed, sealed, and delivered salvation in his neo-soul hip-hop sermon, Good News

Posted on 23 March 2026
PTtheGospelSpitter

PTtheGospelSpitter became a conduit of pure resolving soul in Good News; a synthesis of Gospel, RnB and Hip-Hop shaped to break through the slew of fake news and transmissions that chip away at the soul on a 24/7 cycle. The single arrives augmented with transcendence, built to remind listeners that illumination is still possible when international atrocities sit on every horizon. Even in a warped world, clarity, warmth and steadying forces are there for the taking, and it’s available in spades in Good News.

Switching between richly velvet spoken word sermonic versing and falsetto harmonies that drift with feather-light serenity, the Atlanta-based singer-songwriter layered infinite emotional depth into a track that carries swathes of arcane power and enough enlightenment to chase away the shadows for listeners who need a reason to lift their gaze again.

Behind this moment sits a long history of dedication and triumph. PTtheGospelSpitter honed his voice across radio-charting milestones, from Kingdom to Save Your Soul, climbing Christian Voice Magazine and Cashbox rankings with a consistency that reflects his drive and the community that gathers around his messages. Years spent shaping his sound into a vessel for uplift have culminated in Good News, an alt-rap revelation created to steady minds and nourish anyone who needs a reminder that spiritual resilience is still possible.

Good News is now available on all major streaming platforms. Find your preferred way to listen on PTtheGospelSpitter’s official website.

Review by Amelia Vandergast

Travis Hall traced the contours of his iridescent soul through disco-tinted RnB romance in ‘A Day’

Posted on 18 January 2026

TRAVIS HALL approached his debut LP, HeART Museum, like a painter filling eight canvases with the colours and contours of his iridescently vivacious soul. If there’s one single to hang in the gallery of your playlists, it’s A Day — an illustration of the sticky-sweet visceralism of romantic confession, that euphoric moment when realisation becomes proclamation.

Locked and loaded with the kind of electricity that could single-handedly light up Broadway and grooves that glisten in a way that affirms Hall is a natural born rhythmatist, A Day is a track that even an earthquake couldn’t shake off your mind. It’s infectiously fresh with its infusion of disco fever that feeds right into the almost histrionic crescendo swells.

Even though Hall only started songwriting in 2022, there’s a soul-rooted maturity in every melody. Years of operatic training and jazz theory lend richness to his vocals, but it’s the feeling in every breath that brings the impact. With lush Rhodes keys and live instrumentation providing the bedrock, A Day encapsulates the highs of falling into the kind of love that makes reality brighter than fantasy.

Influenced by Luther Vandross, Ashford & Simpson, and Mariah Carey, Travis Hall filters memory, heartbreak, joy and longing into a format that carries both weight and elevation. HeART Museum may be his debut, but it arrives fully formed — each track a portal into his emotional archive.

A Day is now available on all major streaming platforms, including Spotify. 

Review by Amelia Vandergast

Jackson Harrison lifted 60s folk pop into a dream-rich haze in Mr. Melody

Posted on 24 November 2025

Jackson Harrison is one of the few artists who can channel the psychedelic, spiritual warmth of the Beatles without leaning into imitation or pastiche on his latest single, Mr. Melody. With an instant affirmation that the 20-year-old singer-songwriter is an embodiment of soul and spirituality rather than ego and superficiality, Mr. Melody serves as an introduction to Harrison’s angels and devils may care approach to experimentalism. There’s no sense of fear as he allows the rough contours of the lo-fi production to clash against the accordant kaleidoscope of colour built by the psychedelic 60s folk pop instrumentals, filtering light and sound through in hypnotic waves.

It is within the vocals where Harrison stands most authentically, without façade, without pretence. He riffs from the vocal cords, pulling you deeper into the carefree veracity of the release. His voice doesn’t posture or perform; it opens a direct channel to everything that Mr. Melody wants to be, emotionally open, spiritually raw, and sonically untamed.

Raised by his great-grandmother in Athens, Georgia, Harrison grew up in the shadow of addiction. That complicated childhood formed the emotional backbone of his songwriting. Now, recording under his own name, he walks the long line between beauty and despair, following the storytelling traditions of Dylan and The Beatles while grounding his work in the hard edges of modern Southern life. His debut album, also titled Mr. Melody, is a cycle of ghost stories, protest ballads, and spiritual confessions. At the core of his expression is the belief that even after ruin, melody and meaning can rise from the wreckage.

Mr. Melody is now available on all major streaming platforms, including Spotify. 

Review by Amelia Vandergast

How Jay Activist Built His Own Universe of Ambition and Temptation: An Interview

Posted on 11 November 2025

Instead of chasing playlist placement or gaming algorithms, Jay Activist is rebuilding the connection between artist and audience from the ground up. In his latest project, You Knew What This Was, the Atlanta native reclaims community as the heartbeat of creativity, swapping sponsored posts for flyers, real faces, and crowded listening parties that blur the line between performance and communion. The record itself becomes a map of modern ambition, tracing the tension between purpose and distraction, temptation and drive. In this interview, Jay opens up about redefining success without selling out, the emotional weight behind his collaborations, and the movement he’s intent on creating, one rooted in authenticity, shared energy, and the raw truth of youth chasing something that still feels real.

Welcome to A&R Factory, Jay Activist – it’s great to have you with us.

You’ve taken a refreshingly old-school approach to promoting You Knew What This Was, from college campus flyers to packed-out listening parties. What inspired you to go for such a hands-on rollout in an era dominated by digital marketing?

I think the biggest thing with me taking this route is definitely making that emotional connection with my audience. I’ve tried digital marketing and without a huge budget it can be pretty unpredictable even with high quality visuals so my thought process now is what can I do, that everyone else isn’t really doing that can still have an impact on people. I also just think things like events and stuff in general are great for connecting communities of people, plus alot of people (including myself) love seeing creative rollouts and aesthetics around projects.

Releasing the EP exclusively on EVEN before streaming platforms is a bold move. What made you want to try that route first, and how do you think it changes the connection between you and your listeners?

I think going the route of even is definitely a risk but i think since I’ve had a strong foundation performing around Atlanta and staying consistent on socials, it puts me in a position to where I can offer my community exclusive visuals, music, and merch early and they’ll be excited to invest in that. I think the biggest thing is just creating that exclusivity for my supporters.

The record paints a vivid picture of a young man chasing ambition while wrestling with distractions and temptation. How much of that narrative mirrors your own experiences during college life in Atlanta?

I feel like pretty much all of it mirrors that. I feel like most men can relate to the temptations of women when you get to college while also pursuing a dream/career. With that being said I wanted to make sure the next big project I released mirrored what I was going through in that moment so the execution can be even stronger. From the order of the tracks to just the overall subject matter, I feel like anyone with a similar experience will thoroughly enjoy this project.

Your previous release, Sugar Honey Iced Tea, became a fan favourite. Why did you decide to bring the title track back as a bonus cut on this new project?

I feel like it comes down to giving the people what they want and also keeping my brand consistent. It didn’t fit the actual project because its so different sonically but theme wise it fits it perfectly. Its also a record people so commonly associate with me so I feel like even for new listeners wanting to check me out, it can still help complete the puzzle pieces for people figuring out who I am as an artist.

There’s a strong sense of community running through the project, with features from DreTL, oksurf, Kaliyah Lyric, Monclo, and Wavy H2O. How did those collaborations come together, and what do each of them bring to your sound?

DreTL has been a brother to me for years now so naturally, we’ve always collaborated through the years. With our song being performed on dozens of stages up to this point and not being out, I feel like at this point it needed to come out. We’re Just Friends is one of those records that just hits from the moment the beat drops while it also happens to be the title of the next major project. With oksurf, he has been on the rise in Atlanta since I first met him and he was always someone I had on my list to collaborate with. I felt like our record “Sum Ms” would be perfect for him cause he would have a good perspective to give especially with him being consistent as he is. Monclo is truly a musical genius with the things he does with his voice and even on the production end so “Talk To Me” was exciting to make. Kaliyah Lyric had such a powerful voice from the moment I first heard one of her records on tiktok. From then on I reached out and we frequently collaborated since then. I picked a beat that was very trapsoul-like because I feel like the emotion in her delivery would take “Lose You Again” to another level. And finally, Wavy H2O also being like a brother to me has been going crazy as a DJ/Producer in Atlanta but I felt like we needed to bring back that artist/DJ combination in the music. I feel like he adds a whole nother layer of excitement to every record that we do. I’d definitely say Talk To Me is probably my favorite collaboration with him. This project I intentionally wanted to collaborate more because i’ve rarely done it before this year and I feel like I was limiting myself in multiple ways because of it.

Atlanta has such a rich and competitive creative scene. How does that environment influence your creative ethos?

It honestly inspires me being from here and seeing so many people become stars. Especially growing up 5-10 minutes from Latto, it really puts a battery in my pack because if one person from my side of town can make it, I definitely can. Then being inspired by outside artists such as a J.Cole or a Drake, I can mix Atlanta with those influences and make my own sound as a result.

You’ve talked about balancing ambition with temptation; how do you personally stay focused when the distractions around you could easily pull you off track?

The biggest thing for me is just remembering where I’m trying to get to. The second I feel like I’m not making progress because of distractions I’m proving my doubters right and I can’t go for that.

Looking ahead, how do you want You Knew What This Was to shape the way people see Jay Activist as someone creating a movement around his music?

I want You Knew What This Was to show people Jay Activist ain’t just dropping songs, I’m building a whole world. I want them to see me as somebody who’s making a real movement, not just chasing trends. This project is about being young, chasing big dreams, and still dealing with love, temptation, and situationships all while knowing you still got that purpose ahead of you. The energy of that high ambition is real and and people feel that. I want folks to look back and be like, “Yeah, this is the moment he really stamped his sound and his lane.” The goal ain’t just streams it’s building a community around the emotions, the grind, the late nights, the growth, and the confidence.

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Link up with Jay Activist on all platforms via this link.

Interview by Amelia Vandergast

Bitter Seed by J.D. Cook & Snake Blood Remedy sows cinematically deep Southern soul

Posted on 17 September 2025

With a voice that instantly occupies the space under your ribcage, J.D. Cook is the epitome of what a country singer-songwriter should be. In his latest Southern-soaked single, Bitter Seed, he unravels a paradox, delivering a cinematic vignette that feels as if it’s drifting over to you from a creaking front porch at sundown. The symphony of Americana-folk strings intertwines with a rhythm section that swings like a pendulum, pulling you into a trance and leaving you wide open for Cook’s soul-baring storytelling. He paints his scars unapologetically, tracing them over the map of his indiscretions with poetic candour and a pinch of whisky-soaked edge.

There’s a strange magnetism to the way Cook and his bandmates in Snake Blood Remedy conjure such intimacy without ever sanding down the rough edges. It’s country music that bares its teeth and invites you closer, a confessional that comes with its own heavy-lidded invitation to stay a while. The accompanying music video brings the mood to life with a sense of presence so strong it feels as though you’ve been folded into the scene.

Raised in rural south Georgia and hardened by years of shows across Florida, Cook and his band have forged their sound on lived experience. Bitter Seed proves how much weight that carries.

Bitter Seed is now available on all major streaming platforms; for the full experience, watch the official music video on YouTube. 

Review by Amelia Vandergast

Forever the Rebel and Kodie Shane Unleashed Glitz-Soaked Chaos in Alt-Rap Anthem PAPARAZZI

Posted on 9 August 2025

Emo rap renegade Forever the Rebel charged up with Kodie Shane to drop the grit with glitz in their seductively luxe hit, PAPARAZZI. Forget Lady Gaga’s track, this 8-bit-adjacent earworm slices straight through the cultural zeitgeist, its chiptune-esque synths teasing at playfulness before the rap bars crash in, skewing the mix into psychotropic effervescence. The effect is both disarming and addictive, like slipping into a digital fever dream where trap, punk, and paranoia are all speaking at once.

In Atlanta’s underground chaos, Forever the Rebel has been honing their craft with unapologetic swagger, and here, Kodie Shane’s slick venom slots in like it was always meant to be. The interplay is magnetic; Forever the Rebel floats between pain and power, while Kodie serves each bar with calculated bite. Beneath it all, eerie pop-punk threads entwine with the low-end thud of 808s, creating an atmosphere that feels as suited to a packed mosh pit as it does to late-night headphones.

The official video is an all-senses hit; cinematic polish frames raw rebellion, every shot carrying the same reckless pulse as the track itself.

PAPARAZZI is now available on all major streaming platforms – including YouTube. 

Review by Amelia Vandergast

Cigarette by Katie Belle Ignites Moody, Synthpop Sensuality

Posted on 26 June 2025

Atlanta’s own Katie Belle lit up the airwaves with her seductive indie-pop stunner, Cigarette. If you thought Taylor Swift went dark with Tortured Poets Department, Belle’s latest track goes one step deeper into moody introspection. From its flickering, neon synth pulses to her breathy vocal caresses, it’s an irresistible, sensuous sulk designed to give listeners way more than a quick nicotine buzz.

Sliding effortlessly between eras, Belle brings flashes of early Gaga glamour into her nuanced electronic textures, confidently marking her own territory. Her voice moves like smoke through shadow, effortlessly seductive yet loaded with a hint of vulnerability; the kind that’s impossible to fake. Cigarette isn’t about playing it safe—it’s about pulling you close and keeping you locked in with a hypnotic chorus that’s as addictive as it is dreamy.

Katie Belle’s been flexing serious songwriting muscle for years, with singles like West Coast and Symptoms earning her a growing wave of acclaim and streams racking up into the hundreds of thousands. Her pop credentials are legit, with Josie Music Awards and praise from the likes of BBC Introducing backing her upward trajectory. Belle’s artistic drive, fuelled by modelling gigs, acting roles, and performances across the States, brings authenticity to every sultry lyric she sings.

Cigarette is now available on all major streaming platforms, including Spotify.
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Review by Amelia Vandergast

TaVori Lewis Transcended Hip-Hop Prophecy and Soulful Reflection in Came So Far featuring John Skywalker

Posted on 24 June 2025

TaVori Lewis set the lyrical gold shimmering in his latest single, Came So Far, featuring John Skywalker. Spilling out a smooth kaleidoscope of jazz and gospel-tinged sound, the track invites listeners into a sonically rich sanctuary; as the lyrics unfold, organically resonant wisdom transforms the instrumentals into conduits for consolation that wrap gently like vines around your psyche.

Splitting the narrative between introspection and prophetic delivery, Came So Far embodies the spirit of true rags-to-riches rap; a genre at its best when guiding you to the keys of your own success, often hidden beneath the rubble of self-doubt. Harmonic etherealism washes over each chorus, punctuated by rap bars deeply anchored in the soul, creating an uplifting sensory experience that feels impossible to surpass through mere sound waves alone.

From Camilla, Georgia, TaVori Lewis has built his reputation as a conscious storyteller, weaving raw narratives around resilience, spirituality, and Southern identity. Drawing inspiration from hip-hop luminaries like J. Cole, Lauryn Hill, and Kendrick Lamar, Lewis’ artistry carries emotional depth and unwavering authenticity. His forthcoming project, Who Is TaVori Lewis?, promises further introspection and emotional courage, offering listeners more sonic glimpses into his deeply personal yet universally relatable path.

Came So Far is now available on all major streaming platforms, including YouTube and Apple Music. 
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Review by Amelia Vandergast

Paola Threw Soul on the Tracks of Torment in Her Dark Pop Anthem ‘In the Underground’

Posted on 19 May 2025
https://open.spotify.com/track/6cHsk3hWkEBH7L6ZZ4IRia?si=JOJrGddLQOWuo8ks1FY3hQ

Paola has no place in the music industry underground for long after the drop of the storming pop anthem In The Underground. The track tears through the façade of plastic pop with razor-sharp songwriting and a polished production that gives the dark reverberance of the dominating beats and basslines maximum impact.

With a voice that carries the weight of the lived experience that inspired In the Underground and no lyrical punches being pulled as she illustrates the fortitude that has carried her through to the present day where she vows not to give in to the scars of her past and present, the anthem is a visceral reminder of how much pain can be carried in the footsteps of forward motion. In the Underground is a cinematic triumph, which may be currently criminally underrated, but it is only a matter of time before Paola gains reverence for her sound that is the ultimate synthesis of soul, substance and style.

From the heart of Atlanta, by way of Puerto Rico, Paola pens the songs that she has never had the words to speak aloud, pouring the silence of lived trauma into colossal walls of sound that rise with liberating conviction. She balances her full-time job as a paediatric nurse with a full-time musical vocation, and you can hear that dual devotion in every second of this uncompromising confessional. Every synth pulse is charged with raw purpose.

In the Underground is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Dekovian Rashad Scorched Through the Conflict of Heartbreak in the Soul-Mined Resonance of ‘Torn’

Posted on 17 May 2025

Dekovian Rashad unravelled the visceral fallout of romantic warfare in his latest single, ‘Torn’; a sonic storyboard of conflicted heartstrings, written through retro R&B aesthetics and polished contemporary production, as a courtesy of Thomas Coleman and Chris Byron, who stepped in to mix the scorned vignette of how serenades can all too easily lead to dodging grenades in the minefield of the soul.

The 23-year-old Athens, Georgia-based artist proves that when musical legacy runs through the bloodline, it ignites the creative spark until it starts an inferno. Raised in a family of musicians, Dekovian soaked up every note of soul, rhythm, and harmony from his grandfather and great uncles before finding his voice at seven and carving out his own blueprint in the genre. Inspired by the emotional architecture of Brandy, Aaliyah, Usher, and Tank, Rashad etched out his sound through the mould of tradition while letting his own vulnerability sculpt the contours.

With the resonance of the layered R&B harmonies and the guitar riffs that cut in towards the outro, ‘Torn’ carves through the decades while staying timeless. The outro sample of a voicemail saying, “I wish it was me”, amplifies the weight of the impassioned track, which effortlessly triumphs in illustrating how matters of the heart can swallow us whole.

‘Torn’ is now available to stream on all major platforms, including SoundCloud.

Review by Amelia Vandergast